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Toyohara Chikanobu, better known to his contemporaries as Yōshū Chikanobu, was a prolific woodblock artist of Japan's Meiji period. His works capture the transition from the age of the samurai to Meiji modernity.<br/><br/> In 1875 (Meiji 8), he decided to try to make a living as an artist. He travelled to Tokyo. He found work as an artist for the Kaishin Shimbun. In addition, he produced <i>nishiki-e</i> artworks. In his younger days, he had studied the Kanō school of painting; but his interest was drawn to <i>ukiyo-e</i>.<br/><br/> Like many <i>ukiyo-e</i> artists, Chikanobu turned his attention towards a great variety of subjects. His work ranged from Japanese mythology to depictions of the battlefields of his lifetime to women's fashions. As well as a number of the other artists of this period, he too portrayed kabuki actors in character, and is well-known for his impressions of the <i>mie</i> (formal pose) of kabuki productions.<br/><br/> Chikanobu was known as a master of <i>bijinga</i>, images of beautiful women, and for illustrating changes in women's fashion, including both traditional and Western clothing. His work illustrated the changes in coiffures and make-up across time. For example, in Chikanobu's images in Mirror of Ages (1897), the hair styles of the Tenmei era, 1781-1789 are distinguished from those of the Keio era, 1865-1867.
'The School of Athens', or Scuola di Atene in Italian, is one of the most famous frescoes by the Italian Renaissance artist Raphael. It was painted between 1509 and 1511 as a part of Raphael's commission to decorate with frescoes the rooms now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.<br/><br/> The Stanza della Segnatura was the first of the rooms to be decorated, and 'The School of Athens' the second painting to be finished there, after 'La Disputa', on the opposite wall. The picture has long been seen as Raphael's masterpiece and the perfect embodiment of the classical spirit of the High Renaissance.
Japan / England: 'Lady Reading Poetry'. Oil on canvas painting by Ishibashi Kazunori (1876-1928), 1906.<br/><br/> Ishibashi Kazunori (1876-1928), also known as Ishibashi Wakun, Ishibashi Kazukuni and Gagen, was a Japanese painter from Shimane Prefecture. He was active in both yōga (Western-style) and nihonga (Japanese-style) painting circles, and studied in London as well as across the European continent. His works include the painted ceiling at J. P. Morgan's residence in Wembley, as well as thirty-seven panels for the medical students' dining-hall at the London Hospital.
Hồ Chí Minh, born Nguyễn Sinh Cung and also known as Nguyễn Ái Quốc (19 May 1890 – 3 September 1969) was a Vietnamese Communist revolutionary leader who was prime minister (1946–1955) and president (1945–1969) of the Democratic Republic of Vietnam (North Vietnam).<br/><br/> He formed the Democratic Republic of Vietnam and led the Viet Cong during the Vietnam War until his death. Hồ led the Viet Minh independence movement from 1941 onward, establishing the communist-governed Democratic Republic of Vietnam in 1945 and defeating the French Union in 1954 at Dien Bien Phu.<br/><br/> He lost political power inside North Vietnam in the late 1950s, but remained as the highly visible figurehead president until his death.
Yashima Gakutei was a Japanese artist and poet who was a pupil of both Totoya Hokkei and Hokusai. Gakutei is best known for his <i>kyoka</i> poetry and <i>surimono</i> woodblock works.
Kristallnacht or 'Crystal Night', also referred to as the Night of Broken Glass, was a pogrom against Jews throughout Nazi Germany and Austria that took place on 9–10 November 1938, carried out by SA paramilitary forces and German civilians.<br/><br/> German authorities looked on without intervening. The name Kristallnacht comes from the shards of broken glass that littered the streets after Jewish-owned stores, buildings, and synagogues had their windows smashed.
Li Cheng (Wade–Giles: Li Ch'eng) was a Chinese painter from Qingzhou (now part of Weifang, Shandong) during the Five Dynasties and Ten Kingdoms and early Song Dynasty. His ancestral lineage was with the Tang Dynasty imperial family, the Li family, which had fallen out of power in 907 with the collapse of the Tang Empire.<br/><br/> Li Cheng primarily portrayed Shandong area landscapes in his paintings.
When Yongzheng was still a prince, he commissioned a beautiful set of paintings for the purpose of decorating a screen in the Deep Willows Reading Hall, a study within his private quarters at the Summer Palace.<br/><br/> An imperial garden to the northwest of Beijing, the Summer Palace was presented to the young prince in 1709 by his father the Kangxi emperor (r. 1662-1722). An item found in the archives of the Internal Affairs Department notes that in the eighth month of 1732, ten years into Yongzheng's reign as emperor, the twelve paintings were removed from the screen and individually stored.<br/><br/> The record suggests that the scenes in these paintings show the Summer Palace as it looked when it was relatively new, before the lavish expansions that were undertaken later in the eighteenth century.
The Black Flag Army (Chinese: Heiqi Jun; Vietnamese: Quan co den) was a splinter remnant of a bandit group recruited largely from soldiers of ethnic Zhuang background, who crossed the border from Guangxi province of China into Upper Tonkin, in the Empire of Annam (Vietnam) in 1865.<br/><br/> They became known mainly for their fights against French forces in cooperation with both Vietnamese and Chinese authorities. The Black Flag Army is so named because of the preference of its commander, Liu Yongfu, for using black command flags.
Lei Feng (18 December 1940 – 15 August 1962) was a soldier of the Chinese army in Communist legend. After his death, Lei was characterized as a selfless and modest person devoted to the Communist Party, Mao Zedong, and the people of China.<br/><br/> In 1963, he became the subject of a nationwide posthumous propaganda campaign, 'Follow the examples of Comrade Lei Feng'. Lei was portrayed as a model citizen, and the masses were encouraged to emulate his selflessness, modesty, and devotion to Mao.<br/><br/> After Mao's death, Lei Feng remained a cultural icon representing earnestness and service. His name entered daily speech and his imagery appeared on T-shirts and memorabilia.
The Indian general election of 1951–52 elected the first Lok Sabha since India became independent in August 1947. Until this point, the Indian Constituent Assembly had served as an interim legislature.<br/><br/> The Indian National Congress (INC) won a landslide victory, winning 364 of the 489 seats and 45% of the total votes polled. This was over four times as many votes as the second-largest party. Jawaharlal Nehru became the first democratically elected Prime Minister of the country.
Geisha, geiko or geigi are traditional Japanese female entertainers who act as hostesses and whose skills include performing various arts such as classical music, dance, games and conversation, mainly to entertain male customers.
The Yongzheng Emperor (13 December 1678 - 8 October 1735), was the fifth emperor of the Manchu Qing Dynasty, and the third Qing emperor to rule over China proper, from 1722 to 1735. A hard-working ruler, Yongzheng's main goal was to create an effective government at minimum expense. Like his father, the Kangxi Emperor, Yongzheng used military force in order to preserve the dynasty's position.<br/><br/> Suspected by historians to have usurped the throne, his reign was often called despotic, efficient, and vigorous. Although Yongzheng's reign was much shorter than the reigns of both his father, the Kangxi Emperor, and his son, the Qianlong Emperor, his sudden death was probably brought about by his workload. Yongzheng continued an era of continued peace and prosperity as he cracked down on corruption and waste, and reformed the financial administration.
Diponegoro (Mustahar; Antawirya; 11 November 1785 – 8 January 1855), also known as Dipanegara, was a Javanese prince who opposed the Dutch colonial rule.<br/><br/> He played an important role in the Java War (1825–1830). In 1830, the Dutch exiled him to Makassar in the Celebes, now Sulawesi.
Kristallnacht or 'Crystal Night', also referred to as the Night of Broken Glass, was a pogrom against Jews throughout Nazi Germany and Austria that took place on 9–10 November 1938, carried out by SA paramilitary forces and German civilians.<br/><br/> German authorities looked on without intervening. The name Kristallnacht comes from the shards of broken glass that littered the streets after Jewish-owned stores, buildings, and synagogues had their windows smashed.
Suzuki Harunobu (鈴木 春信, 1724 – July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.<br/><br/> Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). Like many artists of his day, Harunobu also produced a number of shunga, or erotic images.<br/><br/> During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.
Kitagawa Utamaro (ca. 1753 - October 31, 1806) was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.
Tsukioka Yoshitoshi (月岡 芳年, 30 April 1839 – 9 June 1892, also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’), also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Suikoden of Women’s Customs from 108 Sheets (Fûzoku onna Suikoden hyakuhachiban no uchi, 風俗女水滸傳百八番之内).<br/><br/> The Water Margin (known in Chinese as Shuihu Zhuan, sometimes abbreviated to Shuihu), also known as Outlaws of the Marsh, Tale of the Marshes, All Men Are Brothers, Men of the Marshes, or The Marshes of Mount Liang, is a 14th century novel and one of the Four Great Classical Novels of Chinese literature. It is called Suikoden in its Japanese translation.<br/><br/> Utagawa Kuniyoshi (January 1, 1798 - April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school. The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes. His artwork was affected by Western influences in landscape painting and caricature.
Suzuki Harunobu (鈴木 春信4, 1724 – July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.<br/><br/> Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). Like many artists of his day, Harunobu also produced a number of shunga, or erotic images.<br/><br/> During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.
Suzuki Harunobu (鈴木 春信4, 1724 – July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.<br/><br/> Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). Like many artists of his day, Harunobu also produced a number of shunga, or erotic images.<br/><br/> During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.
Palestine (Arabic: فلسطين‎ Filasṭīn, Falasṭīn, Filisṭīn; Greek: Παλαιστίνη, Palaistinē; Latin: Palaestina; Hebrew: פלשתינה Palestina) is a name given to the geographic region between the Mediterranean Sea and the Jordan River. The region is also known as the Land of Israel (Hebrew: ארץ־ישראל Eretz-Yisra'el), the Holy Land and the Southern Levant.<br/><br/> In 1832 Palestine was conquered by Muhammad Ali's Egypt, but in 1840 Britain intervened and returned control of the Levant to the Ottomans in return for further capitulations. The end of the 19th century saw the beginning of Zionist immigration and the Revival of the Hebrew language. The movement was publicly supported by Great Britain during World War I with the Balfour Declaration of 1917. The British captured Jerusalem a month later, and were formally awarded a mandate in 1922.<br/><br/> In 1947, following World War II and the Holocaust, the British Government announced their desire to terminate the Mandate, and the United Nations General Assembly voted to partition the territory into a Jewish state and an Arab state. The Jewish leadership accepted the proposal but the Arab Higher Committee rejected it; a civil war began immediately, and the State of Israel was declared in 1948.<br/><br/> The 1948 Palestinian exodus, known in Arabic as the Nakba (Arabic: النكبة‎, an-Nakbah, 'The Catastrophe') occurred when approximately 711,000 to 725,000 Palestinian Arabs fled or were expelled from their homes, during the 1948 Arab-Israeli War during which Israel captured and incorporated a further 26% of Palestinian territory.<br/><br/> In the course of the Six Day War in June 1967, Israel captured the remainder of historic Palestine and began a continuing policy of Israeli settlement and annexation.
The Japanese tea ceremony, also called the Way of Tea, is a Japanese cultural activity involving the ceremonial preparation and presentation of matcha, powdered green tea. In Japanese, it is called chanoyu (茶の湯) or chadō, sadō (茶道). The manner in which it is performed, or the art of its performance, is called otemae (お手前; お点前). Zen Buddhism was a primary influence in the development of the tea ceremony.<br/><br/> Tea gatherings are classified as chakai (茶会) or chaji (茶事). A chakai is a relatively simple course of hospitality that includes confections, thin tea (薄茶 usucha), and perhaps a light meal. A chaji is a much more formal gathering, usually including a full-course kaiseki meal followed by confections, thick tea (濃茶 koicha), and thin tea. A chaji can last up to four hours.
A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums.<br/><br/> Miniature painting became a significant Persian genre in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature in Turkey, and the Mughal miniature in the Indian sub-continent.
The Great Proletarian Cultural Revolution, commonly known as the Cultural Revolution (Chinese: 文化大革命), was a socio-political movement that took place in the People's Republic of China from 1966 through 1976. Set into motion by Mao Zedong, then Chairman of the Communist Party of China, its stated goal was to enforce socialism in the country by removing capitalist, traditional and cultural elements from Chinese society, and impose Maoist orthodoxy within the Party. The revolution marked the return of Mao Zedong to a position of political power, after he lost most of his political influence after his failed Great Leap Forward. Using only his name and credibility, he used the controlled anarchy of the cultural revolution to remove his inner-party opponents, most notably China`s president Liu Shaoqi. The movement brought chaos, as social norms largely evaporated and the previously established political institutions disintegrated at all levels of government.<br/><br/> The Revolution was launched in May 1966. Mao alleged that bourgeois elements were entering the government and society at large, aiming to restore capitalism. He insisted that these 'revisionists' be removed through violent class struggle. China's youth then responded to Mao's appeal by forming Red Guard groups around the country. The movement then spread into the military, urban workers, and the Communist Party leadership itself. It resulted in widespread factional struggles in all walks of life. In the top leadership, it led to a mass purge of senior officials who were accused of deviating from the socialist path, most notably Liu Shaoqi and Deng Xiaoping. During the same period Mao's personality cult grew to immense proportions.<br/><br/> The Cultural Revolution damaged the country on a great scale economically and socially. Millions of people were persecuted in the violent factional struggles that ensued across the country, and suffered a wide range of abuses including torture, rape, imprisonment, sustained harassment, and seizure of property. A large segment of the population was forcibly displaced, most notably the transfer of urban youth to rural regions during the Down to the Countryside Movement. Historical relics and artifacts were destroyed. Cultural and religious sites were ransacked.<br/><br/> Mao officially declared the Cultural Revolution to have ended in 1969, but its active phase lasted until the death of Lin Biao in 1971. The political instability between 1971 and the arrest of the Gang of Four in 1976 are now also widely regarded as part of the Revolution. After Mao's death in 1976, forces within the Party that opposed the Cultural Revolution, led by Deng Xiaoping, gained prominence. Most of the Maoist reforms associated with the Cultural Revolution were abandoned by 1978. The Cultural Revolution has been treated officially as a negative phenomenon ever since; in 1981, the Party assigned chief responsibility to Mao, but also laid significant blame on Lin Biao and the Gang of Four for causing its worst excesses.
Buddhist monks collect alms—food prepared by devotees and laypersons who make merit by donating it—every morning in Burma and most Theravada Buddhist countries. This is their only food for the day. Monks do not eat after 12 noon.<br/><br/> Legend attributes the first Buddhist doctrine in Burma to 228 BC when Sonna and Uttara, two ambassadors of the Emperor Ashoka the Great of India, came to the country with sacred texts. However, the golden era of Buddhism truly began in the 11th century after King Anawrahta of Pagan (Bagan) was converted to Theravada Buddhism. Today, 89% of the population of Burma is Theravada Buddhist.<br/><br/>
Buddhist monks collect alms—food prepared by devotees and laypersons who make merit by donating it—every morning in Burma and most Theravada Buddhist countries. This is their only food for the day. Monks do not eat after 12 noon.<br/><br/> Legend attributes the first Buddhist doctrine in Burma to 228 BC when Sonna and Uttara, two ambassadors of the Emperor Ashoka the Great of India, came to the country with sacred texts. However, the golden era of Buddhism truly began in the 11th century after King Anawrahta of Pagan (Bagan) was converted to Theravada Buddhism. Today, 89% of the population of Burma is Theravada Buddhist.<br/><br/> The British conquest of Burma began in 1824 in response to a Burmese attempt to invade India. By 1886, and after two further wars, Britain had incorporated the entire country into the British Raj. To stimulate trade and facilitate changes, the British brought in Indians and Chinese, who quickly displaced the Burmese in urban areas. To this day Rangoon and Mandalay have large ethnic Indian populations. Railways and schools were built, as well as a large number of prisons, including the infamous Insein Prison, then as now used for political prisoners.<br/><br/> Burmese resentment was strong and was vented in violent riots that paralysed Rangoon on occasion all the way until the 1930s. Burma was administered as a province of British India until 1937 when it became a separate, self-governing colony. Burma finally gained independence from Britain on January 4, 1948.
The Yongzheng Emperor (13 December 1678 - 8 October 1735), was the fifth emperor of the Manchu Qing Dynasty, and the third Qing emperor to rule over China proper, from 1722 to 1735. A hard-working ruler, Yongzheng's main goal was to create an effective government at minimum expense. Like his father, the Kangxi Emperor, Yongzheng used military force in order to preserve the dynasty's position.<br/><br/> Suspected by historians to have usurped the throne, his reign was often called despotic, efficient, and vigorous. Although Yongzheng's reign was much shorter than the reigns of both his father, the Kangxi Emperor, and his son, the Qianlong Emperor, his sudden death was probably brought about by his workload. Yongzheng continued an era of continued peace and prosperity as he cracked down on corruption and waste, and reformed the financial administration.
Kitagawa Utamaro (ca. 1753 - October 31, 1806) was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.
Tabriz was capital of the Safavid Empire from 1501 to 1548, during which time many great painters, such as Aqa Mirak, Mir Sayyid Ali and Dust Muhammad produced magnificent royal manuscripts. Safavid art set the standard for painting, literature and architecture, as well as ceramics, metal and glass. While of course nourished by Persian culture, much Safavid art was strongly influenced by Turkish, Chinese, Ottoman and Western cultures. The royal workshops of Tabriz were very influential, and illuminated and illustrated manuscripts spread throughout the empire. When the capital was transferred from Tabriz to Qazvin in 1548, the court artists fled to foreign courts, mostly Mughal or Ottoman.
A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums.<br/><br/> Miniature painting became a significant Persian genre in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature in Turkey, and the Mughal miniature in the Indian sub-continent.
Tabriz was capital of the Safavid Empire from 1501 to 1548, during which time many great painters, such as Aqa Mirak, Mir Sayyid Ali and Dust Muhammad produced magnificent royal manuscripts. Safavid art set the standard for painting, literature and architecture, as well as ceramics, metal and glass. While of course nourished by Persian culture, much Safavid art was strongly influenced by Turkish, Chinese, Ottoman and Western cultures. The royal workshops of Tabriz were very influential, and illuminated and illustrated manuscripts spread throughout the empire. When the capital was transferred from Tabriz to Qazvin in 1548, the court artists fled to foreign courts, mostly Mughal or Ottoman.
Palestine (Arabic: فلسطين‎ Filasṭīn, Falasṭīn, Filisṭīn; Greek: Παλαιστίνη, Palaistinē; Latin: Palaestina; Hebrew: פלשתינה Palestina) is a n ame given to the geographic region between the Mediterranean Sea and the Jordan River. The region is also known as the Land of Israel (Hebrew: ארץ־ישראל Eretz-Yisra'el), the Holy Land and the Southern Levant.<br/><br/> In 1832 Palestine was conquered by Muhammad Ali's Egypt, but in 1840 Britain intervened and returned control of the Levant to the Ottomans in return for further capitulations. The end of the 19th century saw the beginning of Zionist immigration and the Revival of the Hebrew language. The movement was publicly supported by Great Britain during World War I with the Balfour Declaration of 1917. The British captured Jerusalem a month later, and were formally awarded a mandate in 1922.<br/><br/> In 1947, following World War II and the Holocaust, the British Government announced their desire to terminate the Mandate, and the United Nations General Assembly voted to partition the territory into a Jewish state and an Arab state. The Jewish leadership accepted the proposal but the Arab Higher Committee rejected it; a civil war began immediately, and the State of Israel was declared in 1948.<br/><br/> The 1948 Palestinian exodus, known in Arabic as the Nakba (Arabic: النكبة‎, an-Nakbah, 'The Catastrophe') occurred when approximately 711,000 to 725,000 Palestinian Arabs fled or were expelled from their homes, during the 1948 Arab-Israeli War during which Israel captured and incorporated a further 26% of Palestinian territory.<br/><br/> In the course of the Six Day War in June 1967, Israel captured the remainder of historic Palestine and began a continuing policy of Israeli settlement and annexation.
Riza Abbasi, Riza yi-Abbasi or Reza-e Abbasi, also Aqa Riza or Āqā Riżā Kāshānī (c. 1565–1635) was the leading Persian miniaturist of the Isfahan School during the later Safavid period, spending most of his career working for Shah Abbas I (r.1587-1629). He is considered to be the last great master of the Persian miniature, best known for his single miniatures for muraqqa or albums, especially single figures of beautiful youths.
Chengdu, known formerly as Chengtu, is the capital of Sichuan province in Southwest China. In the early 4th century BC, the 9th Kaiming king of the ancient Shu moved his capital to the city's current location from today's nearby Pixian.<br/><br/> According to oral tradition, tea has been grown in China for more than four millennia. The earliest written accounts of tea making, however, date from around 350 AD, when it first became a drink at the imperial court.<br/><br/> Around 800 AD tea seeds were taken to Japan, where regular cultivation was soon established. Just over five centuries later, in 1517, tea was first shipped to Europe by the Portuguese soon after they began their trade with China. In 1667 the Honourable East India Company ordered the first British shipment of tea from China, requesting of their agents ‘one hundred pounds weight of the best tey that you can get’.<br/><br/> In 1826 the Dutch bought seeds from Japan for cultivation in their growing East Indian Empire, supplementing this effort in 1833 by imports of seeds, workers and implements from China. Meanwhile, also in the 1830s, the East India Company began growing tea on an experimental basis in Assam – the first one hundred boxes of Assamese tea reached Britain in 1840, and found a ready market.<br/><br/> About the same time, tea seedlings were transplanted from Assam to Sri Lanka and planted in the highlands around Kandy. By the beginning of the present century tea was very much in fashion, with plantations established as far afield as Vietnam in Southeast Asia, Georgia in Europe, Natal, Malawi, Uganda, Kenya, Tanzania and Mozambique in Africa, Argentina, Brazil and Peru in South America, and Queensland in Australia. Despite this proliferation, however, Sri Lanka remains the largest producer of tea in the world today, with the fragrant black leaf the mainstay of its economy.
Al-Andalus (Arabic: الأندلس‎, trans. al-ʼAndalus, Spanish: Al-Ándalus, Portuguese: Al-Andalus) was the Arabic name given to a nation and territorial region also commonly referred to as Moorish Iberia. The name describes parts of the Iberian Peninsula and Septimania governed by Muslims (often given the generic name of Moors), at various times in the period between 711 and 1492, although the territorial boundaries underwent constant changes due to wars with the Christian Kingdoms.<br/><br/> Following the Muslim conquest of Hispania, Al-Andalus was divided into five administrative areas roughly corresponding to Andalusia, Galicia and Portugal, Castile and León, Aragon and Catalonia, and Septimania. As a political domain or domains, it successively constituted a province of the Umayyad Caliphate, initiated by the Caliph Al-Walid I (711–750); the Emirate of Córdoba (c. 750–929); the Caliphate of Córdoba (929–1031); and the Caliphate of Córdoba's taifa (successor) kingdoms.<br/><br/> Rule under these kingdoms saw the rise in cultural exchange and cooperation between Christians, Muslims, and Jews. Under the Caliphate of Córdoba, al-Andalus was a beacon of learning, and the city of Córdoba became one of the leading cultural and economic centres in both the Mediterranean Basin and the Islamic world.
San Francisco's Chinatown was the port of entry for early Hoisanese and Zhongshanese Chinese immigrants from the Guangdong province of southern China from the 1850s to the 1900s. The area was the one geographical region deeded by the city government and private property owners which allowed Chinese persons to inherit and inhabit dwellings within the city.<br/><br/> The majority of these Chinese shopkeepers, restaurant owners, and hired workers in San Francisco Chinatown were predominantly Hoisanese and male. Many Chinese found jobs working for large companies seeking a source of labor, most famously as part of the Central Pacific on the Transcontinental Railroad. Other early immigrants worked as mine workers or independent prospectors hoping to strike it rich during the 1849 Gold Rush.
Chinese erotic art was a tradition that spanned from antiquity until its apex in the late Ming Dynasty (early 17th century). This art was not just produced for stimulation. Chinese erotica portrays ideals of feminine beauty, narratives on imperial and vernacular life, humour, tenderness and love. However, traditional Chinese erotic art remains a little known tradition because so much of it was destroyed during the Maoist era.<br/><br/> Foot binding (pinyin: <i>chanzu</i>, literally 'bound feet') was a custom practiced on young girls and women for approximately one thousand years in China, beginning in the 10th century and ending in the first half of 20th century.<br/><br/> Qing Dynasty sex manuals listed 48 different ways of playing with women's bound feet. For men, the primary erotic effect was a function of the lotus gait, the tiny steps and swaying walk of a woman whose feet had been bound.