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Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The series opens with spring (春の部). Scenes 1 though 42 represent the First to the Third Months, which are considered in Japan to be the spring season. Typically, early spring is marked by the festivities celebrated at the New Year, which begins the season. Blossoming plum trees are associated with the middle of spring, signifying the end of the cold weather and the beginning of the warm season.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
The Old Quarter, near Hoan Kiem Lake, consisted of only about 36 streets at the beginning of the 20th century. Each street then had merchants and households specializing in a particular trade, such as silk, jewellery, silversmiths, etc. Most street names in Hanoi's Old Quarter begin 'Hang', meaning 'shop' or 'merchant'. The names still stand to this day. 'Hang Khay' means 'Trays Street' though the majority of merchants sold furniture such as cabinets, chairs and wardrobes. In the 18th century, the French renamed the street 'Rue des Incrusteurs' (Street of Engravers).