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Shahab-ud-din Muhammad Khurram Shah Jahan I (1592 –1666), or Shah Jahan, from the Persian meaning ‘king of the world’, was the fifth Mughal ruler in India and a favourite of his legendary grandfather Akbar the Great.<br/><br/> He is best known for commissioning the ‘Phadshahnamah’ as a chronicle of his reign, and for the building of the Taj Mahal in Agra as a tomb for his wife, Mumtaz Mahal. Under Shah Jahan, the Mughal Empire attained its highest union of strength and magnificence. The opulence of Shah Jahan’s court and his famous Peacock Throne was the wonder of all the European travelers and ambassadors. His political efforts encouraged the emergence of large centers of commerce and crafts—such as Lahore, Delhi, Agra and Ahmedabad—linked by roads and waterways to distant places and ports. He moved the capital from Agra to Delhi. Under Shah Jahan's rule, the Red Fort and Jama Masjid in Delhi were built, the Shalimar Gardens of Lahore, sections of the Lahore Fort and his father's mausoleum.
Samarkand (Uzbek: Samarqand, from Sogdian: 'Stone Fort' or 'Rock Town') is the second-largest city in Uzbekistan and the capital of Samarqand Province. The city is most noted for its central position on the Silk Road between China and the West, and for being an Islamic centre for scholarly study.<br/><br/> In the 14th century it became the capital of the empire of Timur (Tamerlane) and is the site of his mausoleum (the Gur-e Amir). The Bibi-Khanym Mosque remains one of the city's most notable landmarks. The Registan was the ancient center of the city.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
An element of Islamic art usually found decorating the walls and window screens of mosques and Muslim homes and buildings, the arabesque is an elaborate application of repeating geometric forms that often echo the forms of plants, shapes and sometimes animals.<br/><br/> The choice of which geometric forms are to be used and how they are to be formatted is based upon the Islamic view of the world. To Muslims, these forms, taken together, constitute an infinite pattern that extends beyond the visible material world. To many in the Islamic world, they in fact symbolize the infinite, and therefore uncentralized, nature of the creation of the one God ('Allah' in Arabic).<br/><br/> Furthermore, the Islamic Arabesque artist conveys a definite spirituality without the iconography of Christian art. Arabesque is used in mosques and building around the Muslim world, and it is a way of decorating using beautiful, embellishing and repetitive Islamic art instead of using pictures of humans and animals (which is Haram or forbidden in Islam).
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> In the 17th century the ruler of Samarkand Yalangtush Bakhodur ordered the construction of the Sher-Dor and Tillya-Kori madrasahs. The Sher-Dor (Having Tigers) Madrasah was designed by architect Abdujabor. The decoration of the madrasah is not as refined as that found on 15th century architecture, Samarkand's 'golden age'.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> In the 17th century the ruler of Samarkand Yalangtush Bakhodur ordered the construction of the Sher-Dor and Tillya-Kori madrasahs. The Sher-Dor (Having Tigers) Madrasah was designed by architect Abdujabor. The decoration of the madrasah is not as refined as that found on 15th century architecture, Samarkand's 'golden age'.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> In the 17th century the ruler of Samarkand Yalangtush Bakhodur ordered the construction of the Sher-Dor and Tillya-Kori madrasahs. The Sher-Dor (Having Tigers) Madrasah was designed by architect Abdujabor. The decoration of the madrasah is not as refined as that found on 15th century architecture, Samarkand's 'golden age'.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> In the 17th century the ruler of Samarkand Yalangtush Bakhodur ordered the construction of the Sher-Dor and Tillya-Kori madrasahs. The Sher-Dor (Having Tigers) Madrasah was designed by architect Abdujabor. The decoration of the madrasah is not as refined as that found on 15th century architecture, Samarkand's 'golden age'.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> In the 17th century the ruler of Samarkand Yalangtush Bakhodur ordered the construction of the Sher-Dor and Tillya-Kori madrasahs. The Sher-Dor (Having Tigers) Madrasah was designed by architect Abdujabor. The decoration of the madrasah is not as refined as that found on 15th century architecture, Samarkand's 'golden age'.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> In the 17th century the ruler of Samarkand Yalangtush Bakhodur ordered the construction of the Sher-Dor and Tillya-Kori madrasahs. The Sher-Dor (Having Tigers) Madrasah was designed by architect Abdujabor. The decoration of the madrasah is not as refined as that found on 15th century architecture, Samarkand's 'golden age'.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> In the 17th century the ruler of Samarkand Yalangtush Bakhodur ordered the construction of the Sher-Dor and Tillya-Kori madrasahs. The Sher-Dor (Having Tigers) Madrasah was designed by architect Abdujabor. The decoration of the madrasah is not as refined as that found on 15th century architecture, Samarkand's 'golden age'.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> In the 17th century the ruler of Samarkand Yalangtush Bakhodur ordered the construction of the Sher-Dor and Tillya-Kori madrasahs. The Sher-Dor (Having Tigers) Madrasah was designed by architect Abdujabor. The decoration of the madrasah is not as refined as that found on 15th century architecture, Samarkand's 'golden age'.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> In the 17th century the ruler of Samarkand Yalangtush Bakhodur ordered the construction of the Sher-Dor and Tillya-Kori madrasahs. The Sher-Dor (Having Tigers) Madrasah was designed by architect Abdujabor. The decoration of the madrasah is not as refined as that found on 15th century architecture, Samarkand's 'golden age'.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> In the 17th century the ruler of Samarkand Yalangtush Bakhodur ordered the construction of the Sher-Dor and Tillya-Kori madrasahs. The Sher-Dor (Having Tigers) Madrasah was designed by architect Abdujabor. The decoration of the madrasah is not as refined as that found on 15th century architecture, Samarkand's 'golden age'.
From 'Cermin mata bagi segala orang yang menuntut pengetahuan' (Spectacles for Those who Seek Knowledge). Jawi is an adapted Arabic alphabet for writing the Malay language. It developed in and around Malaya from about 1300 CE—about the same time as Islam arrived. Jawi is one of the two official scripts in Brunei and Malaysia for the Malay language. However, nowadays it has all but been replaced by a Roman script called Rumi; Jawi is usually only seen as a script for religious and cultural purposes. Day-to-day usage of Jawi is maintained in more conservative Malay-populated areas such as Sulu in the Philippines, Pattani in Thailand and Kelantan in Malaysia.
From 'Cermin mata bagi segala orang yang menuntut pengetahuan' (Spectacles for Those who Seek Knowledge).<br/><br/> Jawi is an adapted Arabic alphabet for writing the Malay language. It developed in and around Malaya from about 1300 CE—about the same time as Islam arrived.<br/><br/> Jawi is one of the two official scripts in Brunei and Malaysia for the Malay language. However, nowadays it has all but been replaced by a Roman script called Rumi; Jawi is usually only seen as a script for religious and cultural purposes. Day-to-day usage of Jawi is maintained in more conservative Malay-populated areas such as Sulu in the Philippines, Pattani in Thailand and Kelantan in Malaysia.
From 'Cermin mata bagi segala orang yang menuntut pengetahuan' (Spectacles for Those who Seek Knowledge). Jawi is an adapted Arabic alphabet for writing the Malay language. It developed in and around Malaya from about 1300 CE—about the same time as Islam arrived. Jawi is one of the two official scripts in Brunei and Malaysia for the Malay language. However, nowadays it has all but been replaced by a Roman script called Rumi; Jawi is usually only seen as a script for religious and cultural purposes. Day-to-day usage of Jawi is maintained in more conservative Malay-populated areas such as Sulu in the Philippines, Pattani in Thailand and Kelantan in Malaysia.
From 'Cermin mata bagi segala orang yang menuntut pengetahuan' (Spectacles for Those who Seek Knowledge).<br/><br/> Jawi is an adapted Arabic alphabet for writing the Malay language. It developed in and around Malaya from about 1300 CE—about the same time as Islam arrived.<br/><br/> Jawi is one of the two official scripts in Brunei and Malaysia for the Malay language. However, nowadays it has all but been replaced by a Roman script called Rumi; Jawi is usually only seen as a script for religious and cultural purposes. Day-to-day usage of Jawi is maintained in more conservative Malay-populated areas such as Sulu in the Philippines, Pattani in Thailand and Kelantan in Malaysia.
From 'Cermin mata bagi segala orang yang menuntut pengetahuan' (Spectacles for Those who Seek Knowledge).<br/><br/> Jawi is an adapted Arabic alphabet for writing the Malay language. It developed in and around Malaya from about 1300 CE—about the same time as Islam arrived.<br/><br/> Jawi is one of the two official scripts in Brunei and Malaysia for the Malay language. However, nowadays it has all but been replaced by a Roman script called Rumi; Jawi is usually only seen as a script for religious and cultural purposes. Day-to-day usage of Jawi is maintained in more conservative Malay-populated areas such as Sulu in the Philippines, Pattani in Thailand and Kelantan in Malaysia.
From 'Cermin mata bagi segala orang yang menuntut pengetahuan' (Spectacles for Those who Seek Knowledge). Jawi is an adapted Arabic alphabet for writing the Malay language. It developed in and around Malaya from about 1300 CE—about the same time as Islam arrived. Jawi is one of the two official scripts in Brunei and Malaysia for the Malay language. However, nowadays it has all but been replaced by a Roman script called Rumi; Jawi is usually only seen as a script for religious and cultural purposes. Day-to-day usage of Jawi is maintained in more conservative Malay-populated areas such as Sulu in the Philippines, Pattani in Thailand and Kelantan in Malaysia.
From 'Cermin mata bagi segala orang yang menuntut pengetahuan' (Spectacles for Those who Seek Knowledge). Jawi is an adapted Arabic alphabet for writing the Malay language. It developed in and around Malaya from about 1300 CE—about the same time as Islam arrived. Jawi is one of the two official scripts in Brunei and Malaysia for the Malay language. However, nowadays it has all but been replaced by a Roman script called Rumi; Jawi is usually only seen as a script for religious and cultural purposes. Day-to-day usage of Jawi is maintained in more conservative Malay-populated areas such as Sulu in the Philippines, Pattani in Thailand and Kelantan in Malaysia.
Shah-i-Zinda (Persian: شاه زنده‎ meaning 'The Living King') is a necropolis in the north-eastern part of Samarkand.<br/><br/> The Shah-i-Zinda Ensemble includes mausoleums and other ritual buildings from the 9-14th and 19th centuries. The name Shah-i-Zinda is connected with the legend that Kusam ibn Abbas, a cousin of the prophet Muhammad is buried here. It is believed that he came to Samarkand with the Arab invasion in the 7th century to preach Islam. Popular legends speak that he was beheaded by Zoroastrian fire-worshippers for his faith.
Shah-i-Zinda (Persian: شاه زنده‎ meaning 'The Living King') is a necropolis in the north-eastern part of Samarkand.<br/><br/> The Shah-i-Zinda Ensemble includes mausoleums and other ritual buildings from the 9-14th and 19th centuries. The name Shah-i-Zinda is connected with the legend that Kusam ibn Abbas, a cousin of the prophet Muhammad is buried here. It is believed that he came to Samarkand with the Arab invasion in the 7th century to preach Islam. Popular legends speak that he was beheaded by Zoroastrian fire-worshippers for his faith.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Ulugh Beg Madrasah has its imposing portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets. The mosaic panel over the entrance arch is decorated by geometrical stylized ornaments. The square-shaped courtyard includes a mosque, lecture rooms and is fringed by the dormitory cells in which students lived. There are deep galleries along the axes.<br/><br/> Originally the Ulugh Beg Madrasah was a two-storied building with four domed darskhonas (lecture room) at the corners. The madrasah was one of the best clergy universities in the Moslem Orient of the 15th century. Abdurakhman Djami, a prominent poet, scientist and philosopher studied here. Ulugh Beg himself gave lectures here. During Ulugh Beg's government the madrasah was a centre of secular science.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> In the 17th century the ruler of Samarkand Yalangtush Bakhodur ordered the construction of the Sher-Dor and Tillya-Kori madrasahs. The Sher-Dor (Having Tigers) Madrasah was designed by architect Abdujabor. The decoration of the madrasah is not as refined as that found on 15th century architecture, Samarkand's 'golden age'.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
With its stylized, calligraphic frieze, in which the upstrokes of the letters end in animal heads, its lively lions and griffins rooted in the Sasanian and Byzantine tradition, and its sumptuous, lotus-like imaginary flowers on wildly contorted arabesque vines, the textile combines features from the culture of both East and West. The use of paper for the silver thread points in the direction of China, while the iconography is Western.
This frieze dates to a period when colorful, glazed pottery began to play an increasingly prominent role in decorations on Islamic architecture. The trend was already present under the Il-Khanids and reached its first culmination with the monumental architecture of the Timurids in Samarkand.
The Wazir Khan Mosque (Masjid Wazir Khan) in Lahore, Pakistan, is celebrated for its extensive faience tile work. It has been described as 'a beauty spot on the cheek of Lahore'. It was built in seven years, starting around 1634-1635 A.D., during the reign of the Mughal Emperor Shah Jehan. It was built by Shaikh Ilm-ud-din Ansari, a native of Chiniot, who rose to be the court physician to Shah Jahan and later, the Governor of Lahore. He was commonly known as Wazir Khan. The mosque is located inside the Inner City and is easiest accessed from Delhi Gate.
The Wazir Khan Mosque (Masjid Wazir Khan) in Lahore, Pakistan, is celebrated for its extensive faience tile work. It has been described as 'a beauty spot on the cheek of Lahore'. It was built in seven years, starting around 1634-1635 A.D., during the reign of the Mughal Emperor Shah Jehan. It was built by Shaikh Ilm-ud-din Ansari, a native of Chiniot, who rose to be the court physician to Shah Jahan and later, the Governor of Lahore. He was commonly known as Wazir Khan. The mosque is located inside the Inner City and is easiest accessed from Delhi Gate.