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Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images generally exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).<br/><br/> Here, however, he turns his hand to an altogether more austere and painful subject, the plight of Chinese driven from their homes by Japanese aggression in 1937.
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images generally exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).<br/><br/> Here, however, he turns his hand to an altogether more austere and painful subject, the plight of Chinese driven from their homes by Japanese aggression in 1937.
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images generally exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).<br/><br/> Here, however, he turns his hand to an altogether more austere and painful subject, the plight of Chinese driven from their homes by Japanese aggression in 1937.
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images generally exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).<br/><br/> Here, however, he turns his hand to an altogether more austere and painful subject, the plight of Chinese driven from their homes by Japanese aggression in 1937.
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images generally exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).<br/><br/> Here, however, he turns his hand to an altogether more austere and painful subject, the plight of Chinese driven from their homes by Japanese aggression in 1937.
The January 28 Incident (January 28 – March 3, 1932) was a short war between the armies of the Republic of China and the Empire of Japan, before official hostilities of the Second Sino-Japanese War commenced in 1937.<br/><br/> In Chinese literature it is known as the January 28 Incident, while in Western sources it is often called the Shanghai War of 1932 or, more simply, the Shanghai Incident. In Japan it is known as the First Shanghai Incident, alluding to the Second Shanghai Incident, which is the Japanese name for the Battle of Shanghai that occurred during the opening stages of the Second Sino-Japanese War in 1937.
Richard Sorge (October 4, 1895 - November 7, 1944) was an anti-fascist and intelligence officer who worked for the Soviet Union. He had gained great fame among espionage enthusiasts for his intelligence gathering during World War II. He worked as a journalist in both Germany and Japan, where he was imprisoned for spying and eventually hanged.<br/><br/> His GRU codename was 'Ramsay'. He is widely regarded as one of the most productive and heroic Soviet intelligence officers of the Second World War. Sorge moved to Shanghai in 1930 to gather intelligence and foment revolution. Officially, he worked as the editor of a German news service and for the Frankfurter Zeitung. He contacted another spy, Max Clausen. Sorge also met German Soviet spy Ruth Kuczynski and American journalist Agnes Smedley, both became his lovers. Smedley, the well-known left-wing journalist, worked for the Frankfurter Zeitung.<br/><br/> As a journalist, Sorge established himself as an expert on Chinese agriculture. This gave him the freedom to travel around the country making contacts with members of the Chinese Communist Party. In January 1932, Sorge reported on fighting between Chinese and Japanese troops in the streets of Shanghai. In December he was recalled to Moscow.
Nagara (長良 軽巡洋艦 Nagara keijun'yōkan) was the lead ship of her class of light cruiser in the Imperial Japanese Navy. She was named after the Nagara River in the Chūbu region of Japan.<br/><br/> The Nagara was the first vessel completed in the Nagara-class, and like other vessels of her class, she was intended for use as the flagship of a destroyer flotilla, and it was in that role that she participated in the invasions of the Philippines and the Netherlands East Indies after the attack on Pearl Harbor.<br/><br/> On 7 August 1944, in route from Kagoshima to Sasebo, Nagara was spotted by USS Croaker (SS-246) on her first war patrol. Croaker closed to 1,300 yards and fired a salvo of four stern torpedoes, hitting Nagara starboard aft with one. Nagara sank by the stern off the Amakusa islands at 32°09′N 129°53′E. The captain and 348 crewmen went down with the ship, but 235 crewmen were rescued.