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Japanese woodblock print showing an Englishman dancing while a Japanese woman - in fact a courtesan or prostitute, identified by her elaborate coiffure and hair pins - plays the shamisen, Yokohama, Japan<br/><br/>

Utagawa Yoshitora was a designer of <i>ukiyo-e</i> Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. He was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (<i>Yokohama-e</i>).
Japanese triptych print shows the interior of a foreign settlement house with several women and men enjoying a tea party, and a view of ships in the harbor in the background, Yokohama, Japan.<br/><br/>

Utagawa Yoshitora was a designer of <i>ukiyo-e</i> Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. He was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (<i>Yokohama-e</i>).
Japanese triptych print shows the interior of a foreign settlement house with several women and men enjoying a tea party, and a view of ships in the harbor in the background, Yokohama, Japan.<br/><br/>

Utagawa Yoshitora was a designer of <i>ukiyo-e</i> Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. He was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (<i>Yokohama-e</i>).
Japanese print showing an American family, the husband stands nearby while his wife breast-feeds an infant.<br/><br/>

Utagawa Yoshitora was a designer of <i>ukiyo-e</i> Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. He was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (<i>Yokohama-e</i>).
Japanese woodblock print showing a man and a woman standing on the Yokohama docks as a steamboat returns to the pier.<br/><br/>

Utagawa Yoshitora was a designer of <i>ukiyo-e</i> Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. He was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (<i>Yokohama-e</i>).
Japanese triptych print shows the interior of a foreign settlement house with several women and men enjoying a tea party, and a view of ships in the harbor in the background, Yokohama, Japan.<br/><br/>

Utagawa Yoshitora was a designer of <i>ukiyo-e</i> Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. He was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (<i>Yokohama-e</i>).
Japanese woodblock print showing an American couple looking at something in the distance<br/><br/>

Utagawa Yoshitora was a designer of <i>ukiyo-e</i> Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. He was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (<i>Yokohama-e</i>).
Japanese woodblock print showing an American man smoking a cigarette while on horseback.<br/><br/>

Utagawa Yoshitora was a designer of <i>ukiyo-e</i> Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. He was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (<i>Yokohama-e</i>).
Japanese woodblock print showing the American consul with his wife and a colleague at the American consulate in Tokyo.<br/><br/>

Utagawa Yoshitora was a designer of </>ukiyo-e</i> Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. He was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (<i>Yokohama-e</i>).
Japanese woodblock print showing an American man holding a glass and a Japanese prostitute holding a bottle.<br/><br/>

Utagawa Yoshitora was a designer of <i>ukiyo-e</i> Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. He was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (<i>Yokohama-e</i>).
Japanese woodblock print showing two American sailors; the print includes text about America by Kanagaki Robun.<br/><br/>

Utagawa Yoshitora was a designer of <i>ukiyo-e</i> Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. He was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (<i>Yokohama-e</i>).
Japanese woodblock print showing an American couple conversing; their conversation is translated into Japanese.<br/><br/>

Utagawa Yoshitora was a designer of <i>ukiyo-e</i> Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. He was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (<i>Yokohama-e</i>).
The Hindu deity Hanuman is an ardent devotee of Rama, a central character in the Indian epic Ramayana. A general among the vanaras, an ape-like race of forest-dwellers, Hanuman is an incarnation of the divine and a disciple of Lord Sri Rama in the struggle against the demon king Ravana.<br/><br/> 

The most revered Hindu site in Nepal is the extensive Pashupatinath Temple complex, five kilometres east of central Kathmandu. The focus of devotion here is a large silver Shivalingam with four faces of Shiva carved on its sides, making it a 'Chaturmukhi-Linga', or four-faced Shivalingam. Pashupati is one of Shiva’s 1,008 names, his manifestation as 'Lord of all Beasts' (pashu means 'beasts', pati means 'lord'); he is considered the guardian deity of Nepal.<br/><br/> 

The main temple building around the Shivalingam was built under King Birpalendra Malla in 1696, however the temple is said to have already existed before 533 CE. In 733 CE, King Jayadeva II erected in its precincts a stone tablet which chronicled all the kings of Nepal, beginning with the sun god. During the Muslim raids of 1349 the temple was largely destroyed, but in 1381 Jayasinharama Varddhana of Banepa restored it. Further renovations were conducted towards the end of the Malla period, and the latest extensive improvements were made in 1967.<br/><br/> 

Since the temple's inception, all the rulers of Nepal have taken great pains to pay their respects to it, to make donations, and to finance extensions.
Message: 'Do you know? It is against the law to sell or give duty free tobacco products to Japanese nationals'. The message is concerned with tobacco industry profits and not health.
John Thomson (14 June 1837 – 29 September 1921) was a pioneering Scottish photographer, geographer and traveller. He was one of the first photographers to travel to the Far East, documenting the people, landscapes and artifacts of eastern cultures. Upon returning home, his work among the street people of London cemented his reputation, and is regarded as a classic instance of social documentary which laid the foundations for photojournalism. He went on to become a portrait photographer of High Society in Mayfair, gaining the Royal Warrant in 1881.<br/><br/>

Thomson travelled extensively throughout China, from the southern trading ports of Hong Kong and Canton to the cities of Peking and Shanghai, to the Great Wall in the north, and deep into central China. From 1870 to 1871 he visited the Fukien region, travelling up the Min River by boat with the American Protestant missionary Reverend Justus Doolittle, and then visited Amoy and Swatow.<br/><br/>

He went on to visit the island of Formosa (Taiwan) with the missionary Dr. James Laidlaw Maxwell, landing first in Takao in early April 1871. The pair visited the capital, Taiwanfu, before travelling on to the aboriginal villages on the west plains of the island. After leaving Formosa, Thomson spent the next three months travelling 3,000 miles up the Yangtze River, reaching Hupeh and Szechuan.<br/><br/>

Thomson's travels in China were often perilous, as he visited remote, almost unpopulated regions far inland. Most of the people he encountered had never seen a Westerner or camera before. His expeditions were also especially challenging because he had to transport his bulky wooden camera, many large, fragile glass plates, and potentially explosive chemicals. He photographed in a wide variety of conditions and often had to improvise because chemicals were difficult to acquire. His subject matter varied enormously: from humble beggars and street people to Mandarins, Princes and senior government officials; from remote monasteries to Imperial Palaces; from simple rural villages to magnificent landscapes.
Shanghai (Chinese: 上 海; Pinyin Shànghǎi) is one of the largest cities by population in the People's Republic of China, and the world. The city is located in eastern China, at the middle portion of the Chinese coast, and sits at the mouth of the Yangtze River. Due to its rapid growth over the last two decades it has again become a global city, exerting influence over finance, commerce, fashion, technology and culture.<br/><br/>

Once a fishing and textiles town, Shanghai grew in importance in the 19th century due to its favourable port location and was one of the cities opened to foreign trade by the 1842 Treaty of Nanking. The city then flourished as a centre of commerce between east and west, and became a multinational hub of finance and business in the 1930s. However, with the Communist Party takeover of the mainland in 1949, the city's international influence declined.<br/><br/>

In 1990, the economic reforms introduced by Deng Xiaoping resulted in an intense re-development of the city, aiding the return of finance and foreign investment to the city. Shanghai is now aiming to be an international shipping centre in the future, and is one of the world's major financial centres.<br/><br/>

Shanghai is also a popular tourist destination renowned for its historical landmarks such as The Bund, City God Temple and Yuyuan Garden, as well as the extensive and growing Pudong skyline. It is described as the 'showpiece' of the booming economy of mainland China.<br/><br/>