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Ferdinand I (1503-1564) was the son of Philip I of Castile and Queen Joanna I of Castile, grandson of Emperor Maximilian I and younger brother of future emperor Charles V. Born and raised in Spain, he was sent to Flanders in 1518. When Charles became Holy Roman emperor in 1519, Ferdinand was entrusted with the governing of their hereditary Austrian lands, becoming Archduke of Austria and adopting the German culture as his own.<br/><br/> Ferdinand became King of Bohemia and Hungary in 1526 after the death of his brother-in-law Louis II, and served as his brother Charles' deputy in the Holy Roman Empire during his numerous absences, eventually being crowned as King of Germany in 1531 and serving as Charles' designated imperial heir. The crown of Croatia also became his in 1527, and fought to push back the Ottomans from Central Europe, eventually repelling them in 1533 but forced to concede the eastern portion of Hungary.<br/><br/> Ferdinand also had to deal with the Protestant Reformation under Luther, and was able to order the Diet in Augsburg, leading to the Peace of Augsburg in 1555. When Charles V abdicated in 1556, Ferdinand was elected as his successor to the imperial throne, becoming Holy Roman emperor in 1558. He continued to ably rule the Holy Roman Empire until his death in 1564, leaving an enduring legacy from his handling of the Protestant Reformation and his efforts against the Ottoman Empire.
Frederick III (1415-1493), also known as Frederick the Fat and Frederick the Peaceful, was the eldest son of the Inner Austrian duke Ernest the Iron, a member of the Habsburg dynasty. He became duke of Inner Austria in 1424 at the age of nine, but would not be awarded rule until 1435, with his younger brother Albert asserting his rights as co-ruler. By 1439, Frederick had become the undisputed head of the Habsburg dynasty.<br/><br/> Frederick was the cousin of late King Albert II, and was elected as King of Germany in 1440. He travelled to Italy in 1452 to receive his bride and be crowned Holy Roman Emperor. He was unsuccessful in being crowned King of Italy however, and was the last emperor to be crowned in Rome. Frederick was not able to gain control over Bohemia and Hungary, losing the Bohemian-Hungarian War and the Austrian-Hungarian War.<br/><br/> Frederick ultimately prevailed against his rivals through patience and cunning, outliving his opponents and then often inheriting their lands. He also gained lands and increased the influence of the Habsburgs through political marriages, giving rise to the saying 'Let others wage wars, but you, happy Austria, shall marry'. Frederick eventually died in 1493, aged 77, bleeding to death after having his infected left leg amputated.
'King Sigismund in the Court Church of Lucerne, 1417', watercolour drawing from the <i>Luzerner Schilling</i> by Diebold Schilling the Younger (1460-1515), c. 1513.<br/><br/> Sigismund (1368-1437) was the son of Emperor Charles IV and younger brother of King Wenceslaus. He led the last West European Crusade, the Crusade of Nicopolis, in 1396, leading a combined Christian army against the Turks. He was elected as King of Germany in 1411 after the death of King Rupert. He also became King of Bohemia in 1419 and managed to be crowned King of Italy in 1431. Sigismund marched into Rome and was crowned Holy Roman Emperor in 1433.
Sigismund (1368-1437), also known as Sigismund of Luxembourg, was the son of Emperor Charles IV and younger brother of King Wenceslaus. Sigismund was betrothed to Princess Mary, eldest daughter of King Louis the Great of Hungary and Poland, marrying her in 1385 and becoming King of Hungary and Croatia in 1387.<br/><br/> Sigismund led the last West European Crusade, the Crusade of Nicopolis, in 1396, leading a combined Christian army against the Turks. The Crusade was a disaster and ended in defeat, Sigismund being imprisoned and deposed in 1401 upon his return to Hungary, though he would later regain the throne. He imprisoned his own brother, King Wenceslaus, in 1403, taking over rule of Bohemia. He was elected as King of Germany in 1411 after the death of King Rupert. He also became King of Bohemia in 1419 and managed to be crowned King of Italy in 1431.<br/><br/> Sigismund marched into Rome and was crowned Holy Roman Emperor in 1433. He led multiple campaigns against the Turkish Ottoman Empire, all with little success, and founded the Order of the Dragon in 1408 with the sole goal of fighting the Turks. He also waged the Hussite Wars from 1419 to 1430. Sigismund died in 1437, the last of the Luxembourg dynasty.
Albert I (1255-1308), also known as Albert of Habsburg, was the eldest son of King Rudolf I, and was made landgrave of Swabia in 1273, looking over his father's possessions in Alsace. He was then made Duke of Austria and Styria in 1283, alongside his younger brother Rudolf II. When his father died without managing to secure Albert's election as successor, he was forced to recognise the sovereignty of the elected King Adolf of Nassau.<br/><br/> Albert did not abandon his hopes for the German crown however, biding his time and working with Adolf's enemies and former allies to eventually have him deposed in 1298, with Albert elected as king in his place. He fought and slew Adolf at the Battle of Gollheim when he refused to give up power.
Rudolf I (1218-1291), also known as Rudolf of Habsburg, was the son of Count Albert IV of Habsburg, and became count after his father's death in 1239. His godfather was Emperor Frederick II, to whom he paid frequent court visits. Rudolf ended the Great Interregnum that had engulfed the Holy Roman Empire after the death of Frederick when he was elected as King of Germany in 1273.<br/><br/> Rudolf secured the recognition of the Pope by promising to launch a new crusade and renouncing all imperial rights to Rome, the papal territories and Sicily. His main opponent was King Ottokar II of Bohemia, who had refused to acknowledge Rudolf as King of Germany. War was declared against Ottokar in 1276, and he was defeated and killed in 1278 during the Battle on the Marchfeld.<br/><br/> Rudolf was ultimately not entirely successful in restoring internal peace throughout the Holy Roman Empire, lacking the power, resources and determination to truly enforce his established land peaces, with the princes largely left to their own devices. He died in 1291, establishing the powerful Habsburg dynasty but unable to ensure the succession of his son Albert as German king.
Henry V (1081/1086-1125) was the son of Emperor Henry IV, and in 1099 was crowned King of Germany and his true successor in place of his older brother Conrad, who had rebelled against their father. Henry took an oath of non-interference in imperial matters while his father ruled, but he was persuaded by his father's enemies to revolt in 1104, forcing his father to abdicate in 1105 and making Henry sole ruler of the Holy Roman Empire.
Siyavash is a major figure in Ferdowsi's epic, the <i>Shahnameh</i> (or <i>Shahnama</i>).<br/><br/> He was a legendary Iranian prince from the earliest days of the Iranian Empire. A handsome and desirable young man, his name literally means 'the one with the black horse' or 'black stallion.
Siyavash is a major figure in Ferdowsi's epic, the <i>Shahnameh</i> (or <i>Shahnama</i>).<br/><br/> He was a legendary Iranian prince from the earliest days of the Iranian Empire. A handsome and desirable young man, his name literally means 'the one with the black horse' or 'black stallion.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Maximilian I (1459-1519) was the son of Emperor Frederick III, and was married to Mary of Burgundy in 1477, daughter of Duke Charles the Bold, ruling the substantial Burgundian domains through his wife and their children when she died in 1482. He was elected King of Germany in 1486 at his father's initiative, ruling together until his father's death in 1493. Maximilian then became sole ruler and was crowned Holy Roman emperor.<br/><br/> Maximilian's first actions were to reconquer large swathes of Austria that had been occupied by Hungary. He fought during the Italian Wars, joining the Holy League against the French. He also had to deal with the Swiss rebelling in 1499, and was forced to sign a peace treaty that granted the Swiss Confederacy independence from the Holy Roman Empire, losing the Austrian territories in modern-day Switzerland. In 1508, Maximilian ended the centuries-old custom that the Holy Roman emperor had to be crowned by the pope, taking the title of 'Elected Roman emperor'.<br/><br/> Maximilian fell from his horse in 1501, which badly damaged his leg and would cause him pain for the rest of his life. He was also said to be morbidly depressed, and from 1514 onwards would travel everywhere with his coffin. He died in Wels, Upper Austria, in 1519, and was succeeded by his grandson Charles V. Maximilian's legacy was expanding the influence of the Habsburg dynasty, and helping to establish a branch of the dynasty in Spain, allowing Charles to hold the thrones of both Castile and Aragon.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Full-length illustration of a fashionably dressed flapper standing with one hand on her hip and a cigarette in the other hand.<br/><br/> Flappers were a generation of young Western women in the 1920s who wore short skirts, bobbed their hair, listened to jazz, and flaunted their disdain for what was then considered acceptable behavior.<br/><br/> Flappers were seen as brash for wearing excessive makeup, drinking, treating sex in a casual manner, smoking, driving automobiles, and otherwise flouting social and sexual norms. Flappers had their origins in the liberal period of the Roaring Twenties, the social, political turbulence and increased transatlantic cultural exchange that followed the end of World War I, as well as the export of American jazz culture to Europe.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
The Mahabharata is one of the two major Sanskrit epics of ancient India, the other being the Ramayana.<br/><br/> The Mahabharata is an epic narrative of the Kurukshetra War and the fates of the Kaurava and the Pandava princes. It also contains philosophical and devotional material, such as a discussion of the four 'goals of life'. Among the principal works and stories in the Mahabharata are the Bhagavad Gita, the story of Damayanti, an abbreviated version of the Ramayana, and the Rishyasringa, often considered as works in their own right.
India: 'Shiva Bearing the Descent of the Ganges River'. Watercolour folio from a Hindi manuscript by the saint Narayan, c. 1740. Shiva bearing the descent of the Ganges River as Parvati and Bhagiratha and the bull Nandi look on. Told and retold in the Ramayana, the Mahabharata and several Puranas, the story begins with a sage, Kapila, whose intense meditation has been disturbed by the sixty thousand sons of King Sagara. Livid at being disturbed, Kapila sears them with his angry gaze, reduces them to ashes, and dispatches them to the netherworld.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Adolf Hitler, leader of the Nazi Party in Germany in the years leading up to and during World War II, was also a painter. He produced hundreds of works and sold his paintings and postcards to try to earn a living during his Vienna years (1908–13). However, he was not successful.<br/><br/> A number of his paintings were recovered after World War II and have been sold at auctions for tens of thousands of dollars. Others were seized by the U.S. Army and are still held by the U.S. government.
The Mahabharata is one of the two major Sanskrit epics of ancient India, the other being the Ramayana.<br/><br/> The Mahabharata is an epic narrative of the Kurukshetra War and the fates of the Kaurava and the Pandava princes. It also contains philosophical and devotional material, such as a discussion of the four 'goals of life'. Among the principal works and stories in the Mahabharata are the Bhagavad Gita, the story of Damayanti, an abbreviated version of the Ramayana, and the Rishyasringa, often considered as works in their own right.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
A view of Tranquebar, Trankebar in Danish, now Tharangambadi in Tamil Nadu.<br/><br/> The painting is executed after the restoration of the fortress by Eskil Andersen Kongsbakke in 1657-1658. Kongsbakke later built a wall around the town in 1660 which is not shown in the painting. The letters in the town quarters represent A: customs warehouse, B: the southern part with the house of Kongsbakke, E: the Portuguese church, H: the pagoda, I: mosques. In the left and right corner of the canvas are figures dressed in various costumes.<br/><br/> The painting was taken as war booty by Carl Gustaf Wrangel during the war between Sweden and Denmark, possibly from Frederiksborg Castle in 1660, and is today held at Skoloster Slott (Skoloster Castle) in Sweden.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Otto I (912-973), also known as Otto the Great, was the oldest son of King Henry I and inherited the Duchy of Saxony as well as kingship of East Francia, now also increasingly known as Germany, when his father died in 936. He unified the various duchies into one single kingdom, ensuring more power remained in the king's hands rather than that of the aristocracy, placing members of his family into all the duchies to reduce the power of the dukes, who had previously been co-equals with the king.
'Doughboy' was an informal term for a member of the United States Army or Marine Corps, especially used to refer to members of the American Expeditionary Forces in World War I, but initially used in the Mexican-American War of 1846-48.
Mirza Abu Zafar Sirajuddin Muhammad Bahadur Shah Zafar (Urdu: ابو ظفر سِراجُ الْدین محمد بُہادر شاہ ظفر‎), better known as Bahadur Shah Zafar (Urdu: بہادر شاہ دوم‎), on 24 October 1775 – died 7 November 1862), was the last Mughal emperor and a member of the Timurid Dynasty.<br/><br/> Zafar was the son of Mirza Akbar Shah II and Lalbai, who was a Hindu Rajput, and became Mughal Emperor when his father died on 28 September 1837. He used Zafar, a part of his name, meaning 'victory', for his nom de plume as an Urdu poet, and he wrote many Urdu ghazals under it.<br/><br/> After his involvement in the Indian Rebellion of 1857, the British tried and then exiled him from Delhi and sent him to Rangoon (now Yangon) in British-controlled Burma (Myanmar).
China: Greater Bird-of-paradise. Watercolour painting from a gouache album of various Chinese birds, 19th century.<br/><br/> The greater bird-of-paradise (Paradisaea apoda) is a bird-of-paradise found in the lowland and hill forests of southwest New Guinea and Indonesia's Aru Islands. It has the most glamorous display in the bird world, with sexually dimorphic plumage, the females being quite plain compared to the males.
China: Greater Bird-of-paradise. Watercolour painting from a gouache album of various Chinese birds, 19th century.<br/><br/> The greater bird-of-paradise (Paradisaea apoda) is a bird-of-paradise found in the lowland and hill forests of southwest New Guinea and Indonesia's Aru Islands. It has the most glamorous display in the bird world, with sexually dimorphic plumage, the females being quite plain compared to the males.
Indonesia / China: Purple-naped Lory. Watercolour painting from a gouache album of various Chinese and Indonesian birds, 19th century.<br/><br/> The purple-naped lory (Lorius domicella) is a species of parrot endemic to the Indonesian islands of Seram, Ambom, Haruku and Saparua. Its popularity with the cage-bird trade has led to it being considered an endangered species.
Indonesia / China: Purple-naped Lory. Watercolour painting from a gouache album of various Chinese and Indonesian birds, 19th century.<br/><br/> The purple-naped lory (Lorius domicella) is a species of parrot endemic to the Indonesian islands of Seram, Ambom, Haruku and Saparua. Its popularity with the cage-bird trade has led to it being considered an endangered species.
China: Satyr Tragopan. Watercolour painting from a gouache album of various Chinese birds, 19th century.<br/><br/> The satyr tragopan (Tragopan satyra), also known as the crimson horned pheasant, is a Himalayan pheasant found in India, Bhutan, Nepal and Tibet. During mating season, males grow blue horns and a gular wattle. When ready to display, they hide behind a rock and inflate their horns, and when females pass by they perform an elaborate display in front of them, stretching to their full height to show off all their ornaments.
China: Java Sparrow. Watercolour painting from a gouache album of various Chinese birds, 19th century.<br/><br/> The Java sparrow (Padda oryzivora), also known as the Java rice bird, Java rice sparrow or Java finch, is a resident breeding bird found in Java, Bali and Bawean in Indonesia. It has been a popular cage bird for centuries, especially in China and Japan, as well as in the mid-1900s United States before their import was banned.<br/><br/> From a collection of beautifully painted Chinese ornithological studies, mid-19th century, by an anonymous painter.
China: Java Sparrow. Watercolour painting from a gouache album of various Chinese birds, 19th century.<br/><br/> The Java sparrow (Padda oryzivora), also known as the Java rice bird, Java rice sparrow or Java finch, is a resident breeding bird found in Java, Bali and Bawean in Indonesia. It has been a popular cage bird for centuries, especially in China and Japan, as well as in the mid-1900s United States before their import was banned.<br/><br/> From a collection of beautifully painted Chinese ornithological studies, mid-19th century, by an anonymous painter.
China: Japanese Quail. Watercolour painting from a gouache album of various Chinese birds, 19th century.<br/><br/> The Japanese quail (Coturnix japonica), also known as the coturnix quail, is a species of Old World quail that was first considered a subspecies of the common quail before being considered a separate species. Found across East Asia, it also resides in many parts of Africa and some regions of Europe.
China: Black-capped Kingfisher. Watercolour painting from a gouache album of various Chinese birds, 19th century.<br/><br/> The black-capped kingfisher (Halcyon pileata) is a tree Kingfisher found throughout tropical Asia, from India to China, Korea and Southeast Asia. It was much sought after for its blue feathers, especially in China where they used to make fans and women's ornaments.
China: Black-capped Kingfisher. Watercolour painting from a gouache album of various Chinese birds, 19th century.<br/><br/> The black-capped kingfisher (Halcyon pileata) is a tree Kingfisher found throughout tropical Asia, from India to China, Korea and Southeast Asia. It was much sought after for its blue feathers, especially in China where they used to make fans and women's ornaments.
China: Red-whiskered Bulbul. Watercolour painting from a gouache album of various Chinese birds, 19th century.<br/><br/> The red-whiskered bulbul (Pycnonotus jocosus), or crested bulbul, is a passerine bird and frugivore found across tropical Asia. It has since been introduced to other tropical areas in the world, such as Australia, Hawaii and the United States.
China: Red-whiskered Bulbul. Watercolour painting from a gouache album of various Chinese birds, 19th century.<br/><br/> The red-whiskered bulbul (Pycnonotus jocosus), or crested bulbul, is a passerine bird and frugivore found across tropical Asia. It has since been introduced to other tropical areas in the world, such as Australia, Hawaii and the United States.
One half of a pair—the other screen being called ‘Winter’—this tender springtime scene features birds and blooming camellias and green willows.<br/><br/> The unknown artist—who is clearly from the school of Unkoku Togan (1547-1618)—has used watercolor and gilded paper pulled across a wooden frame to create the screen.<br/><br/> Adopted from the Chinese in the 7th and 8th centuries CE, screens such as this are used in Japan to separate space within a house and are an integral part of Japanese décor.
One half of a pair—the other screen being called ‘Spring’—this winter scene features frost-covered plum blossoms and evergreen bamboo<br/><br/> The unknown artist—who is clearly from the school of Unkoku Togan (1547-1618)—has used watercolor and gilded paper pulled across a wooden frame to create the screen.<br/><br/> Adopted from the Chinese in the 7th and 8th centuries CE, screens such as this are used in Japan to separate space within a house and are an integral part of Japanese décor.
Iran: 'The Lovers'. Opaque watercolour painting by Riza Abbasi (c. 1565–1635), 1630. Riza Abbasi, Riza yi-Abbasi or Reza-e Abbasi, also Aqa Riza or Āqā Riżā Kāshānī was the leading Persian miniaturist of the Isfahan School during the later Safavid period, spending most of his career working for Shah Abbas I (r.1587-1629). He is considered to be the last great master of the Persian miniature, best known for his single miniatures for muraqqa or albums, especially single figures of beautiful youths.
This watercolor by Arnold Borret (1848-88) consists of small sketches of different members of society and their various ethnic backgrounds in the Dutch colony of Suriname in the 1880s. Borret was an accomplished amateur artist who was also a lawyer and a Roman Catholic priest. He studied law at the University of Leiden and practiced in Rotterdam before becoming a clerk, in 1878, to the Supreme Court in Paramaribo. He became a priest in 1883, with the intention of working with lepers in Suriname. He died of typhus in 1888.<br/><br/> The smallest country in South America, Suriname's diversity began in the 16th century when French, Spanish and English explorers visited the area. A century later, plantation colonies were established by the Dutch and English along the many rivers in the fertile Guyana plains.<br/><br/> Disputes arose—as ever—between the Dutch and the English. In 1667, the Dutch decided to keep the nascent plantation colony of Suriname from the English, resulting from the Treaty of Breda. The English were left with New Amsterdam, a small trading post in North America, which later became New York City.<br/><br/> As a plantation colony, Surinam was still heavily dependent on manual labor, and to make up for the shortfall, the Dutch brought in contract laborers from the Dutch East Indies (modern Indonesia) and India (through an arrangement with the British). In addition, during the late 19th and early 20th centuries, small numbers of mostly men were brought in from China and the Middle East. Although Suriname's population remains relatively small, because of this unique history it is one of the most ethnically and culturally diverse countries in the world.
During the period of Arab expansion into North Africa, cavalry was often mounted on small, agile horses called ‘Berbers’, or ‘Barbs’. Known for speed, endurance and courage in war, the Barb was an important component of the Arab forces.
This illustration by Louis Delaporte is one of dozens he produced during his two-year venture (1866-68) with the Mekong Exploration Commission sponsored by the French Ministry of the Navy, the intention of which was to lay the groundwork for the expansion of French colonies in Indochina. Traveling the Mekong by boat, the small French delegation voyaged from Saigon to Phnom Penh to Luang Prabang, then farther north into the uncharted waters of Upper Laos and China's Yunnan province, before returning to Hanoi in 1868 by foot, accompanied by porters and elephants.
Friedrich Wilhelm Heinrich Alexander von Humboldt was a Prussian geographer, naturalist, and explorer, and the younger brother of the Prussian minister, philosopher and linguist Wilhelm von Humboldt (1767–1835). Humboldt's quantitative work on botanical geography laid the foundation for the field of biogeography.<br/><br/> Between 1799 and 1804, Humboldt travelled extensively in Latin America, exploring and describing it for the first time from a modern scientific point of view. His description of the journey was written up and published in an enormous set of volumes over 21 years. He was one of the first to propose that the lands bordering the Atlantic Ocean were once joined (South America and Africa in particular).<br/><br/> Later, his five-volume work, Kosmos (1845), attempted to unify the various branches of scientific knowledge. Humboldt supported and worked with other scientists, including Joseph-Louis Gay-Lussac, Justus von Liebig, Louis Agassiz, Matthew Fontaine Maury, Georg von Neumayer, and most notably, Aimé Bonpland, with whom he conducted much of his scientific exploration.