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The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
Utagawa Kuniyoshi (January 1, 1798 - April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school.<br/><br/> The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes. His artwork was affected by Western influences in landscape painting and caricature.
Left to Right: General Creighton Abrams, George Ball, Assistant Press Secretary Tom Johnson, General Maxwell Taylor, McGeorge Bundy, General Matthew Ridgway, Ambassador Henry Cabot Lodge, Dean Acheson, President Lyndon B. Johnson, General Omar Bradley, Ambassador Averell Harriman, Secretary of Defense Clark Clifford, Cyrus Vance, Walt Rostow, Secretary of State Dean Rusk.
Istanbul's Hagia Sophia (Greek) or Ayasofya (Turkish) was originally constructed as a main Eastern Orthodox church and served in this role from 537 CE until the fall of Constantinople in 1453 (except between 1204 and 1261 when it was converted by the Fourth Crusaders to a Roman Catholic cathedral).<br/><br/> When the Ottoman Turks under Mehmed II conquered Constantinople, the Hagia Sophia was converted into a mosque and Christian relics and art were either removed or plastered over. It remained a mosque for almost 500 years, before being converted into a museum between 1931 and 1935.<br/><br/> Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and influenced the design of numerous mosques in what is now Istanbul.
The Magi, also referred to as the Three Wise Men or Three Kings, were, in the Gospel of Matthew and Christian tradition, a group of distinguished foreigners who visited Jesus after his birth, bearing gifts of gold, frankincense and myrrh. They are regular figures in traditional accounts of the nativity celebrations of Christmas and are an important part of Christian tradition.<br/><br/> The New Testament does not give the names of the Magi. However, traditions and legends identify a variety of different names for them. In the Western Christian church, they have been all regarded as saints and are commonly known as Melchior, a Persian scholar; Caspar, an Indian scholar; and Balthazar, a Babylonian scholar.
Utagawa Kuniyoshi (January 1, 1798 - April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school.<br/><br/> The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes. His artwork was affected by Western influences in landscape painting and caricature.
The Second Indochina War, known in America as the Vietnam War, was a Cold War era military conflict that occurred in Vietnam, Laos, and Cambodia from 1 November 1955 to the fall of Saigon on 30 April 1975. This war followed the First Indochina War and was fought between North Vietnam, supported by its communist allies, and the government of South Vietnam, supported by the U.S. and other anti-communist nations. The U.S. government viewed involvement in the war as a way to prevent a communist takeover of South Vietnam and part of their wider strategy of containment.<br/><br/> The North Vietnamese government viewed the war as a colonial war, fought initially against France, backed by the U.S., and later against South Vietnam, which it regarded as a U.S. puppet state. U.S. military advisors arrived beginning in 1950. U.S. involvement escalated in the early 1960s, with U.S. troop levels tripling in 1961 and tripling again in 1962. U.S. combat units were deployed beginning in 1965. Operations spanned borders, with Laos and Cambodia heavily bombed. Involvement peaked in 1968 at the time of the Tet Offensive.<br/><br/> U.S. military involvement ended on 15 August 1973. The capture of Saigon by the North Vietnamese army in April 1975 marked the end of the US-Vietnam War.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
Pieter Bruegel (Brueghel) the Elder, c. 1525 – 9 September 1569, was a Flemish Renaissance painter and printmaker known for his landscapes and peasant scenes.<br/><br/> He is sometimes referred to as the 'Peasant Bruegel' to distinguish him from other members of the Brueghel dynasty, but he is also the one generally meant when the context does not make clear which Brueghel is being referred to. From 1559 he dropped the 'h' from his name and signed his paintings as Bruegel.
The Magi, in royal or aristocratic dress, come to adore Christ child and to bring gifts of frankincense, gold and myrrh.<br/><br/> From the Ranworth Antiphonal of c.1460-1480 - its professional but provincial decoration suggest it was made in the Norwich area for use in the Norwich diocese (at Ranworth church, Norfolk, by 1505).
Legend attributes the first Buddhist doctrine in Burma to 228 BC when Sonna and Uttara, two ambassadors of the Emperor Ashoka the Great of India, came to the country with sacred texts. However, the golden era of Buddhism truly began in the 11th century after King Anawrahta of Pagan (Bagan) was converted to Theravada Buddhism. Today, 89% of the population of Burma is Theravada Buddhist.<br/><br/> The British conquest of Burma began in 1824 in response to a Burmese attempt to invade India. By 1886, and after two further wars, Britain had incorporated the entire country into the British Raj. To stimulate trade and facilitate changes, the British brought in Indians and Chinese, who quickly displaced the Burmese in urban areas. To this day Rangoon and Mandalay have large ethnic Indian populations. Railways and schools were built, as well as a large number of prisons, including the infamous Insein Prison, then as now used for political prisoners.<br/><br/> Burmese resentment was strong and was vented in violent riots that paralysed Rangoon on occasion all the way until the 1930s. Burma was administered as a province of British India until 1937 when it became a separate, self-governing colony. Burma finally gained independence from Britain on January 4, 1948.
According to Christianity, the Three Kings, or Three Wise Men, travelled from the East to Bethlehem to pay homage to the newly born Messiah, the son of God. Cradled in his mother the Virgin Mary’s hands, the baby Jesus holds up his hand in a blessing. Before him kneels King Melchior, offering a gift of gold. Joseph, Mary's husband, stands behind in red.
Known in the Christian Bible as the Adoration of the Magi, this vivid scene depicts the Virgin Mary, mother of Christ, sitting in a ruined palace with the baby Jesus in her hands.<br/><br/> The Three Kings (the Magi) have come to Bethlehem to honour the child. They are dressed in their finest clothes. The kings , having removed their crowns, kneel and kiss the Christ's hand. Each bear's a gift, gold, frankincense and myrrh. Joseph stands in red in the background.
Magi (Latin plural of magus; Ancient Greek: μάγος magos; Old Persian: maguš, Persian: مُغ‎ mogh; English singular magian, mage, magus, magusian, magusaean) is a term, used since at least the 4th century BCE, to denote followers of Zoroaster, or rather, followers of what the Hellenistic world associated Zoroaster with, which was – in the main – the ability to read the stars, and manipulate the fate that the stars foretold.<br/><br/> Pervasive throughout the Eastern Mediterranean and Western Asia until late antiquity and beyond, Greek mágos, "Magian" or "magician," was influenced by (and eventually displaced) Greek goēs(γόης), the older word for a practitioner of magic, to include astrology, alchemy and other forms of esoteric knowledge. This association was in turn the product of the Hellenistic fascination for (Pseudo-) Zoroaster, who was perceived by the Greeks to be the "Chaldean" "founder" of the Magi and "inventor" of both astrology and magic. Among the skeptical thinkers of the period, the term 'magian' acquired a negative connotation and was associated with tricksters and conjurers. This pejorative meaning survives in the words "magic" and "magician".<br/><br/> In English, the term "magi" is most commonly used in reference to the Gospel of Matthew's 'wise men from the East', or 'three wise men', though that number does not actually appear in Matthew's account. The plural "magi" entered the English language around 1200, in reference to the Biblical magi of Matthew 2:1. The singular appears considerably later, in the late 14th century, when it was borrowed from Old French in the meaning magician together with magic.
A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074).<br/><br/> She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends.<br/><br/> At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poetic style, though this rivalry pales in comparison with Murasaki Shikibu's spirited competition with Sei Shōnagon. Izumi Shikibu's emotional poetry won her the praise of many at the court, including Fujiwara no Kinto.
Magi (Latin plural of magus; Ancient Greek: μάγος magos; Old Persian: maguš, Persian: مُغ‎ mogh; English singular magian, mage, magus, magusian, magusaean) is a term, used since at least the 4th century BCE, to denote followers of Zoroaster, or rather, followers of what the Hellenistic world associated Zoroaster with, which was – in the main – the ability to read the stars, and manipulate the fate that the stars foretold.<br/><br/> Pervasive throughout the Eastern Mediterranean and Western Asia until late antiquity and beyond, Greek mágos, "Magian" or "magician," was influenced by (and eventually displaced) Greek goēs(γόης), the older word for a practitioner of magic, to include astrology, alchemy and other forms of esoteric knowledge. This association was in turn the product of the Hellenistic fascination for (Pseudo-) Zoroaster, who was perceived by the Greeks to be the "Chaldean" "founder" of the Magi and "inventor" of both astrology and magic. Among the skeptical thinkers of the period, the term 'magian' acquired a negative connotation and was associated with tricksters and conjurers. This pejorative meaning survives in the words "magic" and "magician".<br/><br/> In English, the term "magi" is most commonly used in reference to the Gospel of Matthew's 'wise men from the East', or 'three wise men', though that number does not actually appear in Matthew's account. The plural "magi" entered the English language around 1200, in reference to the Biblical magi of Matthew 2:1. The singular appears considerably later, in the late 14th century, when it was borrowed from Old French in the meaning magician together with magic.