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'Book of the Marvels of the World' (French: <i>Livre des Merveilles du Monde</i>) or 'Description of the World' (<i>Devisement du Monde</i>), in Italian <i>Il Milione</i> ('The Million') or <i>Oriente Poliano</i> and in English commonly called 'The Travels of Marco Polo', is a 13th-century travelogue.<br/><br/> It was recorded by Rustichello da Pisa from stories told by Marco Polo, describing Polo's travels through Asia between 1276 and 1291, and his experiences at the court of Kublai Khan.
An 8th-century Tang dynasty Chinese clay figurine of a Sogdian man wearing a distinctive cap and face veil, possibly a Zoroastrian priest engaging in a ritual at a fire temple, since face veils were used to avoid contaminating the holy fire with breath or saliva.<br/><br/> Alternatively, from the posture, the figurine may represent a Sogdian camel rider on the Silk Road covering his mouth and nose against the sandstorms of the Taklamakan Desert in Xinjiang.
<i>Clavis Artis</i> is the title of an alchemical manuscript published in Germany in three volumes in the late 17th or early 18th century, attributed to Zoroaster (Zarathustra). It features numerous watercolor illustrations depicting alchemical images, as well as pen drawings of laboratory instruments.<br/><br/> Three copies of the manuscript are known to exist, one at the Biblioteca dell’Accademia Nazionale dei Lincei in Rome, one at the Biblioteca Civica Attilio Hortis in Trieste, and one at the Bayerische Staatsbibliothek in Munich. There is no information about the author and the origin of the manuscript, but there are references to a Rosicrucian order (Orden der Gold- und Rosenkreutzer).
A Tower of Silence or Dakhma is a circular, raised structure used by Zoroastrians for exposure of the dead. There is no standard technical name for such a construction. The common <i>dakhma</i> or <i>dokhma</i> (from Middle Persian <i>dakhmag</i>) originally denoted any place for the dead. Similarly, in the medieval texts of Zoroastrian tradition, the word astodan appears, but today denotes an ossuary.<br/><br/> In the Iranian provinces of Yazd and Kerman, the technical term is <i>deme</i> or <i>dema</i>. In India, the term <i>doongerwadi</i> came into use after a tower was constructed on a hill of that name. The word <i>dagdah</i> appears in the texts of both India and Iran but, in 20th century India, signified the lowest grade of temple fire (cf. Fire temple). The term 'Tower of Silence' is a neologism attributed to one Robert Murphy, who, in 1832, was a translator of the British colonial government in India.
<i>Clavis Artis</i> is the title of an alchemical manuscript published in Germany in three volumes in the late 17th or early 18th century, attributed to Zoroaster (Zarathustra). It features numerous watercolour illustrations depicting alchemical images, as well as pen drawings of laboratory instruments.<br/><br/> Three copies of the manuscript are known to exist, one at the Biblioteca dell’Accademia Nazionale dei Lincei in Rome, one at the Biblioteca Civica Attilio Hortis in Trieste, and one at the Bayerische Staatsbibliothek in Munich. There is no information about the author and the origin of the manuscript, but there are references to a Rosicrucian order (Orden der Gold- und Rosenkreutzer).
<i>Clavis Artis</i> is the title of an alchemical manuscript published in Germany in three volumes in the late 17th or early 18th century, attributed to Zoroaster (Zarathustra). It features numerous watercolor illustrations depicting alchemical images, as well as pen drawings of laboratory instruments.<br/><br/> Three copies of the manuscript are known to exist, one at the Biblioteca dell’Accademia Nazionale dei Lincei in Rome, one at the Biblioteca Civica Attilio Hortis in Trieste, and one at the Bayerische Staatsbibliothek in Munich. There is no information about the author and the origin of the manuscript, but there are references to a Rosicrucian order (Orden der Gold- und Rosenkreutzer).
A Tower of Silence or Dakhma is a circular, raised structure used by Zoroastrians for exposure of the dead. There is no standard technical name for such a construction. The common <i>dakhma</i> or <i>dokhma</i> (from Middle Persian <i>dakhmag</i>) originally denoted any place for the dead. Similarly, in the medieval texts of Zoroastrian tradition, the word astodan appears, but today denotes an ossuary.<br/><br/> In the Iranian provinces of Yazd and Kerman, the technical term is <i>deme</i> or <i>dema</i>. In India, the term <i>doongerwadi</i> came into use after a tower was constructed on a hill of that name. The word <i>dagdah</i> appears in the texts of both India and Iran but, in 20th century India, signified the lowest grade of temple fire (cf. Fire temple). The term 'Tower of Silence' is a neologism attributed to one Robert Murphy, who, in 1832, was a translator of the British colonial government in India.
<i>Clavis Artis</i> is the title of an alchemical manuscript published in Germany in three volumes in the late 17th or early 18th century, attributed to Zoroaster (Zarathustra). It features numerous watercolour illustrations depicting alchemical images, as well as pen drawings of laboratory instruments.<br/><br/> Three copies of the manuscript are known to exist, one at the Biblioteca dell’Accademia Nazionale dei Lincei in Rome, one at the Biblioteca Civica Attilio Hortis in Trieste, and one at the Bayerische Staatsbibliothek in Munich. There is no information about the author and the origin of the manuscript, but there are references to a Rosicrucian order (Orden der Gold- und Rosenkreutzer).
From 1861 to 1890 the Munich publishing firm of Braun and Schneider published plates of historic and contemporary costume in their magazine Munchener Bilderbogen.<br/><br/> These plates were eventually collected in book form and published at the turn of the century in Germany and England.
<i>Clavis Artis</i> is the title of an alchemical manuscript published in Germany in three volumes in the late 17th or early 18th century, attributed to Zoroaster (Zarathustra). It features numerous watercolor illustrations depicting alchemical images, as well as pen drawings of laboratory instruments.<br/><br/> Three copies of the manuscript are known to exist, one at the Biblioteca dell’Accademia Nazionale dei Lincei in Rome, one at the Biblioteca Civica Attilio Hortis in Trieste, and one at the Bayerische Staatsbibliothek in Munich. There is no information about the author and the origin of the manuscript, but there are references to a Rosicrucian order (Orden der Gold- und Rosenkreutzer).
A Tower of Silence or Dakhma is a circular, raised structure used by Zoroastrians for exposure of the dead. There is no standard technical name for such a construction. The common <i>dakhma</i> or <i>dokhma</i> (from Middle Persian <i>dakhmag</i>) originally denoted any place for the dead. Similarly, in the medieval texts of Zoroastrian tradition, the word astodan appears, but today denotes an ossuary.<br/><br/> In the Iranian provinces of Yazd and Kerman, the technical term is <i>deme</i> or <i>dema</i>. In India, the term <i>doongerwadi</i> came into use after a tower was constructed on a hill of that name. The word <i>dagdah</i> appears in the texts of both India and Iran but, in 20th century India, signified the lowest grade of temple fire (cf. Fire temple). The term 'Tower of Silence' is a neologism attributed to one Robert Murphy, who, in 1832, was a translator of the British colonial government in India.
<i>Clavis Artis</i> is the title of an alchemical manuscript published in Germany in three volumes in the late 17th or early 18th century, attributed to Zoroaster (Zarathustra). It features numerous watercolour illustrations depicting alchemical images, as well as pen drawings of laboratory instruments.<br/><br/> Three copies of the manuscript are known to exist, one at the Biblioteca dell’Accademia Nazionale dei Lincei in Rome, one at the Biblioteca Civica Attilio Hortis in Trieste, and one at the Bayerische Staatsbibliothek in Munich. There is no information about the author and the origin of the manuscript, but there are references to a Rosicrucian order (Orden der Gold- und Rosenkreutzer).
A Tower of Silence or Dakhma is a circular, raised structure used by Zoroastrians for exposure of the dead. There is no standard technical name for such a construction. The common <i>dakhma</i> or <i>dokhma</i> (from Middle Persian <i>dakhmag</i>) originally denoted any place for the dead. Similarly, in the medieval texts of Zoroastrian tradition, the word astodan appears, but today denotes an ossuary.<br/><br/> In the Iranian provinces of Yazd and Kerman, the technical term is <i>deme</i> or <i>dema</i>. In India, the term <i>doongerwadi</i> came into use after a tower was constructed on a hill of that name. The word <i>dagdah</i> appears in the texts of both India and Iran but, in 20th century India, signified the lowest grade of temple fire (cf. Fire temple). The term 'Tower of Silence' is a neologism attributed to one Robert Murphy, who, in 1832, was a translator of the British colonial government in India.
<i>Clavis Artis</i> is the title of an alchemical manuscript published in Germany in three volumes in the late 17th or early 18th century, attributed to Zoroaster (Zarathustra). It features numerous watercolor illustrations depicting alchemical images, as well as pen drawings of laboratory instruments.<br/><br/> Three copies of the manuscript are known to exist, one at the Biblioteca dell’Accademia Nazionale dei Lincei in Rome, one at the Biblioteca Civica Attilio Hortis in Trieste, and one at the Bayerische Staatsbibliothek in Munich. There is no information about the author and the origin of the manuscript, but there are references to a Rosicrucian order (Orden der Gold- und Rosenkreutzer).
A Tower of Silence or Dakhma is a circular, raised structure used by Zoroastrians for exposure of the dead. There is no standard technical name for such a construction. The common <i>dakhma</i> or <i>dokhma</i> (from Middle Persian <i>dakhmag</i>) originally denoted any place for the dead. Similarly, in the medieval texts of Zoroastrian tradition, the word astodan appears, but today denotes an ossuary.<br/><br/> In the Iranian provinces of Yazd and Kerman, the technical term is <i>deme</i> or <i>dema</i>. In India, the term <i>doongerwadi</i> came into use after a tower was constructed on a hill of that name. The word <i>dagdah</i> appears in the texts of both India and Iran but, in 20th century India, signified the lowest grade of temple fire (cf. Fire temple). The term 'Tower of Silence' is a neologism attributed to one Robert Murphy, who, in 1832, was a translator of the British colonial government in India.
<i>Clavis Artis</i> is the title of an alchemical manuscript published in Germany in three volumes in the late 17th or early 18th century, attributed to Zoroaster (Zarathustra). It features numerous watercolour illustrations depicting alchemical images, as well as pen drawings of laboratory instruments.<br/><br/> Three copies of the manuscript are known to exist, one at the Biblioteca dell’Accademia Nazionale dei Lincei in Rome, one at the Biblioteca Civica Attilio Hortis in Trieste, and one at the Bayerische Staatsbibliothek in Munich. There is no information about the author and the origin of the manuscript, but there are references to a Rosicrucian order (Orden der Gold- und Rosenkreutzer).
A Tower of Silence or Dakhma is a circular, raised structure used by Zoroastrians for exposure of the dead. There is no standard technical name for such a construction. The common <i>dakhma</i> or <i>dokhma</i> (from Middle Persian <i>dakhmag</i>) originally denoted any place for the dead. Similarly, in the medieval texts of Zoroastrian tradition, the word astodan appears, but today denotes an ossuary.<br/><br/> In the Iranian provinces of Yazd and Kerman, the technical term is <i>deme</i> or <i>dema</i>. In India, the term <i>doongerwadi</i> came into use after a tower was constructed on a hill of that name. The word <i>dagdah</i> appears in the texts of both India and Iran but, in 20th century India, signified the lowest grade of temple fire (cf. Fire temple). The term 'Tower of Silence' is a neologism attributed to one Robert Murphy, who, in 1832, was a translator of the British colonial government in India.
<i>Clavis Artis</i> is the title of an alchemical manuscript published in Germany in three volumes in the late 17th or early 18th century, attributed to Zoroaster (Zarathustra). It features numerous watercolor illustrations depicting alchemical images, as well as pen drawings of laboratory instruments.<br/><br/> Three copies of the manuscript are known to exist, one at the Biblioteca dell’Accademia Nazionale dei Lincei in Rome, one at the Biblioteca Civica Attilio Hortis in Trieste, and one at the Bayerische Staatsbibliothek in Munich. There is no information about the author and the origin of the manuscript, but there are references to a Rosicrucian order (Orden der Gold- und Rosenkreutzer).
<i>Clavis Artis</i> is the title of an alchemical manuscript published in Germany in three volumes in the late 17th or early 18th century, attributed to Zoroaster (Zarathustra). It features numerous watercolour illustrations depicting alchemical images, as well as pen drawings of laboratory instruments.<br/><br/> Three copies of the manuscript are known to exist, one at the Biblioteca dell’Accademia Nazionale dei Lincei in Rome, one at the Biblioteca Civica Attilio Hortis in Trieste, and one at the Bayerische Staatsbibliothek in Munich. There is no information about the author and the origin of the manuscript, but there are references to a Rosicrucian order (Orden der Gold- und Rosenkreutzer).
Zoroaster (Old Persian: Zarathustra, in modern Persian Zardosht) is generally thought to have lived about the 11th or 10th century BCE. Zoroastrianism is a religion and philosophy based on the teachings of Zoroaster as prophet. The term Zoroastrianism is, in general usage, essentially synonymous with Mazdaism (the worship of Ahura Mazda, exalted by Zoroaster as the supreme divine authority).<br/><br/> In Zoroastrianism, the Creator Ahura Mazda is all good, and no evil originates from Him. Thus, in Zoroastrianism good and evil have distinct sources, with evil (druj) trying to destroy the creation of Mazda (asha), and good trying to sustain it. In some form, it served as the national- or state religion of a significant portion of the Iranian people for many centuries.
Zoroaster (Old Persian: Zarathustra, in modern Persian Zardosht) is generally thought to have lived about the 11th or 10th century BCE. Zoroastrianism is a religion and philosophy based on the teachings of Zoroaster as prophet. The term Zoroastrianism is, in general usage, essentially synonymous with Mazdaism (the worship of Ahura Mazda, exalted by Zoroaster as the supreme divine authority).<br/><br/> In Zoroastrianism, the Creator Ahura Mazda is all good, and no evil originates from Him. Thus, in Zoroastrianism good and evil have distinct sources, with evil (druj) trying to destroy the creation of Mazda (asha), and good trying to sustain it. In some form, it served as the national- or state religion of a significant portion of the Iranian people for many centuries.
Zoroaster (Old Persian: Zarathustra, in modern Persian Zardosht) is generally thought to have lived about the 11th or 10th century BCE. Zoroastrianism is a religion and philosophy based on the teachings of Zoroaster as prophet. The term Zoroastrianism is, in general usage, essentially synonymous with Mazdaism (the worship of Ahura Mazda, exalted by Zoroaster as the supreme divine authority).<br/><br/> In Zoroastrianism, the Creator Ahura Mazda is all good, and no evil originates from Him. Thus, in Zoroastrianism good and evil have distinct sources, with evil (druj) trying to destroy the creation of Mazda (asha), and good trying to sustain it. In some form, it served as the national- or state religion of a significant portion of the Iranian people for many centuries.
Zoroaster (Old Persian: Zarathustra, in modern Persian Zardosht) is generally thought to have lived about the 11th or 10th century BCE. Zoroastrianism is a religion and philosophy based on the teachings of Zoroaster as prophet. The term Zoroastrianism is, in general usage, essentially synonymous with Mazdaism (the worship of Ahura Mazda, exalted by Zoroaster as the supreme divine authority).<br/><br/> In Zoroastrianism, the Creator Ahura Mazda is all good, and no evil originates from Him. Thus, in Zoroastrianism good and evil have distinct sources, with evil (druj) trying to destroy the creation of Mazda (asha), and good trying to sustain it. In some form, it served as the national- or state religion of a significant portion of the Iranian people for many centuries.
Zoroaster (Old Persian: Zarathustra, in modern Persian Zardosht) is generally thought to have lived about the 11th or 10th century BCE. Zoroastrianism is a religion and philosophy based on the teachings of Zoroaster as prophet. The term Zoroastrianism is, in general usage, essentially synonymous with Mazdaism (the worship of Ahura Mazda, exalted by Zoroaster as the supreme divine authority).<br/><br/> In Zoroastrianism, the Creator Ahura Mazda is all good, and no evil originates from Him. Thus, in Zoroastrianism good and evil have distinct sources, with evil (druj) trying to destroy the creation of Mazda (asha), and good trying to sustain it. In some form, it served as the national- or state religion of a significant portion of the Iranian people for many centuries.
Zoroaster (Old Persian: Zarathustra, in modern Persian Zardosht) is generally thought to have lived about the 11th or 10th century BCE. Zoroastrianism is a religion and philosophy based on the teachings of Zoroaster as prophet. The term Zoroastrianism is, in general usage, essentially synonymous with Mazdaism (the worship of Ahura Mazda, exalted by Zoroaster as the supreme divine authority).<br/><br/> In Zoroastrianism, the Creator Ahura Mazda is all good, and no evil originates from Him. Thus, in Zoroastrianism good and evil have distinct sources, with evil (druj) trying to destroy the creation of Mazda (asha), and good trying to sustain it. In some form, it served as the national- or state religion of a significant portion of the Iranian people for many centuries.
Zoroaster (Old Persian: Zarathustra, in modern Persian Zardosht) is generally thought to have lived about the 11th or 10th century BCE. Zoroastrianism is a religion and philosophy based on the teachings of Zoroaster as prophet. The term Zoroastrianism is, in general usage, essentially synonymous with Mazdaism (the worship of Ahura Mazda, exalted by Zoroaster as the supreme divine authority).<br/><br/> In Zoroastrianism, the Creator Ahura Mazda is all good, and no evil originates from Him. Thus, in Zoroastrianism good and evil have distinct sources, with evil (druj) trying to destroy the creation of Mazda (asha), and good trying to sustain it. In some form, it served as the national- or state religion of a significant portion of the Iranian people for many centuries.
Zoroaster (Old Persian: Zarathustra, in modern Persian Zardosht) is generally thought to have lived about the 11th or 10th century BCE. Zoroastrianism is a religion and philosophy based on the teachings of Zoroaster as prophet. The term Zoroastrianism is, in general usage, essentially synonymous with Mazdaism (the worship of Ahura Mazda, exalted by Zoroaster as the supreme divine authority).<br/><br/> In Zoroastrianism, the Creator Ahura Mazda is all good, and no evil originates from Him. Thus, in Zoroastrianism good and evil have distinct sources, with evil (druj) trying to destroy the creation of Mazda (asha), and good trying to sustain it. In some form, it served as the national- or state religion of a significant portion of the Iranian people for many centuries.
Zoroaster (Old Persian: Zarathustra, in modern Persian Zardosht) is generally thought to have lived about the 11th or 10th century BCE. Zoroastrianism is a religion and philosophy based on the teachings of Zoroaster as prophet. The term Zoroastrianism is, in general usage, essentially synonymous with Mazdaism (the worship of Ahura Mazda, exalted by Zoroaster as the supreme divine authority).<br/><br/> In Zoroastrianism, the Creator Ahura Mazda is all good, and no evil originates from Him. Thus, in Zoroastrianism good and evil have distinct sources, with evil (druj) trying to destroy the creation of Mazda (asha), and good trying to sustain it. In some form, it served as the national- or state religion of a significant portion of the Iranian people for many centuries.
Isfandiyar, son of Gushtasp (the 5th Kayanian King) Battles Simurgh, the Fantastic Bird. From the Shah-nama (Book of Kings) the Epic of Medieval Persia by Firdawsi, a 10th century poet. Shiraz, 1330.<br/><br/> The Shahnameh or Shah-nama is an enormous poetic opus written by the Persian poet Ferdowsi around 1000 AD and is the national epic of the cultural sphere of Greater Persia. Consisting of some 60,000 verses, the Shahnameh tells the mythical and historical past of (Greater) Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
Isfandiyar, son of Gushtasp (the 5th Kayanian King) Battles Simurgh, the Fantastic Bird. From the Shah-nama (Book of Kings) the Epic of Medieval Persia by Firdawsi, a 10th century poet. Shiraz, 1330.<br/><br/> The Shahnameh or Shah-nama is an enormous poetic opus written by the Persian poet Ferdowsi around 1000 CE and is the national epic of the cultural sphere of Greater Persia. Consisting of some 60,000 verses, the Shahnameh tells the mythical and historical past of (Greater) Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
Zoroaster (Old Persian: Zarathustra, in modern Persian Zardosht) is generally thought to have lived about the 11th or 10th century BCE. Zoroastrianism is a religion and philosophy based on the teachings of Zoroaster as prophet. The term Zoroastrianism is, in general usage, essentially synonymous with Mazdaism (the worship of Ahura Mazda, exalted by Zoroaster as the supreme divine authority).<br/><br/> In Zoroastrianism, the Creator Ahura Mazda is all good, and no evil originates from Him. Thus, in Zoroastrianism good and evil have distinct sources, with evil (druj) trying to destroy the creation of Mazda (asha), and good trying to sustain it. In some form, it served as the national- or state religion of a significant portion of the Iranian people for many centuries.
The Faravahar is one of the best-known symbols of Zoroastrianism, the state religion of ancient Iran. This religious-cultural symbol was adapted by the Pahlavi dynasty to represent the Iranian nation. The winged disc has a long history in the art and culture of the ancient Near and Middle East. Historically, the symbol is influenced by the "winged sun" hieroglyph appearing on Bronze Age royal seals. In Neo-Assyrian times, a human bust is added to the disk, the "feather-robed archer" interpreted as symbolizing Ashur. The symbol is currently thought to represent a Fravashi (a guardian angel). Because the symbol first appears on royal inscriptions, it is also thought to represent the 'Divine Royal Glory' and the divine mandate that was the foundation of a king's authority.
Zoroaster (Old Persian: Zarathustra, in modern Persian Zardosht) is generally thought to have lived about the 11th or 10th century BCE. Zoroastrianism is a religion and philosophy based on the teachings of Zoroaster as prophet. The term Zoroastrianism is, in general usage, essentially synonymous with Mazdaism (the worship of Ahura Mazda, exalted by Zoroaster as the supreme divine authority).<br/><br/> In Zoroastrianism, the Creator Ahura Mazda is all good, and no evil originates from Him. Thus, in Zoroastrianism good and evil have distinct sources, with evil (druj) trying to destroy the creation of Mazda (asha), and good trying to sustain it. In some form, it served as the national- or state religion of a significant portion of the Iranian people for many centuries.
A Tower of Silence or Dakhma is a circular, raised structure used by Zoroastrians for exposure of the dead. There is no standard technical name for such a construction. The common dakhma or dokhma (from Middle Persian dakhmag) originally denoted any place for the dead. Similarly, in the medieval texts of Zoroastrian tradition, the word astodan appears, but today denotes an ossuary. In the Iranian provinces of Yazd and Kerman, the technical term is deme or dema. In India, the term doongerwadi came into use after a tower was constructed on a hill of that name. The word dagdah appears in the texts of both India and Iran but, in 20th century India, signified the lowest grade of temple fire (cf. Fire temple). The term 'Tower of Silence' is a neologism attributed to one Robert Murphy, who, in 1832, was a translator of the British colonial government in India.
Zanzibar (from Arabic: زنجبار‎ ZanjibÄr, from Persian: زنگبار‎ ZangibÄr'Coast of Blacks'; zangi [black-skinned] + bÄr [coast]) is a semi-autonomous part of Tanzania in East Africa. It is composed of the Zanzibar Archipelago in the Indian Ocean, 25–50 kilometres (16–31 mi) off the coast of the mainland, and consists of numerous small islands and two large ones: Unguja (the main island, referred to informally as Zanzibar), and Pemba.<br/><br/> The capital of Zanzibar, located on the island of Unguja, is Zanzibar City. Its historic centre, known as Stone Town, is a World Heritage Site and is claimed to be the only functioning ancient town in East Africa.<br/><br/> Zanzibar's main industries are spices, raffia, and tourism. In particular, the islands produce cloves, nutmeg, cinnamon, and black pepper. For this reason, the islands, together with Tanzania's Mafia Island, are sometimes called the Spice Islands (a term also associated with the Maluku Islands in Indonesia).
A voyage to the East Indies; containing authentic accounts of the Mogul government in general, the viceroyalties of the Decan and Bengal, with their several subordinate dependencies. This two-volume work is the third edition of a book first published as a single volume in 1757, expanded to two volumes in 1766, and republished in 1772. The author, John Henry Grose (active 1750-83), was born in England and went to Bombay (present-day Mumbai) in March 1750, to work as a servant and writer for the British East India Company. The book contains Grose’s descriptions of 18th-century India, including his account of the war of 1756-63, in which the British East India Company largely eliminated France as a competitor for control of India and established the basis for British rule that was to last until the middle of the 20th century.
Zoroaster (Old Persian: Zarathustra, in modern Persian Zardosht) is generally thought to have lived about the 11th or 10th century BCE. Zoroastrianism is a religion and philosophy based on the teachings of Zoroaster as prophet. The term Zoroastrianism is, in general usage, essentially synonymous with Mazdaism (the worship of Ahura Mazda, exalted by Zoroaster as the supreme divine authority).<br/><br/> In Zoroastrianism, the Creator Ahura Mazda is all good, and no evil originates from Him. Thus, in Zoroastrianism good and evil have distinct sources, with evil (druj) trying to destroy the creation of Mazda (asha), and good trying to sustain it. In some form, it served as the national- or state religion of a significant portion of the Iranian people for many centuries.
The Shahnameh or Shah-nama is an enormous poetic opus written by the Persian poet Ferdowsi around 1000 AD and is the national epic of the cultural sphere of Greater Persia.<br/><br/> Consisting of some 60,000 verses, the Shahnameh tells the mythical and historical past of (Greater) Iran from the creation of the world until the Islamic conquest of Persia in the 7th century. The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. <br/><br/> It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
The national Persian epic, the ‘Shahnameh’, meaning ‘The King’s Chronicles’, is a poetic opus written around 1000 AD by Ferdowsi. Regarded as the national folktale of Greater Persia, the Shahnameh consists of some 60,000 verses and tells the mythical and historical past of (Greater) Iran from the creation of the world up until the Islamic conquest of Persia in the 7th century.
The Shahnameh or Shah-nama is an enormous poetic opus written by the Persian poet Ferdowsi around 1000 AD and is the national epic of the cultural sphere of Greater Persia.<br/><br/> Consisting of some 60,000 verses, the Shahnameh tells the mythical and historical past of (Greater) Iran from the creation of the world until the Islamic conquest of Persia in the 7th century. The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. <br/><br/> It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
The Secretum Secretorum is a medieval treatise also known as Secret of Secrets, or The Book of the Secret of Secrets, or in Arabic: كتاب سر الأسرار‎ (Kitab sirr al-asrar), or the Book of the Science of Government: on the good ordering of statecraft.<br/><br/> It is a mid-12th century Latin translation of a 10th-century Arabic encyclopedic treatise on a wide range of topics, including statecraft, ethics, physiognomy, astrology, alchemy, magic and medicine. It was influential in Europe during the High Middle Ages.
Zoroaster (Old Persian: Zarathustra, in modern Persian Zardosht) is generally thought to have lived about the 11th or 10th century BCE. Zoroastrianism is a religion and philosophy based on the teachings of Zoroaster as prophet. The term Zoroastrianism is, in general usage, essentially synonymous with Mazdaism (the worship of Ahura Mazda, exalted by Zoroaster as the supreme divine authority).<br/><br/> In Zoroastrianism, the Creator Ahura Mazda is all good, and no evil originates from Him. Thus, in Zoroastrianism good and evil have distinct sources, with evil (druj) trying to destroy the creation of Mazda (asha), and good trying to sustain it. In some form, it served as the national- or state religion of a significant portion of the Iranian people for many centuries.
Isfandiyar, son of Gushtasp (the 5th Kayanian King) Battles Simurgh, the Fantastic Bird. From the Shah-nama (Book of Kings) the Epic of Medieval Persia by Firdawsi, a 10th century poet. Shiraz, 1330.<br/><br/> The Shahnameh or Shah-nama is an enormous poetic opus written by the Persian poet Ferdowsi around 1000 AD and is the national epic of the cultural sphere of Greater Persia. Consisting of some 60,000 verses, the Shahnameh tells the mythical and historical past of (Greater) Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
The Sogdians established a trading network across the 2400 kilometres (1500 miles) from Sogdiana to China. In fact, the Sogdians turned their energies to trade so thoroughly that the Saka (Scythians) of the Kingdom of Khotan called all merchants suli, 'Sogdian', whatever their culture or ethnicity.<br/><br/> An ossuary is a chest, box, building, well, or site made to serve as the final resting place of human skeletal remains. They are frequently used where burial space is scarce. A body is first buried in a temporary grave, then after some years the skeletal remains are removed and placed in an ossuary. The greatly reduced space taken up by an ossuary means that it is possible to store the remains of many more people in a single tomb than if the original coffins were left as is.
The Sogdians established a trading network across the 2400 kilometres (1500 miles) from Sogdiana to China. In fact, the Sogdians turned their energies to trade so thoroughly that the Saka (Scythians) of the Kingdom of Khotan called all merchants suli, 'Sogdian', whatever their culture or ethnicity.<br/><br/> An ossuary is a chest, box, building, well, or site made to serve as the final resting place of human skeletal remains. They are frequently used where burial space is scarce. A body is first buried in a temporary grave, then after some years the skeletal remains are removed and placed in an ossuary. The greatly reduced space taken up by an ossuary means that it is possible to store the remains of many more people in a single tomb than if the original coffins were left as is.