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Pyin U Lwin (Maymyo) began as a military outpost on the Lashio-Mandalay trail between Nawnghkio and Mandalay. In 1897, a permanent military post was established in the town and later, because of its climate, it became a hill station and the summer capital of British Burma.
Yuding Zhenren was a minor character from the classic Ming Dynasty novel 'Fengshen Yanyi'. Yuding Zhenren was one of the Twelve Golden Xian, twelve of Yuanshi Tianzun's greatest students. He was a devoted follower of Branch Chan of Taoism, fighting against Branch Jie. During the war between the Zhou and Shang armies, he fought alongside the Zhou army with the other Twelve Golden Xian, helping to overthrow the Shang Dynasty.
Ju Liusun was a character from the classic Ming Dynasty novel 'Fengshen Yanyi'. Ju Liusun was an immortal, and one of the Twelve Golden Xian, twelve of the Taoist Grand Master Yuanshi Tianzun's greatest students. He worked alongside the other twelve Xians and fellow disciple Jiang Ziya to support King Wu of Zhou against the tyrannical King Zhou of Shang. For his efforts, he would eventually become a Buddha, known as Krakucchanda.
Guangchengzi was a character from the classic Ming Dynasty novel 'Fengshen Yanyi'. The first of the Twelve Golden Xian, Guangchengzi was a student of Yuanshi Tianzun, and worked alongside fellow disciple Jiang Ziya to support King Wu of Zhou's attempts to overthrow the corrupt and tyrannical King Zhou of Shang.<br/><br/>

He was one of the leaders of Branch Chan of Taoism, and his accidental killing of Jinguang Shengmu, a student of Tongtian Jiaozhu - who was the founder of Branch Jie of Taoism - led to a war between the two branches. The war would last for a long time, resulting in many Xians and gods being injured or killed, and leading to each branch supporting the two opposing sides during the Shang-Zhou war. Branch Chan supported the Zhou army, while Branch Jie aided King Zhou of Shang.<br/><br/>

In Taoism, Guangchengzi is also considered the avatar of Daode Tianzun, and was said to have lived in the Kongtong Mountains, where he was visited by the Yellow Emperor, resulting in him playing a crucial role in the creation of early Chinese civilisation. He is even sometimes considered the avatar of Dao itself.
Lee Kuan Yew, GCMG, CH (born Harry Lee Kuan Yew, 16 September 1923 – 23 March 2015), was a Singaporean politician. He was the first Prime Minister of Singapore, governing for three decades. He has been described as the 'founding father' and 'architect' of modern Singapore.<br/><br/>

As the co-founder and first Secretary-General of the People's Action Party (PAP), he led the party to eight victories from 1959 to 1990, and oversaw the separation of Singapore from Malaysia in 1965 and its subsequent transformation from a relatively underdeveloped colonial outpost with no natural resources into a 'First World' Asian Tiger. He was one of the most influential political figures in Asia.
This Zen, or Chan, Buddhist temple, is the oldest in Guangzhou, dating back to the Eastern Jin dynasty (265 - 420 CE). It was originally built around 400 CE by an Indian monk. Hui Neng, the Sixth Patriarch of Zen Buddhism, served as a novice monk here in the 600s.<br/><br/>

Most of the present structures date back to 1832, the time of the last big renovation. The Great Hall, with its impressive pillars, is still architecturally interesting. There are two pagodas behind the hall: the stone Yifa Pagoda built in 676 on top of a hair of Hui Neng, and the Song-dynasty Eastern Iron Pagoda, made of gilt iron.
The collection of woodblocks found in Vinh Nghiem Pagoda, Bac Giang Province has been officially recognized as a World Documentary Heritage by UNESCO.<br/><br/>

The collection of valuable woodblocks, which are said to have been made in the 13th, 14th, 15th, and 17th centuries, provides a wealth of information on the foundation, development and ideology of Truc Lam Zen Buddhism, founded by King Tran Nhan Tong in the 11th century.
The collection of woodblocks found in Vinh Nghiem Pagoda, Bac Giang Province has been officially recognized as a World Documentary Heritage by UNESCO.<br/><br/>

The collection of valuable woodblocks, which are said to have been made in the 13th, 14th, 15th, and 17th centuries, provides a wealth of information on the foundation, development and ideology of Truc Lam Zen Buddhism, founded by King Tran Nhan Tong in the 11th century.
This Zen, or Chan, Buddhist temple, is the oldest in Guangzhou, dating back to the Eastern Jin dynasty (265 - 420 CE). It was originally built around 400 CE by an Indian monk. Hui Neng, the Sixth Patriarch of Zen Buddhism, served as a novice monk here in the 600s.<br/><br/>

Most of the present structures date back to 1832, the time of the last big renovation. The Great Hall, with its impressive pillars, is still architecturally interesting. There are two pagodas behind the hall: the stone Jingfa Pagoda built in 676 on top of a hair of Hui Neng, and the Song-dynasty Eastern Iron Pagoda, made of gilt iron.
Bodhidharma was a Buddhist monk who lived during the 5th/6th century CE. He is traditionally credited as the transmitter of Ch'an (Sanskrit: Dhyana, Japanese: Zen) to China, and regarded as the first Chinese patriarch.<br/><br/>

According to Chinese legend, he also began the physical training of the Shaolin monks that led to the creation of Shaolinquan.
The golden stupa of the Shwedagon Pagoda rises almost 100 m (330ft) above its setting on Singuttara Hill and is plated with 8,688 solid-gold slabs. This central stupa is surrounded by more than 100 other buildings, including smaller stupas and pavilions.<br/><br/>

The pagoda was already well established when Bagan dominated Burma in the 11th century. Queen Shinsawbu, who ruled in the 15th century, is believed to have given the pagoda its present shape. She also built the terraces and walls around the stupa.<br/><br/>

The giant stupa has a circumference at platform level of 433 m (1,420ft), with its octagonal base ringed by 64 smaller stupas.
The golden stupa of the Shwedagon Pagoda rises almost 100 m (330ft) above its setting on Singuttara Hill and is plated with 8,688 solid-gold slabs. This central stupa is surrounded by more than 100 other buildings, including smaller stupas and pavilions.<br/><br/>

The pagoda was already well established when Bagan dominated Burma in the 11th century. Queen Shinsawbu, who ruled in the 15th century, is believed to have given the pagoda its present shape. She also built the terraces and walls around the stupa.<br/><br/>

The giant stupa has a circumference at platform level of 433 m (1,420ft), with its octagonal base ringed by 64 smaller stupas.
The golden stupa of the Shwedagon Pagoda rises almost 100 m (330ft) above its setting on Singuttara Hill and is plated with 8,688 solid-gold slabs. This central stupa is surrounded by more than 100 other buildings, including smaller stupas and pavilions.<br/><br/>

The pagoda was already well established when Bagan dominated Burma in the 11th century. Queen Shinsawbu, who ruled in the 15th century, is believed to have given the pagoda its present shape. She also built the terraces and walls around the stupa.<br/><br/>

The giant stupa has a circumference at platform level of 433 m (1,420ft), with its octagonal base ringed by 64 smaller stupas.
The golden stupa of the Shwedagon Pagoda rises almost 100 m (330ft) above its setting on Singuttara Hill and is plated with 8,688 solid-gold slabs. This central stupa is surrounded by more than 100 other buildings, including smaller stupas and pavilions.<br/><br/>

The pagoda was already well established when Bagan dominated Burma in the 11th century. Queen Shinsawbu, who ruled in the 15th century, is believed to have given the pagoda its present shape. She also built the terraces and walls around the stupa.<br/><br/>

The giant stupa has a circumference at platform level of 433 m (1,420ft), with its octagonal base ringed by 64 smaller stupas.
The golden stupa of the Shwedagon Pagoda rises almost 100 m (330ft) above its setting on Singuttara Hill and is plated with 8,688 solid-gold slabs. This central stupa is surrounded by more than 100 other buildings, including smaller stupas and pavilions.<br/><br/>

The pagoda was already well established when Bagan dominated Burma in the 11th century. Queen Shinsawbu, who ruled in the 15th century, is believed to have given the pagoda its present shape. She also built the terraces and walls around the stupa.<br/><br/>

The giant stupa has a circumference at platform level of 433 m (1,420ft), with its octagonal base ringed by 64 smaller stupas.
The golden stupa of the Shwedagon Pagoda rises almost 100 m (330ft) above its setting on Singuttara Hill and is plated with 8,688 solid-gold slabs. This central stupa is surrounded by more than 100 other buildings, including smaller stupas and pavilions.<br/><br/>

The pagoda was already well established when Bagan dominated Burma in the 11th century. Queen Shinsawbu, who ruled in the 15th century, is believed to have given the pagoda its present shape. She also built the terraces and walls around the stupa.<br/><br/>

The giant stupa has a circumference at platform level of 433 m (1,420ft), with its octagonal base ringed by 64 smaller stupas.
In the narrow mountain valleys of Son La, Dien Bien and Lai Chau provinces of North Vietnam the Tai remain a very noticeable and confident minority. They are divided into White Tai and Black Tai communities, while further south, by the Lao frontier in Thanh Hoa and Nghe An Provinces, Red Tai predominate.<br/><br/>

These subgroups are distinguished by the dress of their women. Vietnam’s Tai are people of the mountain valleys. Farming wet rice paddy fields they are relatively prosperous, enjoying more security and an appreciably higher standard of living than the people of the mountaintops. They are culturally confident, too, and well known throughout the north for their fine weaving and embroidery, sophisticated music and dance, as well as their business acumen in the marketplace.<br/><br/>

Closely related to the neighbouring Lao, Thai, Shan of Burma and Dai of China’s Yunnan Province, they have lived for centuries in the fertile uplands between the Truong Son and Hoang Lien ranges – certainly long before the region became part of Vietnam – and have a rich literary legacy and folklore.
A strange 'Orientalist' poster displaying, perhaps without malice, East Asian Chinese / Japanese ethnic stereotyping.<br/><br/>

Racism consists of both prejudice and discrimination based in social perceptions of biological differences between peoples.<br/><br/>

It often takes the form of social actions, practices or beliefs, or political systems that consider different races to be ranked as inherently superior or inferior to each other, based on presumed shared inheritable traits, abilities, or qualities. It may also hold that members of different races should be treated differently.
Seon (Sŏn, 禪) is the Korean variant of Chán. Meaning 'meditation', the term is more widely known in the West in its Japanese variant Zen.
Liurong Si (Temple of the Six Banyan Trees), was founded over 1,400 years ago. The trees that inspired the 11th-century poet and calligrapher Su Dongpo to name the temple have since died. Overlooking it all is the Hua Ta (Flower Pagoda), a slender relic of the Song dynasty, built in 1097.
Liurong Si (Temple of the Six Banyan Trees), was founded over 1,400 years ago. The trees that inspired the 11th-century poet and calligrapher Su Dongpo to name the temple have since died. Overlooking it all is the Hua Ta (Flower Pagoda), a slender relic of the Song dynasty, built in 1097.
This Zen, or Chan, Buddhist temple, is the oldest in Guangzhou, dating back to the Eastern Jin dynasty (265 - 420 CE). It was originally built around 400 CE by an Indian monk. Hui Neng, the Sixth Patriarch of Zen Buddhism, served as a novice monk here in the 600s.<br/><br/>

Most of the present structures date back to 1832, the time of the last big renovation. The Great Hall, with its impressive pillars, is still architecturally interesting. There are two pagodas behind the hall: the stone Yifa Pagoda built in 676 on top of a hair of Hui Neng, and the Song-dynasty Eastern Iron Pagoda, made of gilt iron.
This Zen, or Chan, Buddhist temple, is the oldest in Guangzhou, dating back to the Eastern Jin dynasty (265 - 420 CE). It was originally built around 400 CE by an Indian monk. Hui Neng, the Sixth Patriarch of Zen Buddhism, served as a novice monk here in the 600s.<br/><br/>

Most of the present structures date back to 1832, the time of the last big renovation. The Great Hall, with its impressive pillars, is still architecturally interesting. There are two pagodas behind the hall: the stone Jingfa Pagoda built in 676 on top of a hair of Hui Neng, and the Song-dynasty Eastern Iron Pagoda, made of gilt iron.
This Zen, or Chan, Buddhist temple, is the oldest in Guangzhou, dating back to the Eastern Jin dynasty (265 - 420 CE). It was originally built around 400 CE by an Indian monk. Hui Neng, the Sixth Patriarch of Zen Buddhism, served as a novice monk here in the 600s.<br/><br/>

Most of the present structures date back to 1832, the time of the last big renovation. The Great Hall, with its impressive pillars, is still architecturally interesting. There are two pagodas behind the hall: the stone Jingfa Pagoda built in 676 on top of a hair of Hui Neng, and the Song-dynasty Eastern Iron Pagoda, made of gilt iron.
This Zen, or Chan, Buddhist temple, is the oldest in Guangzhou, dating back to the Eastern Jin dynasty (265 - 420 CE). It was originally built around 400 CE by an Indian monk. Hui Neng, the Sixth Patriarch of Zen Buddhism, served as a novice monk here in the 600s.<br/><br/>

Most of the present structures date back to 1832, the time of the last big renovation. The Great Hall, with its impressive pillars, is still architecturally interesting. There are two pagodas behind the hall: the stone Jingfa Pagoda built in 676 on top of a hair of Hui Neng, and the Song-dynasty Eastern Iron Pagoda, made of gilt iron.
This Zen, or Chan, Buddhist temple, is the oldest in Guangzhou, dating back to the Eastern Jin dynasty (265 - 420 CE). It was originally built around 400 CE by an Indian monk. Hui Neng, the Sixth Patriarch of Zen Buddhism, served as a novice monk here in the 600s.<br/><br/>

Most of the present structures date back to 1832, the time of the last big renovation. The Great Hall, with its impressive pillars, is still architecturally interesting. There are two pagodas behind the hall: the stone Jingfa Pagoda built in 676 on top of a hair of Hui Neng, and the Song-dynasty Eastern Iron Pagoda, made of gilt iron.
This Zen, or Chan, Buddhist temple, is the oldest in Guangzhou, dating back to the Eastern Jin dynasty (265 - 420 CE). It was originally built around 400 CE by an Indian monk. Hui Neng, the Sixth Patriarch of Zen Buddhism, served as a novice monk here in the 600s.<br/><br/>

Most of the present structures date back to 1832, the time of the last big renovation. The Great Hall, with its impressive pillars, is still architecturally interesting. There are two pagodas behind the hall: the stone Jingfa Pagoda built in 676 on top of a hair of Hui Neng, and the Song-dynasty Eastern Iron Pagoda, made of gilt iron.
Liurong Si (Temple of the Six Banyan Trees), was founded over 1,400 years ago. The trees that inspired the 11th-century poet and calligrapher Su Dongpo to name the temple have since died. Overlooking it all is the Hua Ta (Flower Pagoda), a slender relic of the Song dynasty, built in 1097.
Liurong Si (Temple of the Six Banyan Trees), was founded over 1,400 years ago. The trees that inspired the 11th-century poet and calligrapher Su Dongpo to name the temple have since died. Overlooking it all is the Hua Ta (Flower Pagoda), a slender relic of the Song dynasty, built in 1097.
Liurong Si (Temple of the Six Banyan Trees), was founded over 1,400 years ago. The trees that inspired the 11th-century poet and calligrapher Su Dongpo to name the temple have since died. Overlooking it all is the Hua Ta (Flower Pagoda), a slender relic of the Song dynasty, built in 1097.
Liurong Si (Temple of the Six Banyan Trees), was founded over 1,400 years ago. The trees that inspired the 11th-century poet and calligrapher Su Dongpo to name the temple have since died. Overlooking it all is the Hua Ta (Flower Pagoda), a slender relic of the Song dynasty, built in 1097.
Liurong Si (Temple of the Six Banyan Trees), was founded over 1,400 years ago. The trees that inspired the 11th-century poet and calligrapher Su Dongpo to name the temple have since died. Overlooking it all is the Hua Ta (Flower Pagoda), a slender relic of the Song dynasty, built in 1097.
Liurong Si (Temple of the Six Banyan Trees), was founded over 1,400 years ago. The trees that inspired the 11th-century poet and calligrapher Su Dongpo to name the temple have since died. Overlooking it all is the Hua Ta (Flower Pagoda), a slender relic of the Song dynasty, built in 1097.
Liurong Si (Temple of the Six Banyan Trees), was founded over 1,400 years ago. The trees that inspired the 11th-century poet and calligrapher Su Dongpo to name the temple have since died. Overlooking it all is the Hua Ta (Flower Pagoda), a slender relic of the Song dynasty, built in 1097.
Liurong Si (Temple of the Six Banyan Trees), was founded over 1,400 years ago. The trees that inspired the 11th-century poet and calligrapher Su Dongpo to name the temple have since died. Overlooking it all is the Hua Ta (Flower Pagoda), a slender relic of the Song dynasty, built in 1097.
Liurong Si (Temple of the Six Banyan Trees), was founded over 1,400 years ago. The trees that inspired the 11th-century poet and calligrapher Su Dongpo to name the temple have since died. Overlooking it all is the Hua Ta (Flower Pagoda), a slender relic of the Song dynasty, built in 1097.
Liurong Si (Temple of the Six Banyan Trees), was founded over 1,400 years ago. The trees that inspired the 11th-century poet and calligrapher Su Dongpo to name the temple have since died. Overlooking it all is the Hua Ta (Flower Pagoda), a slender relic of the Song dynasty, built in 1097.
Liurong Si (Temple of the Six Banyan Trees), was founded over 1,400 years ago. The trees that inspired the 11th-century poet and calligrapher Su Dongpo to name the temple have since died. Overlooking it all is the Hua Ta (Flower Pagoda), a slender relic of the Song dynasty, built in 1097.
Liurong Si (Temple of the Six Banyan Trees), was founded over 1,400 years ago. The trees that inspired the 11th-century poet and calligrapher Su Dongpo to name the temple have since died. Overlooking it all is the Hua Ta (Flower Pagoda), a slender relic of the Song dynasty, built in 1097.
Bodhidharma was a Buddhist monk who lived during the 5th/6th century CE. He is traditionally credited as the transmitter of Ch'an (Sanskrit: Dhyāna, Japanese: Zen) to China, and regarded as the first Chinese patriarch.<br/><br/>

According to Chinese legend, he also began the physical training of the Shaolin monks that led to the creation of Shaolinquan.
The Nanhua Temple (Nánhuá Sì) was founded during the time of the North-South Dynasties in 502 AD by an Indian monk named Zhiyao Sanzang (智樂三藏) who originally named the site Baolin Temple (寶林寺). It received its present name in 968 during the reign of the Song Dynasty Emperor Taizong.<br/><br/>

The temple is a Buddhist monastery of the Chan School, one of Five Great Schools of Buddhism where Hui Neng, the Sixth Patriarch of the Chan School of Buddhism, once lived and taught.
The Nanhua Temple (Nánhuá Sì) was founded during the time of the North-South Dynasties in 502 AD by an Indian monk named Zhiyao Sanzang (智樂三藏) who originally named the site Baolin Temple (寶林寺). It received its present name in 968 during the reign of the Song Dynasty Emperor Taizong.<br/><br/>

The temple is a Buddhist monastery of the Chan School, one of Five Great Schools of Buddhism where Hui Neng, the Sixth Patriarch of the Chan School of Buddhism, once lived and taught.
The Nanhua Temple (Nánhuá Sì) was founded during the time of the North-South Dynasties in 502 AD by an Indian monk named Zhiyao Sanzang (智樂三藏) who originally named the site Baolin Temple (寶林寺). It received its present name in 968 during the reign of the Song Dynasty Emperor Taizong.<br/><br/>

The temple is a Buddhist monastery of the Chan School, one of Five Great Schools of Buddhism where Hui Neng, the Sixth Patriarch of the Chan School of Buddhism, once lived and taught.
The Nanhua Temple (Nánhuá Sì) was founded during the time of the North-South Dynasties in 502 AD by an Indian monk named Zhiyao Sanzang (智樂三藏) who originally named the site Baolin Temple (寶林寺). It received its present name in 968 during the reign of the Song Dynasty Emperor Taizong.<br/><br/>

The temple is a Buddhist monastery of the Chan School, one of Five Great Schools of Buddhism where Hui Neng, the Sixth Patriarch of the Chan School of Buddhism, once lived and taught.
The Nanhua Temple (Nánhuá Sì) was founded during the time of the North-South Dynasties in 502 AD by an Indian monk named Zhiyao Sanzang (智樂三藏) who originally named the site Baolin Temple (寶林寺). It received its present name in 968 during the reign of the Song Dynasty Emperor Taizong.<br/><br/>

The temple is a Buddhist monastery of the Chan School, one of Five Great Schools of Buddhism where Hui Neng, the Sixth Patriarch of the Chan School of Buddhism, once lived and taught.
The Nanhua Temple (Nánhuá Sì) was founded during the time of the North-South Dynasties in 502 AD by an Indian monk named Zhiyao Sanzang (智樂三藏) who originally named the site Baolin Temple (寶林寺). It received its present name in 968 during the reign of the Song Dynasty Emperor Taizong.<br/><br/>

The temple is a Buddhist monastery of the Chan School, one of Five Great Schools of Buddhism where Hui Neng, the Sixth Patriarch of the Chan School of Buddhism, once lived and taught.
The Nanhua Temple (Nánhuá Sì) was founded during the time of the North-South Dynasties in 502 AD by an Indian monk named Zhiyao Sanzang (智樂三藏) who originally named the site Baolin Temple (寶林寺). It received its present name in 968 during the reign of the Song Dynasty Emperor Taizong.<br/><br/>

The temple is a Buddhist monastery of the Chan School, one of Five Great Schools of Buddhism where Hui Neng, the Sixth Patriarch of the Chan School of Buddhism, once lived and taught.
Nichiren (February 16, 1222 – October 13, 1282) was a Buddhist monk who lived during the Kamakura period (1185–1333) in Japan. Nichiren taught devotion to the Lotus Sutra, entitled Myoho-Renge-Kyo in Japanese, as the exclusive means to attain enlightenment and the chanting of Namu-Myoho-Renge-Kyo as the essential practice of the teaching. Various schools with diverging interpretations of Nichiren's teachings comprise Nichiren Buddhism.<br/><br/>

Utagawa Kuniyoshi (歌川 国芳, January 1, 1797 - April 14, 1862) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school.<br/><br/>

The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes. His artwork was affected by Western influences in landscape painting and caricature.
In the narrow mountain valleys of Son La, Dien Bien and Lai Chau provinces of North Vietnam the Tai remain a very noticeable and confident minority. They are divided into White Tai and Black Tai communities, while further south, by the Lao frontier in Thanh Hoa and Nghe An Provinces, Red Tai predominate.<br/><br/>

These subgroups are distinguished by the dress of their women. Vietnam’s Tai are people of the mountain valleys. Farming wet rice paddy fields they are relatively prosperous, enjoying more security and an appreciably higher standard of living than the people of the mountaintops. They are culturally confident, too, and well known throughout the north for their fine weaving and embroidery, sophisticated music and dance, as well as their business acumen in the marketplace.<br/><br/>

Closely related to the neighbouring Lao, Thai, Shan of Burma and Dai of China’s Yunnan Province, they have lived for centuries in the fertile uplands between the Truong Son and Hoang Lien ranges – certainly long before the region became part of Vietnam – and have a rich literary legacy and folklore.
In the narrow mountain valleys of Son La, Dien Bien and Lai Chau provinces of North Vietnam the Tai remain a very noticeable and confident minority. They are divided into White Tai and Black Tai communities, while further south, by the Lao frontier in Thanh Hoa and Nghe An Provinces, Red Tai predominate.<br/><br/>

These subgroups are distinguished by the dress of their women. Vietnam’s Tai are people of the mountain valleys. Farming wet rice paddy fields they are relatively prosperous, enjoying more security and an appreciably higher standard of living than the people of the mountaintops. They are culturally confident, too, and well known throughout the north for their fine weaving and embroidery, sophisticated music and dance, as well as their business acumen in the marketplace.<br/><br/>

Closely related to the neighbouring Lao, Thai, Shan of Burma and Dai of China’s Yunnan Province, they have lived for centuries in the fertile uplands between the Truong Son and Hoang Lien ranges – certainly long before the region became part of Vietnam – and have a rich literary legacy and folklore.
Dr Paul Neis undertook a scientific mission to Cochinchina and Laos on behalf of the French Minister of Public Education. He returned to Bangkok by way of Chiang Mai and north Thailand. His mission lasted for 19 months between 1882 and 1884.
This drawing by Louis Delaporte is one of dozens he produced during his two-year venture (1866-68) with the Mekong Exploration Commission sponsored by the French Ministry of the Navy, the intention of which was to lay the groundwork for the expansion of French colonies in Indochina. Traveling the Mekong by boat, the small French delegation voyaged from Saigon to Phnom Penh to Luang Prabang, then farther north into the uncharted waters of Upper Laos and China's Yunnan province, before returning to Hanoi in 1868 by foot, accompanied by porters and elephants.
The Royal Palace (Preah Barum Reacha Veang Nei Preah Reacheanachak Kampuchea) and Silver Pagoda, in Phnom Penh, is a complex of buildings which serves as the royal residence of the king of Cambodia. Its full name in the Khmer language is Preah Barom Reachea Veang Chaktomuk. The Kings of Cambodia have occupied it since it was built in the 1860's, with a period of absence when the country came into turmoil during and after the reign of the Khmer Rouge.<br/><br/>

The palace was constructed after King Norodom relocated the royal capital from Oudong (Udong) to Phnom Penh in the mid-19th century. It was gradually built atop an old citadel called Banteay Kev. It faces towards the East and is situated at the Western bank of the four divisions at the Mekong River called Chaktomuk (an allusion to Brahma, the Hindu god of creation).
Two pages from 'Lieu duong Nguyen tau Chan Tam', handwritten in Han-Nom. Probably late 19th century. Chu Nom is an obsolete writing system of the Vietnamese language. It makes use of Chinese characters (known as Han Tu in Vietnamese), and characters coined following the Chinese model. The earliest known example of Chu Nom dates to the 13th century. It was used almost exclusively by the Vietnamese elite, mostly for recording Vietnamese literature (formal writings were, in most cases, not done in Vietnamese, but in classical Chinese). It has almost been completely replaced by Quoc Ngu, a script based on the Latin alphabet.
Si Satchanalai was built between the 13th and 15th centuries and was an integral part of the Sukhothai Kingdom. It was usually administered by family members of the Kings of Sukhothai.
The Royal Palace (Preah Barum Reacha Veang Nei Preah Reacheanachak Kampuchea) and Silver Pagoda, in Phnom Penh, is a complex of buildings which serves as the royal residence of the king of Cambodia. Its full name in the Khmer language is Preah Barom Reachea Veang Chaktomuk. The Kings of Cambodia have occupied it since it was built in the 1860's, with a period of absence when the country came into turmoil during and after the reign of the Khmer Rouge.<br/><br/>

The palace was constructed after King Norodom relocated the royal capital from Oudong (Udong) to Phnom Penh in the mid-19th century. It was gradually built atop an old citadel called Banteay Kev. It faces towards the East and is situated at the Western bank of the four divisions at the Mekong River called Chaktomuk (an allusion to Brahma, the Hindu god of creation).
Prayuth Chan-ocha (Thai: ประยุทธ์ จันทร์โอชา; born 21 March 1954) is a Thai army officer who is concurrently the Commander in Chief of the Royal Thai Army and the Leader of the National Council for Peace and Order (NCPO).<br/><br/>

Prayuth has been characterised as a strong royalist and an opponent of former prime minister Thaksin Shinawatra.<br/><br/>

During the political crisis that began in November 2013 and involved the protests against the caretaker government of Yingluck Shinawatra, Prayuth attempted to maintain army neutrality. However, on 22 May 2014, Prayuth launched a military coup against the government and since then assumed control of the country as NCPO leader.<br/><br/>

 On 21 August 2014, a military dominated national legislature  elected him as the new prime minister.
Rama I's Chakri dynasty met its first great test in the massive Burmese invasion of 1785. King Bodawpaya of Burma (1781-1819) sent more than 100,000 troops in five armies against Siam. The Burmese forces that invaded southern Thailand enjoyed initial success but were halted at Thalang, in central Phuket, by the bravery of the local defenders.<br/><br/>

Two sisters - Chan, or 'Date Plum', and Muk, or 'Pearl', the widow and sister-in-law of the late governor, organised the resistance by ordering the local women to cut their hair short and dress as men. When the Burmese commander saw the defences, he was fooled into thinking Thalang had many more soldiers than was actually the case!<br/><br/>

The court in Bangkok, on learning of the two sister's brave action, distinguished them with royal titles. Miss Chan was named Thepkasatri, or 'Angelic Queen', and Miss Muk became Si Sunthorn, or 'Goddess of Beauty'.  Today they are still seen as local folk heroes and spiritual guardians of the island. They stand together on the Heroine's Monument at Thepkasatri Road, brandishing long swords towards any future invaders of the island.
Rama I's Chakri dynasty met its first great test in the massive Burmese invasion of 1785. King Bodawpaya of Burma (1781-1819) sent more than 100,000 troops in five armies against Siam. The Burmese forces that invaded southern Thailand enjoyed initial success but were halted at Thalang, in central Phuket, by the bravery of the local defenders.<br/><br/>

Two sisters - Chan, or 'Date Plum', and Muk, or 'Pearl', the widow and sister-in-law of the late governor, organised the resistance by ordering the local women to cut their hair short and dress as men. When the Burmese commander saw the defences, he was fooled into thinking Thalang had many more soldiers than was actually the case!<br/><br/>

The court in Bangkok, on learning of the two sister's brave action, distinguished them with royal titles. Miss Chan was named Thepkasatri, or 'Angelic Queen', and Miss Muk became Si Sunthorn, or 'Goddess of Beauty'.  Today they are still seen as local folk heroes and spiritual guardians of the island. They stand together on the Heroine's Monument at Thepkasatri Road, brandishing long swords towards any future invaders of the island.
Rama I's Chakri dynasty met its first great test in the massive Burmese invasion of 1785. King Bodawpaya of Burma (1781-1819) sent more than 100,000 troops in five armies against Siam. The Burmese forces that invaded southern Thailand enjoyed initial success but were halted at Thalang, in central Phuket, by the bravery of the local defenders.<br/><br/>

Two sisters - Chan, or 'Date Plum', and Muk, or 'Pearl', the widow and sister-in-law of the late governor, organised the resistance by ordering the local women to cut their hair short and dress as men. When the Burmese commander saw the defences, he was fooled into thinking Thalang had many more soldiers than was actually the case!<br/><br/>

The court in Bangkok, on learning of the two sister's brave action, distinguished them with royal titles. Miss Chan was named Thepkasatri, or 'Angelic Queen', and Miss Muk became Si Sunthorn, or 'Goddess of Beauty'.  Today they are still seen as local folk heroes and spiritual guardians of the island. They stand together on the Heroine's Monument at Thepkasatri Road, brandishing long swords towards any future invaders of the island.
Rama I's Chakri dynasty met its first great test in the massive Burmese invasion of 1785. King Bodawpaya of Burma (1781-1819) sent more than 100,000 troops in five armies against Siam. The Burmese forces that invaded southern Thailand enjoyed initial success but were halted at Thalang, in central Phuket, by the bravery of the local defenders.<br/><br/>

Two sisters - Chan, or 'Date Plum', and Muk, or 'Pearl', the widow and sister-in-law of the late governor, organised the resistance by ordering the local women to cut their hair short and dress as men. When the Burmese commander saw the defences, he was fooled into thinking Thalang had many more soldiers than was actually the case!<br/><br/>

The court in Bangkok, on learning of the two sister's brave action, distinguished them with royal titles. Miss Chan was named Thepkasatri, or 'Angelic Queen', and Miss Muk became Si Sunthorn, or 'Goddess of Beauty'.  Today they are still seen as local folk heroes and spiritual guardians of the island. They stand together on the Heroine's Monument at Thepkasatri Road, brandishing long swords towards any future invaders of the island.