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The kris or keris is an asymmetrical dagger or sword most strongly associated with the culture of Indonesia, but also indigenous to Malaysia, Southern Thailand and Brunei. It is known as kalis in the southern Philippines. The kris is famous for its distinctive wavy blade (luk), but many have straight blades as well. The numbers of luks is always odd numbered, ranged from three to thirteen waves, however there is also luks that reach 29. Kris can be divided into three parts: bilah (blade), hulu (hilt), and warangka (sheath). These parts of kris are the object of art, often carved in meticulous details and made from various materials; metal, precious rare types of wood to gold or ivory. A kris' aesthetic value covers the dhapur (the form and design of the blade, with around 150 variants), the pamor (the pattern of metal alloy decoration on the blade, with around 60 variants), and tangguh referring to the age and origin of a kris.<br/><br/>

Both a weapon and spiritual object, kris are often considered to have an essence or presence, often considered to possess magical powers, with some blades possessing good luck and others possessing bad. Krises are used for display, as talismans with magical powers, weapons, sanctified heirloom (pusaka), auxiliary equipment for court soldiers, as an accessory for ceremonial dress, an indicator of social status, a symbol of heroism, etc. Legendary krisses that possess supernatural power and extraordinary ability were mentioned in traditional folktales, such as the krisses of Mpu Gandring, Taming Sari, and Setan Kober.<br/><br/>

It is believed that the earliest kris prototype can be traced to Dong Son bronze culture in Vietnam circa 300 BC that spread to other parts of Southeast Asia. Another theory is that the kris was based on daggers from India. Some of the most famous renderings of a kris appear on the bas-reliefs of Borobudur (825 CE) and Prambanan temple (850 CE). However from Raffles' (1817) study of the Candi Sukuh that the kris recognized today came into existence around 1361 CE in the kingdom of Majapahit, East Java.
In 1597 the Dutch explorer Cornelis de Houtman arrived at Bali, and the Dutch East India Company was established in 1602.
Java (Indonesian: Jawa) is an island of Indonesia. With a population of 135 million (excluding the 3.6 million on the island of Madura which is administered as part of the provinces of Java), Java is the world's most populous island, and one of the most densely populated places in the world. Java is the home of 60 percent of the Indonesian population. The Indonesian capital city, Jakarta, is located on western Java.<br/><br/>

Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam. Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/> 

Balinese dance is a very ancient dance tradition that is a part of the religious and artistic expression among the Balinese people, native to Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. The Balinese dancers express the story of dance-drama through the whole bodily gestures; fingers, hands and body gestures to head and eyes movements.<br/><br/> 

There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most dances in Bali are connected to Hindu rituals, such as the Sanghyang Dedari sacred dance that invoke hyang spirits that are believed to possess the dancers in trance state during the performance. Other Balinese dances are not linked to religious rituals and created for certain purposes, such as the Pendet welcoming dance and the Joged dance, a social dance for entertainment.<br/><br/> 

In Bali there are various categories of dance, including epic performances such as the Mahabharata and Ramayana. Certain ceremonies at village temples feature a special performance of a dance-drama, a battle between the mythical characters Rangda, the witch representing evil, and Barong, the lion or dragon, representing good.<br/><br/> 

Among the dance traditions in Bali, the following deserve special mention: Barong, Legong and Kecak.
Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam.<br/><br/>

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
Sati (also spelled suttee) is an obsolete Hindu funeral custom where a widow immolates herself on her husband's pyre, or commits suicide in another fashion shortly after her husband's death.<br/><br/>

Mention of the practice can be dated back to the 4th century BCE, while evidence of practice by widows of kings only appears beginning between the 5th and 9th centuries CE. The practice is considered to have originated within the warrior aristocracy on the Indian subcontinent, gradually gaining in popularity from the 10th century CE and spreading to other groups from the 12th through 18th centuries. The practice was particularly prevalent among some Hindu communities, observed in aristocratic Sikh families, and has been attested to outside South Asia in a number of localities in Southeast Asia, such as in Indonesia and Champa.
Balinese dance is a very ancient dance tradition that is a part of the religious and artistic expression among the Balinese people, native to Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. The Balinese dancers express the story of dance-drama through the whole bodily gestures; fingers, hands and body gestures to head and eyes movements.

There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most dances in Bali are connected to Hindu rituals, such as the Sanghyang Dedari sacred dance that invoke hyang spirits that are believed to possess the dancers in trance state during the performance. Other Balinese dances are not linked to religious rituals and created for certain purposes, such as the Pendet welcoming dance and the Joged dance, a social dance for entertainment.

In Bali there are various categories of dance, including epic performances such as the Mahabharata and Ramayana. Certain ceremonies at village temples feature a special performance of a dance-drama, a battle between the mythical characters Rangda, the witch representing evil, and Barong, the lion or dragon, representing good.

Among the dance traditions in Bali, the following deserve special mention: Barong, Legong and Kecak.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/>Tyra's father was a diplomat, Fredrik Herman Richard Kleen (1841-1923), and her grandfather was a military man, Johan af Kleen. Kleen studied art in Germany and Paris in 1890, and spent much time abroad, especially in Indonesia, then the Dutch East Indies. Kleen mainly worked in drawing, etching and lithography. She exhibited her works in Berlin, Vienna, Milan, Rome, Paris, London and St. Petersburg.
The banteng is similar in size to domestic cattle, measuring 1.55 to 1.65 m (5 ft 1 in to 5 ft 5 in) tall at the shoulder and 2.45–3.5 m (8 ft 0 in–11 ft 6 in) in total length, including a 60 cm (2.0 ft) tail. Body weight can range from 400 to 900 kg (880 to 1,980 lb).<br/><br/>

Banteng exhibit sexual dimorphism, allowing the sexes to be readily distinguished by colour and size. In mature males, the short-haired coat is blue-black or dark chestnut in colour, while in females and young it is chestnut with a dark dorsal stripe. Both males and females have white stockings on their lower legs, a white rump, a white muzzle, and white spots above the eyes.
The banteng is similar in size to domestic cattle, measuring 1.55 to 1.65 m (5 ft 1 in to 5 ft 5 in) tall at the shoulder and 2.45–3.5 m (8 ft 0 in–11 ft 6 in) in total length, including a 60 cm (2.0 ft) tail. Body weight can range from 400 to 900 kg (880 to 1,980 lb).<br/><br/>

Banteng exhibit sexual dimorphism, allowing the sexes to be readily distinguished by colour and size. In mature males, the short-haired coat is blue-black or dark chestnut in colour, while in females and young it is chestnut with a dark dorsal stripe. Both males and females have white stockings on their lower legs, a white rump, a white muzzle, and white spots above the eyes.
The banteng is similar in size to domestic cattle, measuring 1.55 to 1.65 m (5 ft 1 in to 5 ft 5 in) tall at the shoulder and 2.45–3.5 m (8 ft 0 in–11 ft 6 in) in total length, including a 60 cm (2.0 ft) tail. Body weight can range from 400 to 900 kg (880 to 1,980 lb).<br/><br/>

Banteng exhibit sexual dimorphism, allowing the sexes to be readily distinguished by colour and size. In mature males, the short-haired coat is blue-black or dark chestnut in colour, while in females and young it is chestnut with a dark dorsal stripe. Both males and females have white stockings on their lower legs, a white rump, a white muzzle, and white spots above the eyes.
Balinese dance is a very ancient dance tradition that is a part of the religious and artistic expression among the Balinese people, native to Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. The Balinese dancers express the story of dance-drama through the whole bodily gestures; fingers, hands and body gestures to head and eyes movements.<br/><br/>There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most dances in Bali are connected to Hindu rituals, such as the Sanghyang Dedari sacred dance that invoke hyang spirits that are believed to possess the dancers in trance state during the performance. Other Balinese dances are not linked to religious rituals and created for certain purposes, such as the Pendet welcoming dance and the Joged dance, a social dance for entertainment.<br/><br/>In Bali there are various categories of dance, including epic performances such as the Mahabharata and Ramayana. Certain ceremonies at village temples feature a special performance of a dance-drama, a battle between the mythical characters Rangda, the witch representing evil, and Barong, the lion or dragon, representing good.<br/><br/>Among the dance traditions in Bali, the following deserve special mention: Barong, Legong and Kecak.
Jacques Nicolas Bellin (1703 – 21 March 1772) was a French hydrographer, geographer, and member of the French intellectual group called the philosophes.<br/><br/>

Bellin was born in Paris. He was hydrographer of France's hydrographic office, member of the Académie de Marine and of the Royal Society of London. Over a 50 year career, he produced a large number of maps of particular interest to the Ministère de la Marine. His maps of Canada and of French territories in North America (New France, Acadia, Louisiana) are particularly valuable. He died at Versailles.
Legong is a form of Balinese dance. It is a refined dance form characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions.<br/><br/>

Legong probably originated in the 19th century as royal entertainment. Legend has it that a prince of Sukwati fell ill and had a vivid dream in which two maidens danced to gamelan music. When he recovered, he arranged for such dances to be performed in reality. Others believe that the Legong originated with the sanghyang dedari, a ceremony involving voluntary possession of two little girls by beneficent spirits. Legong is also danced at public festivals.
Legong is a form of Balinese dance. It is a refined dance form characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions.<br/><br/>

Legong probably originated in the 19th century as royal entertainment. Legend has it that a prince of Sukwati fell ill and had a vivid dream in which two maidens danced to gamelan music. When he recovered, he arranged for such dances to be performed in reality. Others believe that the Legong originated with the sanghyang dedari, a ceremony involving voluntary possession of two little girls by beneficent spirits. Legong is also danced at public festivals.
Legong is a form of Balinese dance. It is a refined dance form characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions.<br/><br/>

Legong probably originated in the 19th century as royal entertainment. Legend has it that a prince of Sukwati fell ill and had a vivid dream in which two maidens danced to gamelan music. When he recovered, he arranged for such dances to be performed in reality. Others believe that the Legong originated with the sanghyang dedari, a ceremony involving voluntary possession of two little girls by beneficent spirits. Legong is also danced at public festivals.
The weaving of cotton in Bali is a traditional method for making sarongs, blankets and batik clothing.<br/><br/>



Located in the westernmost end of the Lesser Sunda Islands, lying between Java to the west and Lombok to the east, Bali is one of Indonesia’s 33 provinces with the provincial capital at Denpasar toward the south of the island.<br/><br/>



With a population of 4 million, Bali is home to most of Indonesia's small Hindu minority. In the 2000 census, about 92% of Bali's population adhered to Balinese Hinduism while most of the remainder follow Islam. It is also the largest tourist destination in the country and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metalworking, and music.
Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam.<br/><br/>

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
Buleleng was founded as a kingdom by Gusti Panji Sakti, who ruled c. 1660-c. 1700. He is commemorated as a heroic ancestor-figure who expanded the power of Buleleng to Blambangan on East Java. The kingdom was weakened during his successors, and fell under the suzerainty of the neighbouring Karangasem kingdom in the second half of the 18th century.<br/><br/>

It was headed by an autonomous branch of the Karangasem Dynasty in 1806-1849. The Dutch colonial power attacked Buleleng in 1846, 1848 and 1849, and defeated it on the last occasion. Buleleng was incorporated in the Dutch colonial system and lost its autonomy in 1882.<br/><br/> 

In 1929 a descendant of Gusti Panji Sakti, the renowned scholar Gusti Putu Jelantik, was appointed regent by the Dutch. He died in 1944, during the Japanese occupation of Indonesia. His son, a well-known novelist, Anak Agung Nyoman Panji Tisna. In 1947, Anak Agung Pandji Tisna surrendered the throne to his younger brother, Anak Agung Ngurah Ketut Djelantik, known as Meester Djelantik, until 1950.<br/><br/>

 In 1949-50 Buleleng, like the rest of Bali, was incorporated in the unitary republic of Indonesia.
Andre Roosevelt (c.1879—1962) was a US filmmaker. He was born in Paris, France to Cornelius Roosevelt (1847-1902), a cousin of U.S. President Theodore Roosevelt, who married a French actress.<br/><br/>

Roosevelt was an adventurer, traveling to Bali in 1924. He envisioned making Bali a national or international park with laws to regulate it as such. In 1928 and 1929, he and Armand Denis shot Goona-Goona, An Authentic Melodrama (also called The Kris) with assistance from Walter Spies. It was released in the U.S. in 1930 and started an American craze for Bali. He was also well known for his 1938 film Beyond the Caribbean. He died in July 1962 in Port-au-Prince, Haiti.<br/><br/>

Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam.<br/><br/>

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
The Balinese script (Balinese: Aksara Bali) is an abugida that was used to write the Balinese language, an Austronesian language spoken by about three million people on the Indonesian island of Bali. The use of the Balinese alphabet has mostly been replaced by the Roman alphabet. Although it is learned in school, few people use it. It is mostly used in temples and for religious writings.<br/><br/>

The Balinese script was derived from the Old Kawi alphabet, which ultimately derived from the Brahmi alphabet, the root of all the Indic and Southeast Asian abugidas. The alphabet consists of 47 characters, 14 of which are vowels (aksara suara), and the remaining 33 are consonants (aksara wianjana). Among the 33 consonants, only 18 are commonly used; the rest are mainly used to write loanwords from Kavi and Sanskrit.
Young female dancers learning the skills of Balinese dance (1930s). Photography by the anthropologist and film director Nikola Drakulic.
Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam.<br/><br/> 

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam.<br/><br/>

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
Young female dancers learning the skills of Balinese dance (1930s). Photography by the anthropologist and film director Nikola Drakulic.<br/><br/>

Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam.<br/><br/>

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/>Balinese dance is a very ancient dance tradition that is a part of the religious and artistic expression among the Balinese people, native to Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. The Balinese dancers express the story of dance-drama through the whole bodily gestures; fingers, hands and body gestures to head and eyes movements.<br/><br/>There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most dances in Bali are connected to Hindu rituals, such as the Sanghyang Dedari sacred dance that invoke hyang spirits that are believed to possess the dancers in trance state during the performance. Other Balinese dances are not linked to religious rituals and created for certain purposes, such as the Pendet welcoming dance and the Joged dance, a social dance for entertainment.<br/><br/>In Bali there are various categories of dance, including epic performances such as the Mahabharata and Ramayana. Certain ceremonies at village temples feature a special performance of a dance-drama, a battle between the mythical characters Rangda, the witch representing evil, and Barong, the lion or dragon, representing good.<br/><br/>Among the dance traditions in Bali, the following deserve special mention: Barong, Legong and Kecak.
Walter Spies (15 September 1895 – 19 January 1942) was a Russian-born German primitivist painter. In 1923 he came to Java, living first in Yogyakarta and then in Ubud, Bali starting in 1927. He is often credited with attracting the attention of Western cultural figures to Balinese culture and art. As a German national in the Dutch East Indies during World War II, Spies was arrested and deported. However, a Japanese bomb hit the ship that was carrying him to Ceylon, and most of the prisoners on the ship, including Spies, drowned.
Java (Indonesian: Jawa) is an island of Indonesia. With a population of 135 million (excluding the 3.6 million on the island of Madura which is administered as part of the provinces of Java), Java is the world's most populous island, and one of the most densely populated places in the world. Java is the home of 60 percent of the Indonesian population. The Indonesian capital city, Jakarta, is located on western Java.<br/><br/>Much of Indonesian history took place on Java. It was the center of powerful Hindu-Buddhist empires, the Islamic sultanates, and the core of the colonial Dutch East Indies. Java was also the center of the Indonesian struggle for independence during the 1930s and 40s. Java dominates Indonesia politically, economically and culturally.<br/><br/>Formed mostly as the result of volcanic eruptions, Java is the 13th largest island in the world and the fifth largest island in Indonesia. A chain of volcanic mountains forms an east-west spine along the island. It has three main languages, though Javanese is dominant, and it is the native language of about 60 million people in Indonesia, most of whom live on Java. Most of its residents are bilingual, with Indonesian as their first or second languages. While the majority of the people of Java are Muslim, Java has a diverse mixture of religious beliefs, ethnicities, and cultures.<br/><br/>Java is divided into four provinces, West Java, Central Java, East Java, and Banten, and also two special regions, Jakarta and Yogyakarta.
Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam.<br/><br/> 

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam.<br/><br/>

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam.<br/><br/> 

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam.<br/><br/> 

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam. 

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam.<br/><br/>

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
This manuscript map of Java and the tip of northern Australia is a copy of an earlier work by the Malaysian-Portuguese cartographer Emanuel Godinho de Eredia (1563-1623). In the 16th century, Portugal sent several expeditions to explore the islands south of Malaysia; it is possible that they gained some knowledge about the geography of Australia from these missions. Some scholars have speculated that the Malays had a knowledge of Australia, which Eredia somehow absorbed. The first documented European sighting of Australia was by the Dutch navigator Willem Janszoon, in 1606.
In Hindu mythology, Rahu is a snake that swallows the sun or the moon causing eclipses. He is depicted in art as a dragon with no body riding a chariot drawn by eight black horses. Rahu is one of the navagrahas (nine planets) in Vedic astrology. The Rahu kala (time of day under the influence of Rahu) is considered inauspicious.<br/><br/>

According to legend, during the Samudra manthan, the asura Rahu drank some of the divine nectar. But before the nectar could pass his throat, Mohini (the female avatar of Vishnu) cut off his head. The head, however, remained immortal. It is believed that this immortal head occasionally swallows the sun or the moon, causing eclipses. Then, the sun or moon passes through the opening at the neck, ending the eclipse.<br/><br/>

Astronomically (as per Hindu Astrology), Rahu and Ketu denote the two points of intersection of the paths of the Sun and the Moon as they move around the celestial sphere. Therefore, Rahu and Ketu are respectively called the north and the south lunar nodes. The fact that eclipses occur when Sun and Moon are at one of these points gives rise to the myth of the swallowing of the Sun.<br/><br/>

Rahu is a legendary master of deception who signifies cheaters, pleasure seekers, operators in foreign lands, drug dealers, poison dealers, insincere and immoral acts, etc. It is the significator of an irreligious person, an outcast, harsh speech, logical fallacy, falsehoods, uncleanliness, abdominal ulcers, bones, and transmigration. Rahu is instrumental in strengthening one's power and converting even an enemy into a friend. In Buddhism Rahu is one of the krodhadevatas (terror-inspiring gods).
Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam.<br/><br/> 

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam.<br/><br/>

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
On this map, the boxes ‘A’ indicate the king’s palaces; B is where de Houtman met the king; C is what de Houtman calls the ‘Cape of Pigs’; D is where the Dutch fleet anchored; E where they went ashore.<br/><br/>

Cornelis de Houtman (1565—99), brother of Frederick de Houtman, was a Dutch explorer who discovered a new sea route from Europe to Indonesia which helped start the Dutch spice trade. At the time, the Portuguese Empire held a monopoly on the spice trade, and the voyage was a symbolic victory for the Dutch.<br/><br/>

However, the voyage itself was a disaster, beset with mutiny, killings and scurvy. De Houtman managed to insult and alienate almost everyone he met on the way. He was refused spices after insulting the Sultan of Banten on Java, then he allowed his men to rape and plunder on Madura. He managed to buy only a few pots of peppercorns on Bali; then in 1599, in Aceh in Sumatra, he insulted the sultan, setting off a sea battle in which he himself was killed.
Dewa Agung was the title of the kings of Klungkung, the foremost in rank among the nine kingdoms of Bali, Indonesia. It was also borne by other high-ranking members of the dynasty. The term Dewa means 'god' and was also a general title for members of the Ksatria caste. Agung translates as 'high' or 'great'. Literally, the title therefore means Great God.<br/><br/>

The last Dewa Agung lost his life in the so-called puputan of Klungkung Palace on 28 April 1908 during the Dutch intervention in Bali (1908). This was a ritually laden suicidal attack by the dynasty and their retainers against a well-armed detachment of Dutch colonial troops. In the end almost two hundred Balinese were killed by Dutch bullets.<br/><br/>

After this event Klungkung was placed under direct Dutch rule. In 1929 a nephew of the last ruler, Dewa Agung Oka Geg, was appointed regent by the colonial authorities. In 1938 the status of him and seven other Balinese regents was elevated to zelfbestuurder or raja. After the formation of a unitary Indonesian state in 1949-1950, the raja rule was phased out in Bali and elsewhere.<br/><br/>

The Dewa Agung title lapsed with the death of Dewa Agung Oka Geg in 1964. Members of his family have since periodically governed Klungkung as bupati or regents.
A young Balinese girl posing with a water pot balanced on her head, c.1945.
Pura Meduwe Karang is a Hindu temple at Kubutambahan approximately 12 km east of Singaraja in northern Bali.<br/><br/>

The temple built in 1890 is dedicated to Batara Meduwe Karang (God of the land). The temple provides divine protection of crops and fertile soil. At the entrance are three rows of Ramayana images. The temple is walled and adorned with columns. There are two split gates and some pavilions.
Pura Meduwe Karang is a Hindu temple at Kubutambahan approximately 12 km east of Singaraja in northern Bali.<br/><br/>

The temple built in 1890 is dedicated to Batara Meduwe Karang (God of the land). The temple provides divine protection of crops and fertile soil. At the entrance are three rows of Ramayana images. The temple is walled and adorned with columns. There are two split gates and some pavilions.
Pura Meduwe Karang is a Hindu temple at Kubutambahan approximately 12 km east of Singaraja in northern Bali.<br/><br/>

The temple built in 1890 is dedicated to Batara Meduwe Karang (God of the land). The temple provides divine protection of crops and fertile soil. At the entrance are three rows of Ramayana images. The temple is walled and adorned with columns. There are two split gates and some pavilions.
Pura Meduwe Karang is a Hindu temple at Kubutambahan approximately 12 km east of Singaraja in northern Bali.<br/><br/>

The temple built in 1890 is dedicated to Batara Meduwe Karang (God of the land). The temple provides divine protection of crops and fertile soil. At the entrance are three rows of Ramayana images. The temple is walled and adorned with columns. There are two split gates and some pavilions.
Pura Meduwe Karang is a Hindu temple at Kubutambahan approximately 12 km east of Singaraja in northern Bali.<br/><br/>

The temple built in 1890 is dedicated to Batara Meduwe Karang (God of the land). The temple provides divine protection of crops and fertile soil. At the entrance are three rows of Ramayana images. The temple is walled and adorned with columns. There are two split gates and some pavilions.
Pura Meduwe Karang is a Hindu temple at Kubutambahan approximately 12 km east of Singaraja in northern Bali.<br/><br/>

The temple built in 1890 is dedicated to Batara Meduwe Karang (God of the land). The temple provides divine protection of crops and fertile soil. At the entrance are three rows of Ramayana images. The temple is walled and adorned with columns. There are two split gates and some pavilions.
Pura Meduwe Karang is a Hindu temple at Kubutambahan approximately 12 km east of Singaraja in northern Bali.<br/><br/>

The temple built in 1890 is dedicated to Batara Meduwe Karang (God of the land). The temple provides divine protection of crops and fertile soil. At the entrance are three rows of Ramayana images. The temple is walled and adorned with columns. There are two split gates and some pavilions.
Pura Meduwe Karang is a Hindu temple at Kubutambahan approximately 12 km east of Singaraja in northern Bali.<br/><br/>

The temple built in 1890 is dedicated to Batara Meduwe Karang (God of the land). The temple provides divine protection of crops and fertile soil. At the entrance are three rows of Ramayana images. The temple is walled and adorned with columns. There are two split gates and some pavilions.
Pura Meduwe Karang is a Hindu temple at Kubutambahan approximately 12 km east of Singaraja in northern Bali.<br/><br/>

The temple built in 1890 is dedicated to Batara Meduwe Karang (God of the land). The temple provides divine protection of crops and fertile soil. At the entrance are three rows of Ramayana images. The temple is walled and adorned with columns. There are two split gates and some pavilions.
Pura Meduwe Karang is a Hindu temple at Kubutambahan approximately 12 km east of Singaraja in northern Bali.<br/><br/>

The temple built in 1890 is dedicated to Batara Meduwe Karang (God of the land). The temple provides divine protection of crops and fertile soil. At the entrance are three rows of Ramayana images. The temple is walled and adorned with columns. There are two split gates and some pavilions.
Legong is a form of Balinese dance. It is a refined dance form characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions.<br/><br/>

Legong probably originated in the 19th century as royal entertainment. Legend has it that a prince of Sukwati fell ill and had a vivid dream in which two maidens danced to gamelan music. When he recovered, he arranged for such dances to be performed in reality. Others believe that the Legong originated with the sanghyang dedari, a ceremony involving voluntary possession of two little girls by beneficent spirits. Legong is also danced at public festivals.
Legong is a form of Balinese dance. It is a refined dance form characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions.<br/><br/>

Legong probably originated in the 19th century as royal entertainment. Legend has it that a prince of Sukwati fell ill and had a vivid dream in which two maidens danced to gamelan music. When he recovered, he arranged for such dances to be performed in reality. Others believe that the Legong originated with the sanghyang dedari, a ceremony involving voluntary possession of two little girls by beneficent spirits. Legong is also danced at public festivals.
Legong is a form of Balinese dance. It is a refined dance form characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions.<br/><br/>

Legong probably originated in the 19th century as royal entertainment. Legend has it that a prince of Sukwati fell ill and had a vivid dream in which two maidens danced to gamelan music. When he recovered, he arranged for such dances to be performed in reality. Others believe that the Legong originated with the sanghyang dedari, a ceremony involving voluntary possession of two little girls by beneficent spirits. Legong is also danced at public festivals.
Buleleng was founded as a kingdom by Gusti Panji Sakti, who ruled c. 1660-c. 1700. He is commemorated as a heroic ancestor-figure who expanded the power of Buleleng to Blambangan on East Java. The kingdom was weakened during his successors, and fell under the suzerainty of the neighbouring Karangasem kingdom in the second half of the 18th century.<br/><br/>

It was headed by an autonomous branch of the Karangasem Dynasty in 1806-1849. The Dutch colonial power attacked Buleleng in 1846, 1848 and 1849, and defeated it on the last occasion. Buleleng was incorporated in the Dutch colonial system and lost its autonomy in 1882.<br/><br/> 

In 1929 a descendant of Gusti Panji Sakti, the renowned scholar Gusti Putu Jelantik, was appointed regent by the Dutch. He died in 1944, during the Japanese occupation of Indonesia. His son, a well-known novelist, Anak Agung Nyoman Panji Tisna. In 1947, Anak Agung Pandji Tisna surrendered the throne to his younger brother, Anak Agung Ngurah Ketut Djelantik, known as Meester Djelantik, until 1950.<br/><br/>

 In 1949-50 Buleleng, like the rest of Bali, was incorporated in the unitary republic of Indonesia.
Buleleng was founded as a kingdom by Gusti Panji Sakti, who ruled c. 1660-c. 1700. He is commemorated as a heroic ancestor-figure who expanded the power of Buleleng to Blambangan on East Java. The kingdom was weakened during his successors, and fell under the suzerainty of the neighbouring Karangasem kingdom in the second half of the 18th century.<br/><br/>

It was headed by an autonomous branch of the Karangasem Dynasty in 1806-1849. The Dutch colonial power attacked Buleleng in 1846, 1848 and 1849, and defeated it on the last occasion. Buleleng was incorporated in the Dutch colonial system and lost its autonomy in 1882.<br/><br/> 

In 1929 a descendant of Gusti Panji Sakti, the renowned scholar Gusti Putu Jelantik, was appointed regent by the Dutch. He died in 1944, during the Japanese occupation of Indonesia. His son, a well-known novelist, Anak Agung Nyoman Panji Tisna. In 1947, Anak Agung Pandji Tisna surrendered the throne to his younger brother, Anak Agung Ngurah Ketut Djelantik, known as Meester Djelantik, until 1950.<br/><br/>

 In 1949-50 Buleleng, like the rest of Bali, was incorporated in the unitary republic of Indonesia.
Buleleng was founded as a kingdom by Gusti Panji Sakti, who ruled c. 1660-c. 1700. He is commemorated as a heroic ancestor-figure who expanded the power of Buleleng to Blambangan on East Java. The kingdom was weakened during his successors, and fell under the suzerainty of the neighbouring Karangasem kingdom in the second half of the 18th century.<br/><br/>

It was headed by an autonomous branch of the Karangasem Dynasty in 1806-1849. The Dutch colonial power attacked Buleleng in 1846, 1848 and 1849, and defeated it on the last occasion. Buleleng was incorporated in the Dutch colonial system and lost its autonomy in 1882.<br/><br/> 

In 1929 a descendant of Gusti Panji Sakti, the renowned scholar Gusti Putu Jelantik, was appointed regent by the Dutch. He died in 1944, during the Japanese occupation of Indonesia. His son, a well-known novelist, Anak Agung Nyoman Panji Tisna. In 1947, Anak Agung Pandji Tisna surrendered the throne to his younger brother, Anak Agung Ngurah Ketut Djelantik, known as Meester Djelantik, until 1950.<br/><br/>

 In 1949-50 Buleleng, like the rest of Bali, was incorporated in the unitary republic of Indonesia.
Walter Spies (15 September 1895 – 19 January 1942) was a Russian-born German primitivist painter. In 1923 he came to Java, living first in Yogyakarta and then in Ubud, Bali starting in 1927. He is often credited with attracting the attention of Western cultural figures to Balinese culture and art.<br/><br/>

As a German national in the Dutch East Indies during World War II, Spies was arrested and deported. However, a Japanese bomb hit the ship that was carrying him to Ceylon, and most of the prisoners on the ship, including Spies, drowned.
Buleleng was founded as a kingdom by Gusti Panji Sakti, who ruled c. 1660-c. 1700. He is commemorated as a heroic ancestor-figure who expanded the power of Buleleng to Blambangan on East Java. The kingdom was weakened during his successors, and fell under the suzerainty of the neighbouring Karangasem kingdom in the second half of the 18th century.<br/><br/>

In 1849 the Dutch landed in Buleleng and marched on Singaraja, meeting with Balinese resistance at Jagaraga. When they saw their situation was desperate, the Balinese committed the first <i>puputan</i>, or mass-suicide, the Dutch would be given to witness in their conflicts with Bali. In this encounter, the Dutch lost 34 men, and the Balinese thousands.<br/><br/>

Buleleng was incorporated in the Dutch colonial system and lost its autonomy in 1882. In 1949-50 Buleleng, like the rest of Bali, was incorporated in the unitary republic of Indonesia.
Balinese is an Austronesian language spoken by about three million people on the Indonesian island of Bali. However, Balinese script has largely been replaced by the Roman alphabet in modern times. Although it is learned in school, few people use it. It is mostly used in temples and for religious writings.<br/><br/>

The Balinese script was derived from the Old Kawi alphabet, which ultimately derived from the Brahmi alphabet, the root of all the Indic and Southeast Asian abugidas. The alphabet consists of 47 characters, 14 of which are vowels, and the remaining 33 are consonants. Among the 33 consonants, only 18 are commonly used; the rest are mainly used to write loanwords from Kavi and Sanskrit.
Balinese is an Austronesian language spoken by about three million people on the Indonesian island of Bali. However, Balinese script has largely been replaced by the Roman alphabet in modern times. Although it is learned in school, few people use it. It is mostly used in temples and for religious writings.<br/><br/>

The Balinese script was derived from the Old Kawi alphabet, which ultimately derived from the Brahmi alphabet, the root of all the Indic and Southeast Asian abugidas. The alphabet consists of 47 characters, 14 of which are vowels, and the remaining 33 are consonants. Among the 33 consonants, only 18 are commonly used; the rest are mainly used to write loanwords from Kavi and Sanskrit.
Mañjuśrī (Skt: मञ्जुश्री) is a bodhisattva associated with transcendent wisdom (Skt. prajñā) in Mahāyāna Buddhism. In Esoteric Buddhism he is also taken as a meditational deity. The Sanskrit name Mañjuśrī can be translated as 'Gentle Glory'. Mañjuśrī is also known by the fuller Sanskrit name of Mañjuśrīkumārabhūta.
Walter Spies (15 September 1895 – 19 January 1942) was a Russian-born German primitivist painter. In 1923 he came to Java, living first in Yogyakarta and then in Ubud, Bali starting in 1927. He is often credited with attracting the attention of Western cultural figures to Balinese culture and art. As a German national in the Dutch East Indies during World War II, Spies was arrested and deported. However, a Japanese bomb hit the ship that was carrying him to Ceylon, and most of the prisoners on the ship, including Spies, drowned.
Balinese dance is a very ancient dance tradition that is a part of the religious and artistic expression among the Balinese people, native to Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. The Balinese dancers express the story of dance-drama through the whole bodily gestures; fingers, hands and body gestures to head and eyes movements.<br/><br/>

There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most dances in Bali are connected to Hindu rituals, such as the Sanghyang Dedari sacred dance that invoke hyang spirits that are believed to possess the dancers in trance state during the performance. Other Balinese dances are not linked to religious rituals and created for certain purposes, such as the Pendet welcoming dance and the Joged dance, a social dance for entertainment.<br/><br/>

In Bali there are various categories of dance, including epic performances such as the Mahabharata and Ramayana. Certain ceremonies at village temples feature a special performance of a dance-drama, a battle between the mythical characters Rangda, the witch representing evil, and Barong, the lion or dragon, representing good.<br/><br/>

Among the dance traditions in Bali, the following deserve special mention: Barong, Legong and Kecak.
Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam. Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
Balinese dance is a very ancient dance tradition that is a part of the religious and artistic expression among the Balinese people, native to Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. The Balinese dancers express the story of dance-drama through the whole bodily gestures; fingers, hands and body gestures to head and eyes movements.<br/><br/>

There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most dances in Bali are connected to Hindu rituals, such as the Sanghyang Dedari sacred dance that invoke hyang spirits that are believed to possess the dancers in trance state during the performance. Other Balinese dances are not linked to religious rituals and created for certain purposes, such as the Pendet welcoming dance and the Joged dance, a social dance for entertainment.<br/><br/>

In Bali there are various categories of dance, including epic performances such as the Mahabharata and Ramayana. Certain ceremonies at village temples feature a special performance of a dance-drama, a battle between the mythical characters Rangda, the witch representing evil, and Barong, the lion or dragon, representing good.<br/><br/>

Among the dance traditions in Bali, the following deserve special mention: Barong, Legong and Kecak.
Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam. Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/>Balinese dance is a very ancient dance tradition that is a part of the religious and artistic expression among the Balinese people, native to Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. The Balinese dancers express the story of dance-drama through the whole bodily gestures; fingers, hands and body gestures to head and eyes movements.<br/><br/>There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most dances in Bali are connected to Hindu rituals, such as the Sanghyang Dedari sacred dance that invoke hyang spirits that are believed to possess the dancers in trance state during the performance. Other Balinese dances are not linked to religious rituals and created for certain purposes, such as the Pendet welcoming dance and the Joged dance, a social dance for entertainment.<br/><br/>In Bali there are various categories of dance, including epic performances such as the Mahabharata and Ramayana. Certain ceremonies at village temples feature a special performance of a dance-drama, a battle between the mythical characters Rangda, the witch representing evil, and Barong, the lion or dragon, representing good.<br/><br/>Among the dance traditions in Bali, the following deserve special mention: Barong, Legong and Kecak.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/>Balinese dance is a very ancient dance tradition that is a part of the religious and artistic expression among the Balinese people, native to Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. The Balinese dancers express the story of dance-drama through the whole bodily gestures; fingers, hands and body gestures to head and eyes movements.<br/><br/>There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most dances in Bali are connected to Hindu rituals, such as the Sanghyang Dedari sacred dance that invoke hyang spirits that are believed to possess the dancers in trance state during the performance. Other Balinese dances are not linked to religious rituals and created for certain purposes, such as the Pendet welcoming dance and the Joged dance, a social dance for entertainment.<br/><br/>In Bali there are various categories of dance, including epic performances such as the Mahabharata and Ramayana. Certain ceremonies at village temples feature a special performance of a dance-drama, a battle between the mythical characters Rangda, the witch representing evil, and Barong, the lion or dragon, representing good.<br/><br/>Among the dance traditions in Bali, the following deserve special mention: Barong, Legong and Kecak.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/>Balinese dance is a very ancient dance tradition that is a part of the religious and artistic expression among the Balinese people, native to Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. The Balinese dancers express the story of dance-drama through the whole bodily gestures; fingers, hands and body gestures to head and eyes movements.<br/><br/>There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most dances in Bali are connected to Hindu rituals, such as the Sanghyang Dedari sacred dance that invoke hyang spirits that are believed to possess the dancers in trance state during the performance. Other Balinese dances are not linked to religious rituals and created for certain purposes, such as the Pendet welcoming dance and the Joged dance, a social dance for entertainment.<br/><br/>In Bali there are various categories of dance, including epic performances such as the Mahabharata and Ramayana. Certain ceremonies at village temples feature a special performance of a dance-drama, a battle between the mythical characters Rangda, the witch representing evil, and Barong, the lion or dragon, representing good.<br/><br/>Among the dance traditions in Bali, the following deserve special mention: Barong, Legong and Kecak.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/>Balinese dance is a very ancient dance tradition that is a part of the religious and artistic expression among the Balinese people, native to Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. The Balinese dancers express the story of dance-drama through the whole bodily gestures; fingers, hands and body gestures to head and eyes movements.<br/><br/>There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most dances in Bali are connected to Hindu rituals, such as the Sanghyang Dedari sacred dance that invoke hyang spirits that are believed to possess the dancers in trance state during the performance. Other Balinese dances are not linked to religious rituals and created for certain purposes, such as the Pendet welcoming dance and the Joged dance, a social dance for entertainment.<br/><br/>In Bali there are various categories of dance, including epic performances such as the Mahabharata and Ramayana. Certain ceremonies at village temples feature a special performance of a dance-drama, a battle between the mythical characters Rangda, the witch representing evil, and Barong, the lion or dragon, representing good.<br/><br/>Among the dance traditions in Bali, the following deserve special mention: Barong, Legong and Kecak.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/>Balinese dance is a very ancient dance tradition that is a part of the religious and artistic expression among the Balinese people, native to Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. The Balinese dancers express the story of dance-drama through the whole bodily gestures; fingers, hands and body gestures to head and eyes movements.<br/><br/>There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most dances in Bali are connected to Hindu rituals, such as the Sanghyang Dedari sacred dance that invoke hyang spirits that are believed to possess the dancers in trance state during the performance. Other Balinese dances are not linked to religious rituals and created for certain purposes, such as the Pendet welcoming dance and the Joged dance, a social dance for entertainment.<br/><br/>In Bali there are various categories of dance, including epic performances such as the Mahabharata and Ramayana. Certain ceremonies at village temples feature a special performance of a dance-drama, a battle between the mythical characters Rangda, the witch representing evil, and Barong, the lion or dragon, representing good.<br/><br/>Among the dance traditions in Bali, the following deserve special mention: Barong, Legong and Kecak.
Tyra Kleen, sometimes written Thyra, born 29 March 1874 in Stockholm, died in 1951, was a Swedish artist and writer. Her illustrations can be signed T.Kn.<br/><br/>Balinese dance is a very ancient dance tradition that is a part of the religious and artistic expression among the Balinese people, native to Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. The Balinese dancers express the story of dance-drama through the whole bodily gestures; fingers, hands and body gestures to head and eyes movements.<br/><br/>There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most dances in Bali are connected to Hindu rituals, such as the Sanghyang Dedari sacred dance that invoke hyang spirits that are believed to possess the dancers in trance state during the performance. Other Balinese dances are not linked to religious rituals and created for certain purposes, such as the Pendet welcoming dance and the Joged dance, a social dance for entertainment.<br/><br/>In Bali there are various categories of dance, including epic performances such as the Mahabharata and Ramayana. Certain ceremonies at village temples feature a special performance of a dance-drama, a battle between the mythical characters Rangda, the witch representing evil, and Barong, the lion or dragon, representing good.<br/><br/>Among the dance traditions in Bali, the following deserve special mention: Barong, Legong and Kecak.
Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam.<br/><br/> 

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.