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Maitreya (Sanskrit), Metteyya (Pāli), Maithree (Sinhala), or Jampa (Tibetan) is a bodhisattva who in the Buddhist tradition is to appear on Earth, achieve complete enlightenment, and teach the pure dharma. According to scriptures, Maitreya will be a successor of the historic Śakyamuni Buddha.<br/><br/>

The prophecy of the arrival of Maitreya references a time when the Dharma will have been forgotten on Jambudvipa. It is found in the canonical literature of all Buddhist sects (Theravada, Mahayana, Vajrayana), and is accepted by most Buddhists as a statement about an event that will take place when the Dharma will have been forgotten on Earth.
Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This development began during the Parthian Period (50 BCE – 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. It declined and suffered destruction after invasion of the White Huns in the 5th century.<br/><br/>

Stucco as well as stone was widely used by sculptors in Gandhara for the decoration of monastic and cult buildings. Stucco provided the artist with a medium of great plasticity, enabling a high degree of expresivness to be given to the sculpture. Sculpting in stucco was popular wherever Buddhism spread from Gandhara - India, Afghanistan, Central Asia and China.
Wat Phra Kaew (Temple of the Emerald Buddha); full official name Wat Phra Si Rattana Satsadaram is regarded as the most sacred Buddhist temple in Thailand. It is located within the precincts of the Grand Palace.<br/><br/>

The Grand Palace served as the official residence of the Kings of Thailand from the 18th century onwards. Construction of the Palace began in 1782, during the reign of King Rama I, when he moved the capital across the river from Thonburi to Bangkok.
Wat Phra Kaew (Temple of the Emerald Buddha); full official name Wat Phra Si Rattana Satsadaram is regarded as the most sacred Buddhist temple in Thailand. It is located within the precincts of the Grand Palace.<br/><br/>

The Grand Palace served as the official residence of the Kings of Thailand from the 18th century onwards. Construction of the Palace began in 1782, during the reign of King Rama I, when he moved the capital across the river from Thonburi to Bangkok.
Wat Phra Kaew (Temple of the Emerald Buddha); full official name Wat Phra Si Rattana Satsadaram is regarded as the most sacred Buddhist temple in Thailand. It is located within the precincts of the Grand Palace.<br/><br/>

The Grand Palace served as the official residence of the Kings of Thailand from the 18th century onwards. Construction of the Palace began in 1782, during the reign of King Rama I, when he moved the capital across the river from Thonburi to Bangkok.
Wat Phra Kaew (Temple of the Emerald Buddha); full official name Wat Phra Si Rattana Satsadaram is regarded as the most sacred Buddhist temple in Thailand. It is located within the precincts of the Grand Palace.<br/><br/>

The Grand Palace served as the official residence of the Kings of Thailand from the 18th century onwards. Construction of the Palace began in 1782, during the reign of King Rama I, when he moved the capital across the river from Thonburi to Bangkok.
Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This development began during the Parthian Period (50 BCE – 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. It declined and suffered destruction after invasion of the White Huns in the 5th century.

Stucco as well as stone was widely used by sculptors in Gandhara for the decoration of monastic and cult buildings. Stucco provided the artist with a medium of great plasticity, enabling a high degree of expresivness to be given to the sculpture. Sculpting in stucco was popular wherever Buddhism spread from Gandhara - India, Afghanistan, Central Asia and China.
In the 320s BCE, Alexander the Great captured the city of Bagram and established a fortified colony named Alexandria of the Caucasus. The new town had brick walls reinforced with towers at the angles. The central street was bordered with shops and workshops.<br/><br/>

After his death in 323 BC, the city passed to his general Seleucus, who traded it to the Mauryan Dynasty of India in 305 BC. After the Mauryans were overthrown by the Sunga Dynasty in 185 BC, the Greco-Bactrian Kingdom invaded and conquered Northwestern India (Present Day Pakistan) with an army led by Demetrius I of Bactria. Alexandria became a capital of the Eucratidian Indo-Greek Kingdom after they were driven out of Bactria by the Yuezhi in 140 BC.<br/><br/>

Bagram (Kapisa) became the summer capital of the Kushan Empire in the 1st century, whereas their winter capital was in Peshawar. The emperor Kanishka started many new buildings there. The central palace building yielded a very rich treasure, dated from the time of emperor Kanishka in the 2nd century: ivory-plated stools of Indian origin, lacquered boxes from Han China, Greco-Roman glasses from Egypt and Syria, Hellenistic statues in the Pompeian style, stucco moldings, and silverware of Mediterranean origin.<br/><br/>

The 'Bagram treasure' is indicative of intense commercial exchanges between all the cultural centers of Classical times, with the Kushan empire at the junction of the land and sea trade between the east and west. However, the works of art found in Bagram are either purely Hellenistic, Roman, Chinese or Indian, with little indication of the cultural syncretism found in Greco-Buddhist art.
Ai-Khanoum or Ay Khanum ( 'Lady of the Moon' in Uzbek, probably the historical Alexandria on the Oxus, also possibly named Eucratidia), was founded in the 4th century BCE, following the conquests of Alexander the Great and was one of the primary cities of the Greco-Bactrian kingdom.<br/><br/>

The city is located in Kunduz Province northern Afghanistan, at the confluence of the Oxus river (today's Amu Darya) and the Kokcha river. Ai Khanoum was one of the focal points of Hellenism in the East for nearly two centuries, until its destruction by nomadic invaders around 145 BCE about the time of the death of Eucratides.<br/><br/>

The site was excavated through archaeological searches by a French mission under Paul Bernard between 1964 and 1978, as well as by Russian archaeologists. These researches had to be abandoned with the beginning of the Soviet war in Afghanistan, during which the site was looted and used as a battleground, leaving very little of the original material.
Wat Phra Kaew (Temple of the Emerald Buddha); full official name Wat Phra Si Rattana Satsadaram is regarded as the most sacred Buddhist temple in Thailand. It is located within the precincts of the Grand Palace.<br/><br/>

The Grand Palace served as the official residence of the Kings of Thailand from the 18th century onwards. Construction of the Palace began in 1782, during the reign of King Rama I, when he moved the capital across the river from Thonburi to Bangkok.
About 30 kms from Kabul, Mes Aynek, is a trove of Buddhist monastery ruins, statues, and stupas attesting to the prolific role that Afghanistan played in the proliferation of Buddhism in Central and East Asia. Currently being excavated as a copper mine, rescue excavations began in 2009. Work was undertaken by the National Institute of Archaeology and the Délégation Archéologique Française en Afghanistan. Part of the monastic compound was excavated, leading to the discovery of a vaulted chapel, monks’ cells and storerooms. Polychrome terracotta statues were also found, including a sleeping Buddha. A monastery complex has also been dug out, revealing hallways and rooms decorated with frescoes and filled with clay and stone statues of standing and reclining Buddhas, some as high as 10 ft (3m); more than 150 statues have been found so far though many remain in place.
The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km (143 miles) northwest of Kabul at an altitude of 2,500 meters (8,202 ft).<br/><br/>

Built in 507 CE, the larger in 554 CE, the statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modeled in mud mixed with straw, coated with stucco. This coating, practically all of which was worn away long ago, was painted to enhance the expressions of the faces, hands and folds of the robes; the larger one was painted carmine red and the smaller one was painted multiple colors. The lower parts of the statues' arms were constructed from the same mud-straw mix while supported on wooden armatures. It is believed that the upper parts of their faces were made from great wooden masks or casts.<br/><br/>

The rows of holes that can be seen in photographs were spaces that held wooden pegs which served to stabilize the outer stucco. They were intentionally dynamited and destroyed in 2001 by the Taliban, on orders from leader Mullah Mohammed Omar, after the Taliban government declared that they were ‘idols’.<br/><br/>

International opinion strongly condemned the destruction of the Buddhas, which was viewed as an example of the intolerance of the Taliban. Japan and Switzerland, among others, have pledged support for the rebuilding of the statues.
This manuscript, discovered by Sir Aurel Stein at Khotan, exemplifies the cultural crossroads that was the Silk Road. Written in an Indian Gandharan language using Central Asian Kharoshi script, it bears two seals. The first is in classical Chinese script, while the second bears a likeness of a traditional Greek head.
The Kharoṣṭhī script was an ancient abugida used by Gandhara culture to write the Gāndhārī and Sanskrit languages. It was in use from the middle of the 3rd century BCE until it died out in its homeland around the 3rd century CE. It was also in use in Kushan, Sogdiana and along the Silk Road where there is some evidence it may have survived until the 7th century in the remote way stations of Khotan and Niya.
Indo-Scythians is a term used to refer to Sakas (or Scythians), who migrated into Bactria, Sogdiana, Arachosia, Gandhara, Kashmir, Punjab, Gujarat, Maharashtra and Rajasthan, from the middle of the 2nd century BCE to the 4th century CE.
The Eastern Wei Dynasty (simplified Chinese: 东魏朝; traditional Chinese: 東魏朝; pinyin: Dōng Wèi Cháo) followed the disintegration of the Northern Wei, and ruled northern China from 534 to 550.<br/><br/>

In 534 Gao Huan, the potentate of the eastern half of what was Northern Wei territory following the disintegration of the Northern Wei dynasty installed Yuan Shanjian a descendant of the Northern Wei as ruler of Eastern Wei. Yuan Shanjian was a puppet ruler as the real power lay in the hands of Gao Huan. Several military campaigns were launched against the neighboring Western Wei in an attempt to reunify the territory once held by the Northern Wei, however these campaigns were not successful, and in 547 Gao Huan died. His sons Gao Cheng and Gao Yang were able to pursue his policy of controlling the emperor, but in 550 Gao Yang deposed Yuan Shanjian and founded his own dynasty, the Northern Qi.<br/><br/>

The Buddhist art of the Eastern Wei displays a combination of Greco-Buddhist influences from Gandhara and Central Asia (representations of flying figures holding wreaths, Greek-style folds of the drapery), together with Chinese artistic influences.
The Gandharan Buddhist texts are both the earliest Buddhist and South Asian manuscripts discovered so far. Most are written on birch bark and were found in labeled clay pots. Panini has mentioned both the Vedic form of Sanskrit as well as what seems to be Gandhari, a later form of Sanskrit, in his Ashtadhyayi.<br/><br/>

Gandhara's language was a Prakrit or 'Middle Indo-Aryan' dialect, usually called Gāndhārī. Texts are written right-to-left in the Kharoṣṭhī script, which had been adapted for Indo-Aryan languages from a Semitic alphabet, the Aramaic alphabet.
The Kharoṣṭhī script is an ancient abugida (or "alphasyllabary") used by the Gandhara culture of Pakistan, nestled in the historic northwest South Asia to write the Gāndhārī and Sanskrit languages. It was in use from the middle of the 3rd century BCE until it died out in its homeland around the 3rd century CE. It was also in use in Kushan, Sogdiana and along the Silk Road where there is some evidence it may have survived until the 7th century in the remote way stations of Khotan and Niya.
Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This development began during the Parthian Period (50 BCE – 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. It declined and suffered destruction after invasion of the White Huns in the 5th century.<br/><br/>

Stucco as well as stone was widely used by sculptors in Gandhara for the decoration of monastic and cult buildings. Stucco provided the artist with a medium of great plasticity, enabling a high degree of expresivness to be given to the sculpture. Sculpting in stucco was popular wherever Buddhism spread from Gandhara - India, Afghanistan, Central Asia and China.
The Kingdom of Khotan was an ancient Buddhist kingdom that was located on the branch of the Silk Road that ran along the southern edge of the Taklamakan Desert in the Tarim Basin.<br/><br/>

The name of the kingdom in the region now called Khotan has received many forms. The local people about the third century A.D. wrote Khotana in Kharoşţhī script; and Hvatäna- in Brāhmī in the somewhat later texts, whence as the language developed came Hvamna and Hvam, so that in the latest texts they have Hvam kşīra ‘the land of Khotan’. The name became known to the west while the –t- was still unchanged, and as is frequent in early New Persian. But under different influences the local people wrote also Gaustana, when they felt the prestige of Buddhist Sanskrit, and Yūttina, when the prestige of the Chinese kingdom in Śacu was at its height, in the ninth century. To the Tibetans in the seventh and eight centuries the land was Li and the capital city Hu-ten, Hu-den, Hu-then and Yvu-then.<br/><br/>

The ancient city of Khotan was the kingdom's capital. The Chinese (pinyin) name is Hetian (Chinese: 和田). The name Hotan is also used. From the Han Dynasty until at least the Tang Dynasty it was known in Chinese as Yutian.<br/><br/>

Built on an oasis, its mulberry groves allowed the production and export of silk and silk rugs, in addition to the city's other major products such as its famous nephrite jade and pottery.
Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This development began during the Parthian Period (50 BCE – 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. It declined and suffered destruction after invasion of the White Huns in the 5th century.<br/><br/>

Stucco as well as stone was widely used by sculptors in Gandhara for the decoration of monastic and cult buildings. Stucco provided the artist with a medium of great plasticity, enabling a high degree of expresivness to be given to the sculpture. Sculpting in stucco was popular wherever Buddhism spread from Gandhara - India, Afghanistan, Central Asia and China.
The Kingdom of Khotan was an ancient Buddhist kingdom that was located on the branch of the Silk Road that ran along the southern edge of the Taklamakan Desert in the Tarim Basin.<br/><br/>

The name of the kingdom in the region now called Khotan has received many forms. The local people about the third century A.D. wrote Khotana in Kharoşţhī script; and Hvatäna- in Brāhmī in the somewhat later texts, whence as the language developed came Hvamna and Hvam, so that in the latest texts they have Hvam kşīra ‘the land of Khotan’. The name became known to the west while the –t- was still unchanged, and as is frequent in early New Persian. But under different influences the local people wrote also Gaustana, when they felt the prestige of Buddhist Sanskrit, and Yūttina, when the prestige of the Chinese kingdom in Śacu was at its height, in the ninth century. To the Tibetans in the seventh and eight centuries the land was Li and the capital city Hu-ten, Hu-den, Hu-then and Yvu-then.<br/><br/>

The ancient city of Khotan was the kingdom's capital. The Chinese (pinyin) name is Hetian (Chinese: 和田). The name Hotan is also used. From the Han Dynasty until at least the Tang Dynasty it was known in Chinese as Yutian.<br/><br/>

Built on an oasis, its mulberry groves allowed the production and export of silk and silk rugs, in addition to the city's other major products such as its famous nephrite jade and pottery.
The Kingdom of Khotan was an ancient Buddhist kingdom that was located on the branch of the Silk Road that ran along the southern edge of the Taklamakan Desert in the Tarim Basin.<br/><br/>

The name of the kingdom in the region now called Khotan has received many forms. The local people about the third century A.D. wrote Khotana in Kharoşţhī script; and Hvatäna- in Brāhmī in the somewhat later texts, whence as the language developed came Hvamna and Hvam, so that in the latest texts they have Hvam kşīra ‘the land of Khotan’. The name became known to the west while the –t- was still unchanged, and as is frequent in early New Persian. But under different influences the local people wrote also Gaustana, when they felt the prestige of Buddhist Sanskrit, and Yūttina, when the prestige of the Chinese kingdom in Śacu was at its height, in the ninth century. To the Tibetans in the seventh and eight centuries the land was Li and the capital city Hu-ten, Hu-den, Hu-then and Yvu-then.<br/><br/>

The ancient city of Khotan was the kingdom's capital. The Chinese (pinyin) name is Hetian (Chinese: 和田). The name Hotan is also used. From the Han Dynasty until at least the Tang Dynasty it was known in Chinese as Yutian.<br/><br/>

Built on an oasis, its mulberry groves allowed the production and export of silk and silk rugs, in addition to the city's other major products such as its famous nephrite jade and pottery.
Azes II (reigned circa 35-12 BCE), may have been the last Indo-Scythian king in northern India. After the death of Azes II, the rule of the Indo-Scythians in northwestern India finally crumbled with the conquest of the Kushans, one of the five tribes of the Yuezhi who had lived in Bactria for more than a century, and who were then expanding into India to create a Kushan Empire. Photo by PHGCOM (CC BY-SA 3.0 License).
Azes II (reigned circa 35-12 BCE), may have been the last Indo-Scythian king in northern India. After the death of Azes II, the rule of the Indo-Scythians in northwestern India finally crumbled with the conquest of the Kushans, one of the five tribes of the Yuezhi who had lived in Bactria for more than a century, and who were then expanding into India to create a Kushan Empire. Photo by World Imaging (CC BY-SA 3.0 License).
Azes II (reigned circa 35-12 BCE), may have been the last Indo-Scythian king in northern India. After the death of Azes II, the rule of the Indo-Scythians in northwestern India finally crumbled with the conquest of the Kushans, one of the five tribes of the Yuezhi who had lived in Bactria for more than a century, and who were then expanding into India to create a Kushan Empire.
Serindian art developed from the 2nd through the 11th century C.E. in Serindia or Xinjiang, the western region of China that forms part of Central Asia. It derives from the art of the Gandhara district of what is now Afghanistan and Pakistan. Gandharan sculpture combined Indian traditions with Greek influences. Greek-influenced culture may have existed in the region before Alexander the Great's invasions, but the empires founded by him and his successors were a major syncretic cultural force. Buddhist missionaries travelling on the Silk Road introduced this art, along with Buddhism, into Xinjiang, where it mixed with Chinese and Persian influences. Serindian art was rediscovered through the expeditions of Sir Aurel Stein in Central Asia at the beginning of the 20th century.
Azes II (reigned circa 35-12 BCE), may have been the last Indo-Scythian king in northern India. After the death of Azes II, the rule of the Indo-Scythians in northwestern India finally crumbled with the conquest of the Kushans, one of the five tribes of the Yuezhi who had lived in Bactria for more than a century, and who were then expanding into India to create a Kushan Empire. Image released into the Public Domain by World Imaging.
Ai-Khanoum or Ay Khanum ( 'Lady of the Moon' in Uzbek, probably the historical Alexandria on the Oxus, also possibly named Eucratidia), was founded in the 4th century BCE, following the conquests of Alexander the Great and was one of the primary cities of the Greco-Bactrian kingdom.<br/><br/>

The city is located in Kunduz Province northern Afghanistan, at the confluence of the Oxus river (today's Amu Darya) and the Kokcha river. Ai Khanoum was one of the focal points of Hellenism in the East for nearly two centuries, until its destruction by nomadic invaders around 145 BCE about the time of the death of Eucratides.<br/><br/>

The site was excavated through archaeological searches by a French mission under Paul Bernard between 1964 and 1978, as well as by Russian archaeologists. These researches had to be abandoned with the beginning of the Soviet war in Afghanistan, during which the site was looted and used as a battleground, leaving very little of the original material.
Ai-Khanoum or Ay Khanum ( 'Lady of the Moon' in Uzbek, probably the historical Alexandria on the Oxus, also possibly named Eucratidia), was founded in the 4th century BCE, following the conquests of Alexander the Great and was one of the primary cities of the Greco-Bactrian kingdom.<br/><br/>

The city is located in Kunduz Province northern Afghanistan, at the confluence of the Oxus river (today's Amu Darya) and the Kokcha river. Ai Khanoum was one of the focal points of Hellenism in the East for nearly two centuries, until its destruction by nomadic invaders around 145 BCE about the time of the death of Eucratides.<br/><br/>

The site was excavated through archaeological searches by a French mission under Paul Bernard between 1964 and 1978, as well as by Russian archaeologists. These researches had to be abandoned with the beginning of the Soviet war in Afghanistan, during which the site was looted and used as a battleground, leaving very little of the original material.
Balkh (Ancient Greek: Baktra or Zariaspa), was an ancient city and centre of Zoroastrianism in what is now northern Afghanistan. Today it is a small town in the province of Balkh, about 20 kilometers northwest of the provincial capital, Mazar-i Sharif, and some 74 km (46 miles) south of the Amu Darya. It was one of the major cities of Khorasan. Marco Polo described Balkh as a 'noble and great city'.<br/><br/>

The ancient city of Balkh was under the Greeks renamed Bactra, giving its name to Bactria. It was mostly known as the centre and capital of Bactria or Takharistan. Balkh is now for the most part a mass of ruins, situated some 12 km from the right bank of the seasonally flowing Balkh River, at an elevation of about 365 m (1,200 ft).<br/><br/>

Balkh is one of the oldest cities in the world and is considered to be the first city to which the Indo-Iranian tribes moved from the North of Amu Darya, approximately between 2000 - 1500 BC. The Arabs called it Umm Al-Belaad or Mother of Cities due to its antiquity. The city was traditionally a center of Zoroastianism. The name Zariaspa, which is either an alternate name for Balkh or a term for part of the city, may derive from the important Zoroastrian fire temple Azar-i-Asp. Balkh was regarded as the first place where Zoroaster first preached his religion, as well as the place where he died.
Azes II (reigned circa 35-12 BCE), may have been the last Indo-Scythian king in northern India. After the death of Azes II, the rule of the Indo-Scythians in northwestern India finally crumbled with the conquest of the Kushans, one of the five tribes of the Yuezhi who had lived in Bactria for more than a century, and who were then expanding into India to create a Kushan Empire.
Azes II (reigned circa 35-12 BCE), may have been the last Indo-Scythian king in northern India. After the death of Azes II, the rule of the Indo-Scythians in northwestern India finally crumbled with the conquest of the Kushans, one of the five tribes of the Yuezhi who had lived in Bactria for more than a century, and who were then expanding into India to create a Kushan Empire.
Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This development began during the Parthian Period (50 BCE – 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. It declined and suffered destruction after invasion of the White Huns in the 5th century.<br/><br/>

Stucco as well as stone was widely used by sculptors in Gandhara for the decoration of monastic and cult buildings. Stucco provided the artist with a medium of great plasticity, enabling a high degree of expresivness to be given to the sculpture. Sculpting in stucco was popular wherever Buddhism spread from Gandhara - India, Afghanistan, Central Asia and China.