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The Gūr-e Amīr or Guri Amir (Persian: گورِ امیر) is the mausoleum of the Asian conqueror Tamerlane (also known as Timur) in Samarkand, Uzbekistan. It occupies an important place in the history of Persian Architecture as the precursor and model for later great Mughal architecture tombs, including Humayun's Tomb in Delhi and the Taj Mahal in Agra, built by Timur's descendants, the ruling Mughal dynasty of North India. It has been heavily restored.<br/><br/> Gur-e Amir is Persian for 'Tomb of the King'. This architectural complex with its azure dome contains the tombs of Tamerlane, his sons Shah Rukh and Miran Shah and grandsons Ulugh Beg and Muhammad Sultan. Also honoured with a place in the tomb is Timur's teacher Sayyid Baraka.
The Gūr-e Amīr or Guri Amir (Persian: گورِ امیر) is the mausoleum of the Asian conqueror Tamerlane (also known as Timur) in Samarkand, Uzbekistan. It occupies an important place in the history of Persian Architecture as the precursor and model for later great Mughal architecture tombs, including Humayun's Tomb in Delhi and the Taj Mahal in Agra, built by Timur's descendants, the ruling Mughal dynasty of North India. It has been heavily restored.<br/><br/> Gur-e Amir is Persian for 'Tomb of the King'. This architectural complex with its azure dome contains the tombs of Tamerlane, his sons Shah Rukh and Miran Shah and grandsons Ulugh Beg and Muhammad Sultan. Also honoured with a place in the tomb is Timur's teacher Sayyid Baraka.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.
The Gūr-e Amīr or Guri Amir (Persian: گورِ امیر) is the mausoleum of the Asian conqueror Tamerlane (also known as Timur) in Samarkand, Uzbekistan. It occupies an important place in the history of Persian Architecture as the precursor and model for later great Mughal architecture tombs, including Humayun's Tomb in Delhi and the Taj Mahal in Agra, built by Timur's descendants, the ruling Mughal dynasty of North India. It has been heavily restored.<br/><br/> Gur-e Amir is Persian for 'Tomb of the King'. This architectural complex with its azure dome contains the tombs of Tamerlane, his sons Shah Rukh and Miran Shah and grandsons Ulugh Beg and Muhammad Sultan. Also honoured with a place in the tomb is Timur's teacher Sayyid Baraka.
The Registan contains three madrasahs (schools), the Ulugh Beg Madrasah (1417–1420), Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636).<br/><br/> The Tilya-Kori Madrasah was built in the mid-17th century by the Shaybanid Amir Yalangtush. The name Tilya-Kori means ‘gilded’ or ‘gold-covered’, and the entire building is lavishly decorated with elaborate geometrical arabesques and sura from the Qur’an both outside and especially within. A magnificent turquoise dome rises over the left (western) side of the building, decorated inside with gilded Qur’anic inscriptions and delicate muqarnas hanging ‘stalactite’ decorations. The interior of the madrasah comprises rooms for students with accompanying vestibules surrounding three-sides of a square courtyard, while a domed mosque occupies the fourth.<br/><br/> The dome rises in four stages. A rectangular plinth forms the primary prayer hall and rises above the madrasa walls. Next, two terraced octagonal tiers rise to support a high cylindrical drum. The dome's monochrome blue color contrasts pleasingly with the drum's polychrome decoration formed by bands of Arabic calligraphy taken from the Qur’an.