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This Nyatapola Temple was built in 1708 by King Bhupatrindra Malla (r. 1696 - 1722). Bhupatindra placed a chudamani (a jewel worn in a head-dress) in the foundation to give the temple supernatural strength, and started the construction by personally carrying three bricks to the site. The king’s example spurred the populace into rapid action, and within five days the people of Bhaktapur had brought together all the materials necessary for the work.<br/><br/> In the earthquake of 1934, when all buildings around were shaken to the core and many were completely destroyed, the Nyatapola Temple escaped almost unscathed.<br/><br/> The Nyatapola Temple was most likely dedicated to the mysterious Tantric goddess Siddhi Lakshmi, whom it was hoped would neutralise the negative influence of the adjacent Bhairavnath.
The kingdom of Champa (Campadesa or nagara Campa) Chăm Pa in Vietnamese, 占城 Chiêm Thành in Hán Việt and Zhàn chéng in Chinese records) was an Indianized kingdom that controlled much of southern and central Vietnam from approximately the 7th century through to 1832.<br/><br/> Champa reached its apogee in the 9th and 10th centuries. Then began a gradual decline under pressure from Đại Việt, the Vietnamese polity centered in the region of modern Hanoi. In 1471, Viet troops sacked the northern Cham capital of Vijaya, and in 1697 the southern principality of Panduranga became a vassal of the Vietnamese emperor.<br/><br/> In 1832, the Vietnamese emperor Minh Mạng annexed the remaining Cham territories. Mỹ Sơn, a former religious center, and Hội An, one of Champa's main port cities, are now UNESCO World Heritage sites.
Dong Ho painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Dong Ho folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a genre of Vietnamese woodcut paintings originating from Dong Ho village (làng Đông Hồ) in Bac Ninh Province, Vietnam.<br/><br/> Using the traditional điệp paper and colours derived from nature, craftsmen print Dong Ho pictures of different themes from good luck wishes, historical figures to everyday activities and folk allegories. In the past, Dong Ho painting was an essential element of the Tết holiday in Vietnam.
Sumo is a competitive full-contact sport where a wrestler (rikishi) attempts to force another wrestler out of a circular ring (dohyō) or to touch the ground with anything other than the soles of the feet.<br/><br/> The sport originated in Japan, the only country where it is practiced professionally. It is generally considered to be a gendai budō (a modern Japanese martial art), though this definition is incorrect as the sport has a history spanning many centuries. Many ancient traditions have been preserved in sumo, and even today the sport includes many ritual elements, such as the use of salt purification, from the days when sumo was used in the Shinto religion.<br/><br/> Life as a rikishi is highly regimented, with rules laid down by the Sumo Association. Most sumo wrestlers are required to live in communal "sumo training stables" known in Japanese as heya where all aspects of their daily lives—from meals to their manner of dress—are dictated by strict tradition.
A powerfully built Sumo wrestler - no doubt a celebrity at the time (c. 1925) endorses the virtues of Umegatani sake.
Tsukioka Yoshitoshi (1839 – June 9, 1892), also named Taiso Yoshitoshi, was a Japanese artist. He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of feudal Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many outstanding aspects of traditional Japanese culture, among them traditional woodblock printing.
A coloured illustration of revellers enjoying themselves in boats, 1907.
Body tattooing was an important rite of passage for men in the Visayas and was often related to head-hunting or heroism. At festivals, wrestlers wore loincloths to expose their tattoos making them appear more fierce and entreating protection from the spirit world. The first Europeans in the Philippines refered to the Visayans as ‘Los Pintados’, meaning ‘The Painted Ones’.<br/><br/> The name ‘Visayan’ refers to any of several ethnic groups, including Austronesian and Negroid peoples, that inhabit the regions of the Visayas and some parts of Mindanao in the Philippines.
The Osaka Mercantile Steamship Company, in the form of a gigantic sumo wrestler, bestrides the trade routes of the world in this 1916 advertising poster.
Okitsu: View near the mouth of the Okitsu River, looking out to sea, and two sumo wrestlers being carried upstream, one on a packhorse and the other in a kago.<br/><br/> This flat area was noted for its beautiful view of the pine grove 'Mihonomatsubara' highlighted by the pretty seascape backdrop.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name)and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).<br/><br/> The Tōkaidō (東海道 East Sea Road) was the most important of the Five Routes of the Edo period, connecting Edo (modern-day Tokyo) to Kyoto in Japan. Unlike the inland and less heavily travelled Nakasendō, the Tōkaidō travelled along the sea coast of eastern Honshū, hence the route's name.