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The Kurukshetra War, also called the Mahabharata War, is a war described in the Indian epic <i>Mahabharata</i>. The conflict arose from a dynastic succession struggle between two groups of cousins, the Kauravas and Pandavas, for the throne of Hastinapura in an Indian kingdom called Kuru. It involved a number of ancient kingdoms participating as allies of the rival groups.<br/><br/> Angkor Wat was built for King Suryavarman II (ruled 1113-50) in the early 12th century as his state temple and capital city. As the best-preserved temple at the Angkor site, it is the only one to have remained a significant religious centre since its foundation – first Hindu, dedicated to the god Vishnu, then Buddhist. It is the world's largest religious building. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country's prime attraction for visitors.<br/><br/> Angkor Wat combines two basic plans of Khmer temple architecture: the temple mountain and the later galleried temple, based on early South Indian Hindu architecture. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat and an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers.
The Kurukshetra War, also called the Mahabharata War, is a war described in the Indian epic <i>Mahabharata</i>. The conflict arose from a dynastic succession struggle between two groups of cousins, the Kauravas and Pandavas, for the throne of Hastinapura in an Indian kingdom called Kuru. It involved a number of ancient kingdoms participating as allies of the rival groups.<br/><br/> Angkor Wat was built for King Suryavarman II (ruled 1113-50) in the early 12th century as his state temple and capital city. As the best-preserved temple at the Angkor site, it is the only one to have remained a significant religious centre since its foundation – first Hindu, dedicated to the god Vishnu, then Buddhist. It is the world's largest religious building. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country's prime attraction for visitors.<br/><br/> Angkor Wat combines two basic plans of Khmer temple architecture: the temple mountain and the later galleried temple, based on early South Indian Hindu architecture. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat and an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers.
The Kurukshetra War, also called the Mahabharata War, is a war described in the Indian epic <i>Mahabharata</i>. The conflict arose from a dynastic succession struggle between two groups of cousins, the Kauravas and Pandavas, for the throne of Hastinapura in an Indian kingdom called Kuru. It involved a number of ancient kingdoms participating as allies of the rival groups.<br/><br/> Angkor Wat was built for King Suryavarman II (ruled 1113-50) in the early 12th century as his state temple and capital city. As the best-preserved temple at the Angkor site, it is the only one to have remained a significant religious centre since its foundation – first Hindu, dedicated to the god Vishnu, then Buddhist. It is the world's largest religious building. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country's prime attraction for visitors.<br/><br/> Angkor Wat combines two basic plans of Khmer temple architecture: the temple mountain and the later galleried temple, based on early South Indian Hindu architecture. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat and an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers.
The Kurukshetra War, also called the Mahabharata War, is a war described in the Indian epic <i>Mahabharata</i>. The conflict arose from a dynastic succession struggle between two groups of cousins, the Kauravas and Pandavas, for the throne of Hastinapura in an Indian kingdom called Kuru. It involved a number of ancient kingdoms participating as allies of the rival groups.<br/><br/> Angkor Wat was built for King Suryavarman II (ruled 1113-50) in the early 12th century as his state temple and capital city. As the best-preserved temple at the Angkor site, it is the only one to have remained a significant religious centre since its foundation – first Hindu, dedicated to the god Vishnu, then Buddhist. It is the world's largest religious building. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country's prime attraction for visitors.<br/><br/> Angkor Wat combines two basic plans of Khmer temple architecture: the temple mountain and the later galleried temple, based on early South Indian Hindu architecture. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat and an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers.
The Kurukshetra War, also called the Mahabharata War, is a war described in the Indian epic <i>Mahabharata</i>. The conflict arose from a dynastic succession struggle between two groups of cousins, the Kauravas and Pandavas, for the throne of Hastinapura in an Indian kingdom called Kuru. It involved a number of ancient kingdoms participating as allies of the rival groups.<br/><br/> Angkor Wat was built for King Suryavarman II (ruled 1113-50) in the early 12th century as his state temple and capital city. As the best-preserved temple at the Angkor site, it is the only one to have remained a significant religious centre since its foundation – first Hindu, dedicated to the god Vishnu, then Buddhist. It is the world's largest religious building. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country's prime attraction for visitors.<br/><br/> Angkor Wat combines two basic plans of Khmer temple architecture: the temple mountain and the later galleried temple, based on early South Indian Hindu architecture. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat and an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers.
The Kurukshetra War, also called the Mahabharata War, is a war described in the Indian epic <i>Mahabharata</i>. The conflict arose from a dynastic succession struggle between two groups of cousins, the Kauravas and Pandavas, for the throne of Hastinapura in an Indian kingdom called Kuru. It involved a number of ancient kingdoms participating as allies of the rival groups.<br/><br/> Angkor Wat was built for King Suryavarman II (ruled 1113-50) in the early 12th century as his state temple and capital city. As the best-preserved temple at the Angkor site, it is the only one to have remained a significant religious centre since its foundation – first Hindu, dedicated to the god Vishnu, then Buddhist. It is the world's largest religious building. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country's prime attraction for visitors.<br/><br/> Angkor Wat combines two basic plans of Khmer temple architecture: the temple mountain and the later galleried temple, based on early South Indian Hindu architecture. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat and an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers.
The Hindu god Krishna is depicted with Arjuna and Vishvarupa (centre), and on the left with two of his favourite gopini or 'milkmaids', Rukmini and Satyabhama. On the right, there is a royal couple, which in all likelihood represents King Pratapa Malla and his major wife.<br/><br/> The Hanuman Dhoka, or royal palace, takes up most of the eastern side of Durbar Square. Built four centuries ago by Nepal's Malla kings, only a small part of the complex is open to the general public. At the left of the entrance stands a statue of Hanuman, the monkey god of Hindu mythology, after which the palace is named. Within the main courtyard is a likeness of Narasimha, the half-man, half-lion incarnation of Vishnu, disembowelling a demon.
Warwick Goble (22 November 1862 – 22 January 1943) was an illustrator of children's books. He specialized in Orientalist and Indian themes.<br/><br/> Goble was born in Dalston, north London, the son of a commercial traveller, and educated and trained at the City of London School and the Westminster School of Art. He worked for a printer specializing in chromolithography and contributed to the Pall Mall Gazette and the Westminster Gazette.<br/><br/> In 1909, he became resident gift book illustrator for MacMillan and produced illustrations for <i>The Water Babies</i>, <i>Green Willow, and Other Japanese Fairy Tales</i>, <i>The Complete Poetical Works of Geoffrey Chaucer</i>, <i>Stories from the Pentamerone</i>, <i>Folk Tales of Bengal</i>, <i>The Fairy Book</i>, and <i>The Book of Fairy Poetry</i>.
Warwick Goble (22 November 1862 – 22 January 1943) was an illustrator of children's books. He specialized in Orientalist and Indian themes.<br/><br/> Goble was born in Dalston, north London, the son of a commercial traveller, and educated and trained at the City of London School and the Westminster School of Art. He worked for a printer specializing in chromolithography and contributed to the Pall Mall Gazette and the Westminster Gazette.<br/><br/> In 1909, he became resident gift book illustrator for MacMillan and produced illustrations for <i>The Water Babies</i>, <i>Green Willow, and Other Japanese Fairy Tales</i>, <i>The Complete Poetical Works of Geoffrey Chaucer</i>, <i>Stories from the Pentamerone</i>, <i>Folk Tales of Bengal</i>, <i>The Fairy Book</i>, and <i>The Book of Fairy Poetry</i>.
The Mahabharata is one of the two major Sanskrit epics of ancient India, the other being the Ramayana.<br/><br/> The Mahabharata is an epic narrative of the Kurukshetra War and the fates of the Kaurava and the Pandava princes. It also contains philosophical and devotional material, such as a discussion of the four 'goals of life'. Among the principal works and stories in the Mahabharata are the Bhagavad Gita, the story of Damayanti, an abbreviated version of the Ramayana, and the Rishyasringa, often considered as works in their own right.
Warwick Goble (22 November 1862 – 22 January 1943) was an illustrator of children's books. He specialized in Orientalist and Indian themes.<br/><br/> Goble was born in Dalston, north London, the son of a commercial traveller, and educated and trained at the City of London School and the Westminster School of Art. He worked for a printer specializing in chromolithography and contributed to the Pall Mall Gazette and the Westminster Gazette.<br/><br/> In 1909, he became resident gift book illustrator for MacMillan and produced illustrations for <i>The Water Babies</i>, <i>Green Willow, and Other Japanese Fairy Tales</i>, <i>The Complete Poetical Works of Geoffrey Chaucer</i>, <i>Stories from the Pentamerone</i>, <i>Folk Tales of Bengal</i>, <i>The Fairy Book</i>, and <i>The Book of Fairy Poetry</i>.
The Mahabharata is one of the two major Sanskrit epics of ancient India, the other being the Ramayana.<br/><br/> The Mahabharata is an epic narrative of the Kurukshetra War and the fates of the Kaurava and the Pandava princes. It also contains philosophical and devotional material, such as a discussion of the four 'goals of life'. Among the principal works and stories in the Mahabharata are the Bhagavad Gita, the story of Damayanti, an abbreviated version of the Ramayana, and the Rishyasringa, often considered as works in their own right.
Warwick Goble (22 November 1862 – 22 January 1943) was an illustrator of children's books. He specialized in Orientalist and Indian themes.<br/><br/> Goble was born in Dalston, north London, the son of a commercial traveller, and educated and trained at the City of London School and the Westminster School of Art. He worked for a printer specializing in chromolithography and contributed to the Pall Mall Gazette and the Westminster Gazette.<br/><br/> In 1909, he became resident gift book illustrator for MacMillan and produced illustrations for <i>The Water Babies</i>, <i>Green Willow, and Other Japanese Fairy Tales</i>, <i>The Complete Poetical Works of Geoffrey Chaucer</i>, <i>Stories from the Pentamerone</i>, <i>Folk Tales of Bengal</i>, <i>The Fairy Book</i>, and <i>The Book of Fairy Poetry</i>.
Warwick Goble (22 November 1862 – 22 January 1943) was an illustrator of children's books. He specialized in Orientalist and Indian themes.<br/><br/> Goble was born in Dalston, north London, the son of a commercial traveller, and educated and trained at the City of London School and the Westminster School of Art. He worked for a printer specializing in chromolithography and contributed to the Pall Mall Gazette and the Westminster Gazette.<br/><br/> In 1909, he became resident gift book illustrator for MacMillan and produced illustrations for <i>The Water Babies</i>, <i>Green Willow, and Other Japanese Fairy Tales</i>, <i>The Complete Poetical Works of Geoffrey Chaucer</i>, <i>Stories from the Pentamerone</i>, <i>Folk Tales of Bengal</i>, <i>The Fairy Book</i>, and <i>The Book of Fairy Poetry</i>.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Banteay Srei (or Banteay Srey) is a 10th century Cambodian temple dedicated to the Hindu god Shiva and is located to the north-east of the main group of temples at Angkor. Banteay Srei is built largely of red sandstone, a medium that lends itself to the elaborate decorative wall carvings which are still observable today. Banteay Srei is sometimes referred to as the 'jewel of Khmer art.'
Kishkindha was the Monkey Kingdom of the Vanara (monkey) King Sugriva, the younger brother of Bali, in the Indian epic the Ramayana. This was the kingdom where he ruled with the assistance of his minister, Hanuman. This kingdom is identified to be the regions around the Tungabhadra river (then known as Pampa Saras) near Hampi in Karnataka.<br/><br/> During the time of Ramayana the whole region was covered by the dense Dandaka Forest extending from the Vindhya range to the South Indian peninsula. Hence this kingdom was considered to be the kingdom of Vanaras which in Sanskrit means 'apes', 'monkeys' or 'forest-animals'.<br/><br/> Kishkindha is mentioned in the epic Ramayana in great detail; there are also a few mentions of thie kingdom in the epic Mahabharata.
Krishna, or Krisna, is a major god in Hinduism who is traditionally credited with the authorship of the Hindu classic 'Bhagavad Gita', a tale of duty and morality set around Krishna's defeat of his cousin Arjuna in the Kurukshetra War. Krishna also appears in various events in the Hindu epic 'Mahabharata'. He is usually depicted as blue skinned, and is often portrayed as a mischievous young boy playing a flute. In this scene, Krishna decapitates King Shrigala in a chariot fight.
The Mahabharata is one of two Sanskrit epics from ancient India, the other being the Ramayana. In this scene, the kingdom of Pendawa is lost through betting on dice.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.<br/><br/>In the Hindu epic Mahabharata, Bhim (Sanskrit: भीम, Bhīma, Tibetan: མི་འཇིགས་སྟན, Wylie: mi 'jigs stan) (lit. 'terrible', 'awful'), also called Vrikodara (lit. 'one with a wolf's belly' also in Javanese: Werkudoro, is the second of the Pandava brothers. He is one of the central characters and is symbolic of great strength.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.
This famous scene from Hindu mythology features the god Krishna with his cousin, Prince Arjuna, on a chariot heading into war against each other. Taken from the scripture, 'Bhagavad Gita', or 'The Gita', it is a classic tale of duty and morality set around Krishna's defeat of Arjuna in the Kurukshetra War. Krishna also appears in various other events in the Hindu epic 'Mahabharata'. He is usually depicted as blue skinned, and is often portrayed as a mischievous young boy playing a flute.