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Utagawa Kuniyoshi (January 1, 1798 - April 14, 1861) was one of the last great masters of the Japanese <i>ukiyo-e</i> style of woodblock prints and painting. He is associated with the Utagawa school.<br/><br/> The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes. His artwork was affected by Western influences in landscape painting and caricature.
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / <i>moga</i>' movement of the 1920s and 1930s. Shoun is considered a bridge between the <i>ukiyo-e</i> and <i>shin hanga</i> schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamoto Shoun (December 30, 1870 - May 10, 1965), who was also known as Matsutani Shoun, was a Japanese print designer, painter, and illustrator. He was born in Kochi into a family of retainers of the Shogun and was given the name Mosaburo. As a teenager, he studied Kano school painting with Yanagimoto Doso and Kawada Shoryu. At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei. At 20 years of age, he was employed as an illustrator for Fugoku Gaho, a pictorial magazine dealing with the sights in and around Tokyo. In his latter career, Shoun primarily produced paintings. He died in 1965, at the age of 96.<br/><br/> In addition to his magazine illustrations, Shoun is best known for his woodblock prints of <i>bijin</i> or 'beautiful women', especially <i>imasugata</i> a kind of precursor to the 'moderngirls / moga' movement of the 1920s and 1930s. Shoun is considered a bridge between the ukiyo-e and shin hanga schools. His career spans the Meiji (1868-1912), Taisho (1912-1926) and Showa (1926-1989) periods.
Yamamoto Kansuke (山本 勘助, 1501 – October 18, 1561) was a Japanese samurai of the Sengoku period. He was known as one of the 'Twenty-Four Generals of Takeda Shingen'.<br/><br/> Also known by his formal name, Haruyuki (晴幸), he was a brilliant strategist, and is particularly known for his plan which led to victory in the fourth battle of Kawanakajima (September 10, 1561) against Uesugi Kenshin. However, Kansuke never lived to see his plan succeed; thinking it to have failed, he charged headlong into the enemy ranks, dying in battle.
Yamamoto Kansuke (山本 勘助, 1501 – October 18, 1561) was a Japanese samurai of the Sengoku period. He was known as one of the 'Twenty-Four Generals of Takeda Shingen'.<br/><br/> Also known by his formal name, Haruyuki (晴幸), he was a brilliant strategist, and is particularly known for his plan which led to victory in the fourth battle of Kawanakajima (September 10, 1561) against Uesugi Kenshin. However, Kansuke never lived to see his plan succeed; thinking it to have failed, he charged headlong into the enemy ranks, dying in battle.
Isoroku Yamamoto (山本 五十六 Yamamoto Isoroku, April 4, 1884 – April 18, 1943) was a Japanese Marshal Admiral and the commander-in-chief of the Combined Fleet during World War II, a graduate of the Imperial Japanese Naval Academy.<br/><br/> Yamamoto held several important posts in the Imperial Japanese Navy, and undertook many of its changes and reorganizations, especially its development of naval aviation. He was the commander-in-chief during the decisive early years of the Pacific War and so was responsible for major battles such as Pearl Harbor and Midway.<br/><br/> He died when American codebreakers identified his flight plans and his plane was shot down. His death was a major blow to Japanese military morale during World War II.
Yamato (大和?), named after the ancient Japanese Yamato Province, was the lead ship of the Yamato class of battleships that served with the Imperial Japanese Navy during World War II. She and her sister ship, Musashi, were the heaviest and most powerfully armed battleships ever constructed, displacing 72,800 tonnes at full load and armed with nine 46 cm (18.1 inch) main guns. Neither ship survived the war.<br/><br/> Laid down in 1937 and formally commissioned a week after the Pearl Harbor attack in late 1941, Yamato was designed to counter the numerically superior battleship fleet of the United States, Japan's main rival in the Pacific. Throughout 1942 she served as the flagship of the Japanese Combined Fleet, and in June 1942 Admiral Isoroku Yamamoto directed the fleet from her bridge during the Battle of Midway, a disastrous defeat for Japan.<br/><br/> During 1944, the balance of naval power in the Pacific decisively turned against Japan and, by early 1945, the Japanese fleet was much depleted and critically short of fuel stocks in the home islands, limiting its usefulness. In April 1945, in a desperate attempt to slow the Allied advance, Yamato was dispatched on a one way voyage to Okinawa, where it was intended that she should protect the island from invasion and fight until destroyed. The task force was spotted south of Kyushu by US submarines and aircraft, and on 7 April 1945 she was sunk by American carrier-based bombers and torpedo bombers with the loss of most of her crew.
Yamamoto Kansuke (山本 勘助, 1501 – October 18, 1561) was a Japanese samurai of the 16th century who was one of Takeda Shingen's most trusted Twenty-Four Generals. Also known by his formal name, Haruyuki (晴幸), he was a brilliant strategist, and is particularly known for his plan which led to victory in the fourth battle of Kawanakajima against Uesugi Kenshin. However, Kansuke never lived to see his plan succeed; thinking it to have failed, he charged headlong into the enemy ranks, dying in battle.<br/><br/> From: 'Stories of Courageous Generals of the Provinces of Echigo and Kai' (Kôetsu yûshô den, 甲越勇將傳). Publisher: Sumiyoshi-ya Masagorô, c. 1848-1849.
Isoroku Yamamoto (山本 五十六 Yamamoto Isoroku, April 4, 1884 – April 18, 1943) was a Japanese Marshal Admiral and the commander-in-chief of the Combined Fleet during World War II, a graduate of the Imperial Japanese Naval Academy.<br/><br/> Yamamoto held several important posts in the Imperial Japanese Navy, and undertook many of its changes and reorganizations, especially its development of naval aviation. He was the commander-in-chief during the decisive early years of the Pacific War and so was responsible for major battles such as Pearl Harbor and Midway.<br/><br/> He died when American codebreakers identified his flight plans and his plane was shot down. His death was a major blow to Japanese military morale during World War II.