Refine your search

The results of your search are listed below alongside the search terms you entered on the previous page. You can refine your search by amending any of the parameters in the form and resubmitting it.

Select all Deselect all Add selection to lightbox
Large Small
Thumbnails per page
The Islamic State of Iraq and the Levant (ISIL), also known as the Islamic State of Iraq and Syria (ISIS), Islamic State (IS), and by its Arabic language acronym Daesh, is a Salafi jihadist militant group that follows a fundamentalist, Wahhabi doctrine of Sunni Islam.<br/><br/> The group has been designated a terrorist organisation by the United Nations and many individual countries. ISIL is widely known for its videos of beheadings of both soldiers and civilians, including journalists and aid workers, and its destruction of cultural heritage sites. The United Nations holds ISIL responsible for human rights abuses and war crimes, and Amnesty International has charged the group with ethnic cleansing on a historic scale in northern Iraq.
After an early and brief film career in Germany, which included a controversial film Ecstasy (1933), Lamarr fled from her husband, a wealthy Austrian ammunition manufacturer and secretly moved to Paris. There, she met MGM head Louis B. Mayer, who offered her a movie contract in Hollywood, where she became a film star from the late 1930s to the 1950s.<br/><br/> Lamarr appeared in numerous popular feature films, including Algiers (1938), I Take This Woman (1940), Comrade X (1940), Come Live With Me (1941), H.M. Pulham, Esq. (1941), and Samson and Delilah (1949).<br/><br/> At the beginning of World War II, Lamarr and composer George Antheil developed a radio guidance system for Allied torpedoes, which used spread spectrum and frequency hopping technology to defeat the threat of jamming by the Axis powers. Though the US Navy did not adopt the technology until the 1960s, the principles of their work are now incorporated into modern Wi-Fi, CDMA, and Bluetooth technology, and this work led to their being inducted into the National Inventors Hall of Fame in 2014.
Aminah Tjendrakasih (Aminah Cendrakasih, born 29 January 1938 in Magelang, Central Java, is an Indonesian actress best known for her appearance as Lela in the television series 'Si Doel Anak Sekolahan' (Doel the Schoolchild, 1994–2005).<br/><br/> Beginning her career in her teenage years, in 1955 Cendrakasih had her first starring role in 1955's 'Ibu dan Putr'i (Mother and Daughter). She has since acted in more than a hundred feature films. In 2012 and 2013 she received Lifetime Achievement Awards from the Bandung Film Festival and the Indonesian Movie Awards, respectively.
After an early and brief film career in Germany, which included a controversial film Ecstasy (1933), Lamarr fled from her husband, a wealthy Austrian ammunition manufacturer and secretly moved to Paris. There, she met MGM head Louis B. Mayer, who offered her a movie contract in Hollywood, where she became a film star from the late 1930s to the 1950s.<br/><br/> Lamarr appeared in numerous popular feature films, including Algiers (1938), I Take This Woman (1940), Comrade X (1940), Come Live With Me (1941), H.M. Pulham, Esq. (1941), and Samson and Delilah (1949).<br/><br/> At the beginning of World War II, Lamarr and composer George Antheil developed a radio guidance system for Allied torpedoes, which used spread spectrum and frequency hopping technology to defeat the threat of jamming by the Axis powers. Though the US Navy did not adopt the technology until the 1960s, the principles of their work are now incorporated into modern Wi-Fi, CDMA, and Bluetooth technology, and this work led to their being inducted into the National Inventors Hall of Fame in 2014.
Anna May Wong (January 3, 1905 – February 3, 1961) was an American actress, the first Chinese American movie star, and the first Asian American to become an international star. Her long and varied career spanned both silent and sound film, television, stage, and radio.<br/><br/> Wong was featured in films of the early sound era, such as Daughter of the Dragon (1931) and Daughter of Shanghai (1937), and with Marlene Dietrich in Josef von Sternberg's Shanghai Express (1932). In 1935 Wong was dealt the most severe disappointment of her career, when Metro-Goldwyn-Mayer refused to consider her for the leading role in its film version of Pearl S. Buck's The Good Earth, choosing instead the German actress Luise Rainer to play the leading role. Wong spent the next year touring China, visiting her family's ancestral village and studying Chinese culture.<br/><br/> In the late 1930s, she starred in several B movies for Paramount Pictures, portraying Chinese-Americans in a positive light. She paid less attention to her film career during World War II, when she devoted her time and money to helping the Chinese cause against Japan. She had been planning to return to film in Flower Drum Song when she died in 1961, at the age of 56.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements.<br/><br/> In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements.<br/><br/> In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
The Sri Lankan Civil War began on July 23, 1983, and quickly developed into an on-and-off insurgency against the Colombo government by the Liberation Tigers of Tamil Eelam (LTTE), commonly known as the Tamil Tigers, and other few rebel groups, which were fighting to create an independent Tamil state named Tamil Eelam in the north and the east of the island. After a 26-year military campaign, the Sri Lankan military defeated the Tamil Tigers in May 2009.
Anna May Wong (January 3, 1905 – February 3, 1961) was an American actress, the first Chinese American movie star, and the first Asian American to become an international star. Her long and varied career spanned both silent and sound film, television, stage, and radio.<br/><br/> Born near the Chinatown neighborhood of Los Angeles to second-generation Chinese-American parents, Wong became infatuated with the movies and began acting in films at an early age. During the silent film era, she acted in The Toll of the Sea (1922), one of the first movies made in color and Douglas Fairbanks' The Thief of Bagdad (1924). Wong became a fashion icon, and by 1924 had achieved international stardom. Frustrated by the stereotypical supporting roles she reluctantly played in Hollywood, she left for Europe in the late 1920s, where she starred in several notable plays and films, among them Piccadilly (1929). She spent the first half of the 1930s traveling between the United States and Europe for film and stage work.<br/><br/> Wong was featured in films of the early sound era, such as Daughter of the Dragon (1931) and Daughter of Shanghai (1937), and with Marlene Dietrich in Josef von Sternberg's Shanghai Express (1932). In 1935 Wong was dealt the most severe disappointment of her career, when Metro-Goldwyn-Mayer refused to consider her for the leading role in its film version of Pearl S. Buck's The Good Earth, choosing instead the German actress Luise Rainer to play the leading role. Wong spent the next year touring China, visiting her family's ancestral village and studying Chinese culture.<br/><br/> In the late 1930s, she starred in several B movies for Paramount Pictures, portraying Chinese-Americans in a positive light. She paid less attention to her film career during World War II, when she devoted her time and money to helping the Chinese cause against Japan. Wong returned to the public eye in the 1950s in several television appearances as well as her own series in 1951, The Gallery of Madame Liu-Tsong, the first U.S. television show starring an Asian-American. She had been planning to return to film in Flower Drum Song when she died in 1961, at the age of 56.
The Sri Lankan Civil War began on July 23, 1983, and quickly developed into an on-and-off insurgency against the Colombo government by the Liberation Tigers of Tamil Eelam (LTTE), commonly known as the Tamil Tigers, and other few rebel groups, which were fighting to create an independent Tamil state named Tamil Eelam in the north and the east of the island. After a 26-year military campaign, the Sri Lankan military defeated the Tamil Tigers in May 2009.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.