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Maitreya (Sanskrit), Metteyya (Pāli), Maithree (Sinhala), or Jampa (Tibetan) is a bodhisattva who in the Buddhist tradition is to appear on Earth, achieve complete enlightenment, and teach the pure dharma. According to scriptures, Maitreya will be a successor of the historic Śakyamuni Buddha.<br/><br/> The prophecy of the arrival of Maitreya references a time when the Dharma will have been forgotten on Jambudvipa. It is found in the canonical literature of all Buddhist sects (Theravada, Mahayana, Vajrayana), and is accepted by most Buddhists as a statement about an event that will take place when the Dharma will have been forgotten on Earth.
Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This development began during the Parthian Period (50 BCE – 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. It declined and suffered destruction after invasion of the White Huns in the 5th century.<br/><br/> Stucco as well as stone was widely used by sculptors in Gandhara for the decoration of monastic and cult buildings. Stucco provided the artist with a medium of great plasticity, enabling a high degree of expresivness to be given to the sculpture. Sculpting in stucco was popular wherever Buddhism spread from Gandhara - India, Afghanistan, Central Asia and China.
Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This development began during the Parthian Period (50 BCE – 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. It declined and suffered destruction after invasion of the White Huns in the 5th century. Stucco as well as stone was widely used by sculptors in Gandhara for the decoration of monastic and cult buildings. Stucco provided the artist with a medium of great plasticity, enabling a high degree of expresivness to be given to the sculpture. Sculpting in stucco was popular wherever Buddhism spread from Gandhara - India, Afghanistan, Central Asia and China.
Ai-Khanoum or Ay Khanum ( 'Lady of the Moon' in Uzbek, probably the historical Alexandria on the Oxus, also possibly named Eucratidia), was founded in the 4th century BCE, following the conquests of Alexander the Great and was one of the primary cities of the Greco-Bactrian kingdom.<br/><br/> The city is located in Kunduz Province northern Afghanistan, at the confluence of the Oxus river (today's Amu Darya) and the Kokcha river. Ai Khanoum was one of the focal points of Hellenism in the East for nearly two centuries, until its destruction by nomadic invaders around 145 BCE about the time of the death of Eucratides.<br/><br/> The site was excavated through archaeological searches by a French mission under Paul Bernard between 1964 and 1978, as well as by Russian archaeologists. These researches had to be abandoned with the beginning of the Soviet war in Afghanistan, during which the site was looted and used as a battleground, leaving very little of the original material.
The Gandharan Buddhist texts are both the earliest Buddhist and South Asian manuscripts discovered so far. Most are written on birch bark and were found in labeled clay pots. Panini has mentioned both the Vedic form of Sanskrit as well as what seems to be Gandhari, a later form of Sanskrit, in his Ashtadhyayi.<br/><br/> Gandhara's language was a Prakrit or 'Middle Indo-Aryan' dialect, usually called Gāndhārī. Texts are written right-to-left in the Kharoṣṭhī script, which had been adapted for Indo-Aryan languages from a Semitic alphabet, the Aramaic alphabet.
The Kharoṣṭhī script is an ancient abugida (or "alphasyllabary") used by the Gandhara culture of Pakistan, nestled in the historic northwest South Asia to write the Gāndhārī and Sanskrit languages. It was in use from the middle of the 3rd century BCE until it died out in its homeland around the 3rd century CE. It was also in use in Kushan, Sogdiana and along the Silk Road where there is some evidence it may have survived until the 7th century in the remote way stations of Khotan and Niya.
Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This development began during the Parthian Period (50 BCE – 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. It declined and suffered destruction after invasion of the White Huns in the 5th century.<br/><br/> Stucco as well as stone was widely used by sculptors in Gandhara for the decoration of monastic and cult buildings. Stucco provided the artist with a medium of great plasticity, enabling a high degree of expresivness to be given to the sculpture. Sculpting in stucco was popular wherever Buddhism spread from Gandhara - India, Afghanistan, Central Asia and China.
The Kingdom of Khotan was an ancient Buddhist kingdom that was located on the branch of the Silk Road that ran along the southern edge of the Taklamakan Desert in the Tarim Basin.<br/><br/> The name of the kingdom in the region now called Khotan has received many forms. The local people about the third century A.D. wrote Khotana in Kharoşţhī script; and Hvatäna- in Brāhmī in the somewhat later texts, whence as the language developed came Hvamna and Hvam, so that in the latest texts they have Hvam kşīra ‘the land of Khotan’. The name became known to the west while the –t- was still unchanged, and as is frequent in early New Persian. But under different influences the local people wrote also Gaustana, when they felt the prestige of Buddhist Sanskrit, and Yūttina, when the prestige of the Chinese kingdom in Śacu was at its height, in the ninth century. To the Tibetans in the seventh and eight centuries the land was Li and the capital city Hu-ten, Hu-den, Hu-then and Yvu-then.<br/><br/> The ancient city of Khotan was the kingdom's capital. The Chinese (pinyin) name is Hetian (Chinese: 和田). The name Hotan is also used. From the Han Dynasty until at least the Tang Dynasty it was known in Chinese as Yutian.<br/><br/> Built on an oasis, its mulberry groves allowed the production and export of silk and silk rugs, in addition to the city's other major products such as its famous nephrite jade and pottery.
Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This development began during the Parthian Period (50 BCE – 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. It declined and suffered destruction after invasion of the White Huns in the 5th century.<br/><br/> Stucco as well as stone was widely used by sculptors in Gandhara for the decoration of monastic and cult buildings. Stucco provided the artist with a medium of great plasticity, enabling a high degree of expresivness to be given to the sculpture. Sculpting in stucco was popular wherever Buddhism spread from Gandhara - India, Afghanistan, Central Asia and China.
The Kingdom of Khotan was an ancient Buddhist kingdom that was located on the branch of the Silk Road that ran along the southern edge of the Taklamakan Desert in the Tarim Basin.<br/><br/> The name of the kingdom in the region now called Khotan has received many forms. The local people about the third century A.D. wrote Khotana in Kharoşţhī script; and Hvatäna- in Brāhmī in the somewhat later texts, whence as the language developed came Hvamna and Hvam, so that in the latest texts they have Hvam kşīra ‘the land of Khotan’. The name became known to the west while the –t- was still unchanged, and as is frequent in early New Persian. But under different influences the local people wrote also Gaustana, when they felt the prestige of Buddhist Sanskrit, and Yūttina, when the prestige of the Chinese kingdom in Śacu was at its height, in the ninth century. To the Tibetans in the seventh and eight centuries the land was Li and the capital city Hu-ten, Hu-den, Hu-then and Yvu-then.<br/><br/> The ancient city of Khotan was the kingdom's capital. The Chinese (pinyin) name is Hetian (Chinese: 和田). The name Hotan is also used. From the Han Dynasty until at least the Tang Dynasty it was known in Chinese as Yutian.<br/><br/> Built on an oasis, its mulberry groves allowed the production and export of silk and silk rugs, in addition to the city's other major products such as its famous nephrite jade and pottery.
The Kingdom of Khotan was an ancient Buddhist kingdom that was located on the branch of the Silk Road that ran along the southern edge of the Taklamakan Desert in the Tarim Basin.<br/><br/> The name of the kingdom in the region now called Khotan has received many forms. The local people about the third century A.D. wrote Khotana in Kharoşţhī script; and Hvatäna- in Brāhmī in the somewhat later texts, whence as the language developed came Hvamna and Hvam, so that in the latest texts they have Hvam kşīra ‘the land of Khotan’. The name became known to the west while the –t- was still unchanged, and as is frequent in early New Persian. But under different influences the local people wrote also Gaustana, when they felt the prestige of Buddhist Sanskrit, and Yūttina, when the prestige of the Chinese kingdom in Śacu was at its height, in the ninth century. To the Tibetans in the seventh and eight centuries the land was Li and the capital city Hu-ten, Hu-den, Hu-then and Yvu-then.<br/><br/> The ancient city of Khotan was the kingdom's capital. The Chinese (pinyin) name is Hetian (Chinese: 和田). The name Hotan is also used. From the Han Dynasty until at least the Tang Dynasty it was known in Chinese as Yutian.<br/><br/> Built on an oasis, its mulberry groves allowed the production and export of silk and silk rugs, in addition to the city's other major products such as its famous nephrite jade and pottery.
Ai-Khanoum or Ay Khanum ( 'Lady of the Moon' in Uzbek, probably the historical Alexandria on the Oxus, also possibly named Eucratidia), was founded in the 4th century BCE, following the conquests of Alexander the Great and was one of the primary cities of the Greco-Bactrian kingdom.<br/><br/> The city is located in Kunduz Province northern Afghanistan, at the confluence of the Oxus river (today's Amu Darya) and the Kokcha river. Ai Khanoum was one of the focal points of Hellenism in the East for nearly two centuries, until its destruction by nomadic invaders around 145 BCE about the time of the death of Eucratides.<br/><br/> The site was excavated through archaeological searches by a French mission under Paul Bernard between 1964 and 1978, as well as by Russian archaeologists. These researches had to be abandoned with the beginning of the Soviet war in Afghanistan, during which the site was looted and used as a battleground, leaving very little of the original material.
Ai-Khanoum or Ay Khanum ( 'Lady of the Moon' in Uzbek, probably the historical Alexandria on the Oxus, also possibly named Eucratidia), was founded in the 4th century BCE, following the conquests of Alexander the Great and was one of the primary cities of the Greco-Bactrian kingdom.<br/><br/> The city is located in Kunduz Province northern Afghanistan, at the confluence of the Oxus river (today's Amu Darya) and the Kokcha river. Ai Khanoum was one of the focal points of Hellenism in the East for nearly two centuries, until its destruction by nomadic invaders around 145 BCE about the time of the death of Eucratides.<br/><br/> The site was excavated through archaeological searches by a French mission under Paul Bernard between 1964 and 1978, as well as by Russian archaeologists. These researches had to be abandoned with the beginning of the Soviet war in Afghanistan, during which the site was looted and used as a battleground, leaving very little of the original material.
Balkh (Ancient Greek: Baktra or Zariaspa), was an ancient city and centre of Zoroastrianism in what is now northern Afghanistan. Today it is a small town in the province of Balkh, about 20 kilometers northwest of the provincial capital, Mazar-i Sharif, and some 74 km (46 miles) south of the Amu Darya. It was one of the major cities of Khorasan. Marco Polo described Balkh as a 'noble and great city'.<br/><br/> The ancient city of Balkh was under the Greeks renamed Bactra, giving its name to Bactria. It was mostly known as the centre and capital of Bactria or Takharistan. Balkh is now for the most part a mass of ruins, situated some 12 km from the right bank of the seasonally flowing Balkh River, at an elevation of about 365 m (1,200 ft).<br/><br/> Balkh is one of the oldest cities in the world and is considered to be the first city to which the Indo-Iranian tribes moved from the North of Amu Darya, approximately between 2000 - 1500 BC. The Arabs called it Umm Al-Belaad or Mother of Cities due to its antiquity. The city was traditionally a center of Zoroastianism. The name Zariaspa, which is either an alternate name for Balkh or a term for part of the city, may derive from the important Zoroastrian fire temple Azar-i-Asp. Balkh was regarded as the first place where Zoroaster first preached his religion, as well as the place where he died.
Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This development began during the Parthian Period (50 BCE – 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. It declined and suffered destruction after invasion of the White Huns in the 5th century.<br/><br/> Stucco as well as stone was widely used by sculptors in Gandhara for the decoration of monastic and cult buildings. Stucco provided the artist with a medium of great plasticity, enabling a high degree of expresivness to be given to the sculpture. Sculpting in stucco was popular wherever Buddhism spread from Gandhara - India, Afghanistan, Central Asia and China.